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Westmoreland, Jamaica
Scorpions, jellyfish, poisonous flowers. My orientation as a young newcomer to a Caribbean island began with a litany of how to avoid being stung or cut or poisoned or burned. At age four, I learned to shake out my shoes to check for scorpions. I learned to back away from the pink blooms of jellyfish in the water. I learned to recognize the dark, flitting form of the stingray. I learned don’t step on a sea urchin, don’t eat an ackee raw, don’t taste the milky sap of the oleander plant.
Book by AKRAM AYLISLI
Translated from Russian by KATHERINE E. YOUNG
Review by OLGA ZILBERBOURG
Contemporary books emerging from post-Soviet countries often deal with the dehumanizing effect of the region’s systems of government on its victims, seeking to trace and partially redeem the psychological and physical harm many have suffered. For understandable reasons, few authors care to look at the perpetrators, at the people who committed murders and mass murders, informed on and denounced their neighbors. Yet, in the post-Soviet reality, often it’s these people and their descendants who have risen to the top, taken charge of the new nation states, and written their laws.
Hugo Ríos Cordero’s story “Coloso” has been chosen to appear in Sonder Press’s 2019 award anthology The Best Small Fictions. The anthology, now in its fifth year, presents one hundred and forty-six pristinely crafted pieces from an array of authors representing twenty-six nations and six continents. It features micro fiction, flash fiction, haibun stories and prose poetry. Kathy Fish, author of Wild Life: Collected Works says, “Brilliant, incendiary, incandescent, these tiny stories capture worlds both intimate and universal. Give this book to anyone who says flash fiction doesn’t go deep. This newest volume of Best Small Fictions demonstrates once and for all that flash fiction writers are the Ginger Rogers of the literary world, accomplishing all that novelists and short story writers do, only backwards and in high heels.”
Congrats to Hugo! Read “Coloso” here, or check out his other piece for The Common, “Tonight, the Wind,” from our Issue 16 portfolio of work about Hurricane Maria in Puerto Rico.
Browse more of The Common’s prize-winning pieces here.
Welcoming poet J.J. STARR to our pages.
Contents
With MIRIAM SAGAN
Your name: Miriam Sagan
Current city or town: Santa Fe, New Mexico
How long have you lived here: 35 years
Three words to describe the climate: Windy high desert
Best time of year to visit? Autumn.
Curated by: SARAH WHELAN
Break a sweat with July Friday Reads as our summer staff tackles heated questions of faith, sexuality, and partisanship.
Recommendations: Home by Marilynne Robinson, Call Me By Your Name by André Aciman, The Bostonians by Henry James
The Common magazine has been selected as the winner of the Whiting Foundation’s Literary Magazine Prize for medium-sized print magazines, the largest prize category. The Common will receive a total of $60,000 over three years. These funds will support The Common’s mission of featuring new and underrepresented artistic voices from around the world who deepen our individual and collective sense of place.
H.J. Andrews Experimental Forest, Oregon
1. Avalanche
To practice the quick slipping away of ground beneath our feet, geologists built a second mountain. This one is a tender surface, fitted with sensors, and rigged for data. On sunny, cold mornings, to practice how helpless, they measure piles to drop — peat, gravel, water-saturated masses of organic matter, combinations to mimic what might happen — and let them fall into chaos. To practice the moment of shock, they invite everyone like a performance. The scientists on their lunch break gather, promising to stand quietly for five minutes after the stopwatch starts, for the duration of the drop, to watch how it all tumbles, gaining speed, no gasping no matter what it looks like, and for ten whole minutes after. This is the most difficult part. Practicing the quiet after.
MARNI BERGER interviews LINDSAY WONG
Lindsay Wong’s debut memoir The Woo-Woo: How I Survived Ice Hockey, Drug Raids, Demons, and My Crazy Chinese Family (Arsenal Pulp Press, 2018) was shortlisted for the Hilary Weston Writers’ Trust Prize for Nonfiction, selected for the 2019 edition of Canada Reads (where it was defended by fashion personality Joe Zee), longlisted for the Leacock Medal for humor, and awarded the Hubert Evans Nonfiction Prize. Wong holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. Her short stories and nonfiction have appeared in Apogee Journal, No Tokens, Ricepaper, and The Fiddlehead, and she has earned residencies from The Studios of Key West, Caldera Arts, and the Historic Joy Kogawa House, to name a few.
In this interview, long-time friends Marni Berger and Lindsay Wong span Portland, Maine and Vancouver, British Columbia via the beauty of the internet (as they have for the better part of a decade). They cover topics from sleeping on a mattress beside your grandmother during Hurricane Sandy to visiting your mother’s haunted playground in Hong Kong; and from avoiding self-promotion on social media to coming of age while writing a memoir.
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Celebrating 15 Years