The Art of Grief: ‘Windows and Mirrors’

By ROBERT F. SOMMER

“Con mortuis in lingua mortua.”

—Modeste Mussorgsky

Blood seeps through the gauze on Salima’s foot. It’s what we notice first: the dark, rusty seepage a sharp contrast to the pastels of her pajamas and room. She’s thirteen, we learn, but the distant look in her eyes belongs to someone much older. She sits squat on the bed, chin resting on her knee. She seems mindless of her burns. Her mother and sister also survived, but three others in her family were killed when the American helicopter opened fire on their tent in Kandahar.

The Art of Grief: ‘Windows and Mirrors’
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Offerings

By JANE WONG 

Image of girl standing next to car

Matawan, New Jersey

Over and over, I dig thin flower stems into the earth, as if mending a hole in an old shirt. The earth buckles at my persistence. I imagine the worms, deep in the ground, ducking each stem in slow, pink frenzy. The flowers are from Safeway along Route 18—dip-dyed daisy petals in blue and pink food coloring. It’s strange to return these gaudy flowers back to the soil. But they were the only ones we could find in the store that weren’t browning at the edges. If you’re going to bring flowers for the dead, they better not be dead themselves.

Offerings
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Review of Throw: A Novel

Book by RUBÉN DEGOLLADO

Reviewed by JUNE GERVAIS

Cover of Throw

“If I’m going to tell you the story of how I lost two people who were closer than blood to me, I have to begin here in Dennett, Texas, during the summer between the sophomore and junior years of my life. This story begins as it ends, with me, Cirilo Izquierdo, waiting for what all of us spend our whole lives waiting for: not to be alone anymore.” — Throw: A Novel, by Rubén Degollado

If I offer you the words contemplative novel, you may not immediately picture—for example—someone getting stabbed in the leg with a pencil. You may not picture a tangle of high schoolers fighting and flirting, fueling rumors and throwing shade and roaming lowrider car shows.

Review of Throw: A Novel
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Immigrant Ditty

By VLADIMIR GANDELSMAN

Translated from Russian by OLGA LIVSHIN and ANDREW JANCO

Poem appears in both Russian and English.

 

Translators’ Note:

Born in 1948, Vladimir Gandelsman is very much the literary child of the poets of the Russian Silver Age. He draws on their dramatic, spiritually intense version of modernism, the acme, or the highest point of expression, whether meditating on fleeting moments or on major historical events. His literary parents include Pasternak and Mandelstam. Proust and Wilde are his relatives: he draws on and develops their respective fascinations with the sensuous quality of everyday life. Gandelsman’s exquisite diction and surprising collages of words help us remember our own moments of heightened feeling.

Immigrant Ditty
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Repeater

By SIOBHAN LEDDY

ludlow

 

Ludlow, Shropshire, UK

I once read somewhere that all stories are ghost stories, so here’s one.

It begins when I’m about sixteen or seventeen and still living in my hometown. There are many English towns just like it: rural, obscenely sentimentalized, a place where fox hunting enjoys popular support, but immigration does not. A few of us had spent an afternoon sitting on the disintegrating wall of the town’s 11thcentury castle: a major tourist pull that we’d often appropriate for our own ends. On this day we were drinking home-brewed cider, a cloudy ochre liquid shared out from a large plastic demijohn, swiped from someone’s dad’s, or maybe uncle’s, annual batch. It tasted like disinfectant: unpleasant and sour, but hygienic. I remember feeling very grown up, like it was undoing all the unsophisticated parts of myself. A reminder that time would eventually pass, and that one day I would be out of here, living a different life entirely.

Repeater
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The Common Magazine Named Finalist for CLMP Firecracker Award

Logo of firecracker for CLMP

New York, NY (May 30, 2019)—The Community of Literary Magazines and Presses (CLMP), the national nonprofit organization that for more than 50 years has supported the essential work of literary publishers, has announced the finalists of its fifth annual FIRECRACKER AWARDS. Given to recognize the importance of independent literary publishing, the FIRECRACKER AWARDS honor the best self- and independently published books of fiction, creative nonfiction, and poetry and the best literary magazines in the categories of debut and general excellence.

The Common Magazine Named Finalist for CLMP Firecracker Award
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The Common Magazine Receives $8,000 Amazon Literary Partnership Grant

Amazon Literary Partnership logo

Amherst, MA— The Common magazine, the award-winning literary journal based at Amherst College, has been selected for a 2019 Amazon Literary Partnership grant. Since 2017, funding from the Amazon Literary Partnership has helped further The Common’s mission of publishing and promoting emerging and diverse authors who deepen our individual and collective sense of place.  

Since 2009, the Amazon Literary Partnership program has awarded more than $12 million in grants to more than 150 organizations, including the National Book Foundation, PEN America, and Poets & Writers amongst others. Through these grants, the Literary Partnership program helps to uplift and amplify marginalized voices in order to promote a more diverse literary community. In 2019, the Amazon Literary Partnership worked with the Community of Literary Magazines and Presses to establish a new Literary Magazine Fund, and The Common is one of only 15 magazines awarded a grant from the Fund in its inaugural year. 

The Common Magazine Receives $8,000 Amazon Literary Partnership Grant
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Theorizing Delight: An Interview with Ross Gay 

JENNIFER ACKER and CURTIS BAUER interview ROSS GAY

headshot of ross gay sitting in a garden

Ross Gay is the author of the poetry collections Catalog of Unabashed Gratitude, winner of the Kingsley Tufts Award and a finalist for the National Book Award and the National Books Critics Circle Award, Bringing the Shovel Down, and Against WhichIn February he published his first book of prose, The Book of Delights. At the 2019 AWP Conference in Portland, OR, The Common’s editor in chief, Jennifer Acker, and Translations Editor, Curtis Bauer, sat down with Ross over lunch to talk about his latest book, which has led him to realize his life’s work.   

  

JA: It seems to me that your two recent books, the Catalog of Unabashed Gratitude and The Book of Delights, were written in a similar vein and in a similar spirit, even just from the titles. One of the things they’re both doing is thematically trying to draw attention to joy and delight. I wonder if they were consciously part of the same project, different outlets for similar impulse? 

Theorizing Delight: An Interview with Ross Gay 
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