Galleria

By AUSTIN SEGREST


                   
Power, which hides what it can
                                —George Oppen

1/

A kind of hangar by the mall. 
Propulsive dance hits 
looped like the 80s never ended—
B-b-b-b-b-baby, I-I-I-I can’t wait…

A shimmering wall through which 
the latest Nikes, Reeboks, and Adidas 
parthenogenetically appeared, manifesting 
some new sports need—I’ve got the power!

Aggressive Vegas effect, indifferent glitz. 
No ceiling, no limits.

2/

1994. Lights spun 
over the towering echelons,
to which we raised our eyes 

from The Combat Zone,
i.e., sales rack off to the side
of the main event.

Like adolescence itself
wanna try that in an 8-and-a-half?
(pierced ears, a silver chain,

I was fourteen), threshold 
through which all must pass,
where there was no hiding

the rifled-through shoeboxes,
the desperation and shame.
Pierced ears, a silver chain.

3/

Out in the night Steve was waiting 
in his pickup—rockdove, bellmetal,
stripped-down primer gray groomed 

to a secrecy so irretrievable I can’t remember 
why he was parked at the Applebee’s
three parking lots over, 

what happened after I got off, 
what concert, if we ever made it. 
I see him in the cab, the empty lot

sloping down to the parkway
thickening with the night’s traffic. 
His look that says I’m lucky, I’d be lost 

crossing these deserts without him—
the world’s blank patchwork 
of parking lots, its power suit 

where nothing grows, 
nothing retains any water, 
running off like debt

sold the world over. FinalLY
it has happened to me right in front
of my face and I just cannot hide it…

He could be Charon waiting for his next 
customer, the petty coin of my commission
sealing my shy mouth.

Getting in, my necklace turns to lead, 
an x-ray apron holding me
down in the vinyl benchseat,

submerged, let’s say,
in a laser light show’s 
uninscribable fog—
            I remember 

he had a favorite cousin Sharon,
lived over the river in Huntsville.
He loved to tell about crossing

the bridge once at sunset. Looking down
into the mouth, the very fires, of hell.

 

Austin Segrest is a poet, a critic, and the author of Door to Remain, winner of the 2021 Vassar Miller Prize in Poetry. Born and raised in Alabama, Austin teaches at Lawrence University in Wisconsin.

[Purchase Issue 24 here.]

Galleria

Related Posts

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

November 2024 Poetry Feature: New Work from our Contributors

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?