Enrich your classroom with The Common magazine: poems, essays, stories, and images that provide fresh, global perspectives on place and placelessness, home and belonging, migration and exile.
Saturday night I’m at the kitchen window listening to my neighbors fight. Theirs is the only light on, pungent and pouring out onto the fire escape, illuminating a coffee can. I’ve counted five cigarette butts so far.
“I can’t keep doing this, bro,” the girl shouts. Glass shatters thick against a wall in their apartment. “I can’t keep doing and doing this.”
The kettle screeches and out goes the mug in my hand and the spoiled red wine all over the windowsill and all over me. Who knows why I’ve set water to boil. A jilted habit of steeping tea to sleep when I had patience with myself. A phantom limb.
There’s a sprint of shouts, one voice trampling another, and then a long, feral cry. My cat when I was a kid yowled like that when she pawed at a mouse trap. We freed her and she crawled into my mother’s dresser where she stayed for weeks and weeks, burrowing into her fear. The world became a mouse trap.
Text and images by ALAA TAWALBEH
After drawing the collection of dark faces in charcoal, Alaa was provoked to give them a story, so he used the same charcoal sticks to form words. The words were written after the drawings, so the faces can still have different stories. These drawings and more from the same collection will be displayed in Alaa’s second solo exhibition, forthcoming in September 2021 in Amman, alongside works in watercolor.
At Rukban refugee camp, your only source of entertainment is sitting on the cold floor and staring at a slit in your tent. It flaps open with each gust of wind and cold drops of rain land on your face, just like the broken window in your old house.
The raindrops are black. They say it is the soot from a faraway city. Some say it’s from your city, Aleppo. Maybe some of it has come from the building you once lived in.
Ravi Shankar speaks to managing editor Emily Everett about his essay “The Five-Room Box,” which appears in The Common’s spring issue. In this conversation, Shankar talks about constructing this essay on identity, family, and fitting in from an excerpt of his memoir, Correctional, about his time spent in prison. He also discusses how that time changed the course of his academic work, what it’s like to transition from poet to prose-writer, and the privilege and profiling Asian-Americans experience as the ‘model minority.’
This interview is the eighth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.
Read Beaird’s Issue 17 story, “Trousseau”
Southwest Ohio
Cute, I said bending over, a salam—
I swallowed the second half of the word
as my face drew nearer to the shiny body
and I saw the white oozing from its mouth, but
it was too late.
My daughter was already rushing over,
What is that little guy?
I stood, tried pivoting,
a bit dizzy from the way the thing
lay there still
moving one of its tiny arms, I looked at Kayla
and said in Hebrew, which we both speak thanks to
Enrich your classroom with The Common magazine: poems, essays, stories, and images that provide fresh, global perspectives on place and placelessness, home and belonging, migration and exile.
Adapted from Curtis Bauer, The Common’s Translation Editor, and Director of Creative Writing Program and teacher of Comparative Literature at Texas Tech University.
In this exercise you will explore the multidimensionality of a poem, essay, or story by “living with” the author and translator: reading and thinking about their work every day for a week. This is a multi-step assignment so read carefully and make sure you plan in advance.
(Amherst, Mass. July 12, 2021)— The Common, the award-winning literary journal based at Amherst College, has announced its second Literary Editorial Fellow: Elly Hong ’21. The fellowship is funded in part by generous support from alumni donors and from the Whiting Foundation, which is providing a $20,000 matching grant for the second consecutive year, in recognition of the magazine’s secure and important foothold in literary publishing. In 2019, The Common was the top print award winner of the Whiting Literary Magazine Prizes.
The Literary Editorial Fellowship was created with two goals in mind: to strengthen the bridge between The Common’s existing Literary Publishing Internship (LPI) program for undergraduates and the professional publishing world; and to provide invaluable, real-world experience for an Amherst graduate, transferable to any job in nonprofit, trade, or academic publishing, or a wide variety of related fields.
MATT W. MILLER interviews ELIZABETH A.I. POWELL
Elizabeth A.I. Powell’s most recent book is Atomizer (LSU Press, 2020). She is a Professor of Creative Writing at North Vermont University. Her poems are forthcoming in The New Republic and American Poetry Review. You can find her at www.elizabethaipowell.com.
The terrestrial assumption is that on any given day you can find humans crying out to the heavens. Elizabeth A.I. Powell is a poet who has “spent a lifetime trying to say the truth in a beautiful way,” and operates on the assumption that we all have celestial cries to process. In this interview, Matt Miller and Elizabeth A.I. Powell explore the invisibility of sexuality, the enactment of fury, and poem as atomizer. Walk through this synesthetic interview and discover how poetry approaches the smell of memory.
Curated by ELLY HONG
In our July edition of Friday Reads, two TC interns and one volunteer reader recommend transportive summer reading, ranging from a novel about a trip to Greece to a good old-fashioned western. Read onward for discussions of a braided Faulkner novel, a flâneur novelist, and two cowboys down on their luck.
Recommendations: If I Forget Thee, Jerusalem by William Faulkner, Outline by Rachel Cusk, Hanging Woman Creek by Louis L’Amour.
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