By MEGAN PINTO
Excerpted from “even in silence”
My father is perseverating, moving around the edges of rooms. On repeat, he asks, but how will
we pay for it? How will we pay for it?
He follows me, my mother, then me, then my mother. Inside my childhood home, there are only
so many rooms.
On Christmas Day, I bake a loaf of frozen bread. I feed slices to my father with my hands, then
catch each chewed up bit he pushes back out with his tongue.
He is speaking.
I am numb.
By MEGAN PINTO
Say Chicken Little was right, that the sky
is falling. What I want to know is,
will the moon fall too? Will it bounce softly
like swiss cheese, or will it crumble
like a stale cookie? Do skies bruise?
Do they ache? And is the sky
a metaphor for all the ills and evils
of the world? A testament
to how the earth can only hold so much
pain and grief? But why
would God send a chicken? Would you listen
to a chicken? Is the chicken a metaphor
for Jesus? Did the Bible mention this
and somehow I missed it? Is this because
in 6th grade my teacher made me promise Jesus
my virginity in a gift basket? Actually, if the sky falls,
Poems by JOHN FREEMAN, MARCUS SCOTT WILLIAMS, MEGAN PINTO, and REILLY D. COX.
New work by our contributors:
John Freeman | Translation in Paris
marcus scott williams | meadow on Wabash
Megan Pinto | The Blind
Reilly Cox | Silence of the Lambs: A Matter of Height
TRANSLATION IN PARIS
By John Freeman
There are no editors in the café
called Les Éditeurs. There’s not
a single novelist in the Saint-
Germain store gilded by novels.
There are no beasts of the chase
paddocked in the park, but that’s what
the West Germanic word—parruk—meant.
It took the overrunning of London
by its immigrant population in 1680
to turn the word into the spot we’d
park humans, so they could stumble
around in bewilderment at how time
is translation, change is nature’s rime.
New poetry by ADAM SCHEFFLER and MEGAN PINTO
Table of Contents:
Adam Scheffler, “Checkout”
Megan Pinto, “Faith”
CHECKOUT
A poem can’t tell you what it’s like
to be 83 and seven hours deep
into a Christmas Eve shift
at Walmart, cajoling
beeps from objects like the secret
name each of us will never
be sweetly called, can’t show
you her face and eyes like the
night sky, or the white-haired
man wearing reindeer horns,
mumbling into his collar’s
static-y radio-gadget; a poem
can only mention her eyes,
shocking blue, like desert
pools, the red & white of her
Santa hat, or take note of the
little carts carrying each beached
customer to the doom of their
product; but a poem can place
this curse upon the Waltons:
that they be given her job
manning the conveyer as it
rattles its barren Torah through
miles of product, or be given a list
of every item they sell, and be
made to wander like Israelites
back and forth through their
endless stores until they find them,
until their heads and toes grow
lighter, and Christmas music
lifts and carries them & lifts
and carries them, like each
one is a burst suitcase of
money blizzarding open.
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