The Bronx, New York
The tiger was showing off, pacing alongside his swimming pond, looking as if he might jump in at any moment. His long tailed curled inquisitively, like a housecat’s. At least twenty people held up phones to capture the moment on video. My five-year-old son stood by the glass divider, watching, rapt. Several feet away, holding my seven-month-old baby girl, I observed the tiger’s pixelated clones prowling across tiny screens.
Years ago, I wrote that seekers of all stripes—journalists, philosophers, scientists, mystics—are chasing the same elusive thing: something like truth, understanding, a fully integrated perspective, awakeness, untangling. We just ask questions in different contexts, modalities, and microcosms.
My wife pointed out the willow tree on move-in day. The branches draped over a hill as round as my wife’s belly at seven months. We’d traded a West Coast high-rise for an East Coast village where the only thing to wake our baby would be other babies. We came to the city in our youth. And we left for our youth.
MELODY NIXON interviews IRIS MARTIN COHEN
Iris Martin Cohen’s debut novel is a witty, incisive, and very funny send up of New York City literary circles and the ambition that drives them. The Common’s Interviews Editor Melody Nixon spoke with Cohen this month about The Little Clan, New York high society, contemporary American male writers and their pitfalls, the female socialite ideal, and, you know, what to do about patriarchal capitalism.
New poems by our contributors, ERICA EHRENBERG and SEBASTIAN MATTHEWS
The Toy Lamb
It was the limpness that I loved,
the way it dangled
even when it was sitting,
when it was as low down
as it possibly could be against the line
of gravity,
With REWA ZEINATI
T-Marbouta, a restaurant in Beirut. Photo by author.
Your name: Rewa Zeinati
Current city or town: Beirut
How long have you lived here: On and off for twenty years
Three words to describe the climate: Mostly reasonably moderate
Best time of year to visit? All year, but if I really have to choose I would say between March and June
Corregidor Island, The Philippines
Corregidor Island, off the coast of Manilla in the Philippines, is balmy but windy, a ceiling fan in Florida. I’m hiking limestone bluffs pockmarked with WWII pillboxes, some say live ammo, and blobs of sunset-colored avian called “mango birds” that flutter in and out of sight. Underneath me is a bunker I’m trying to find. It is multiple airports in size, and I gambled I could stumble on it. Lost, I look out from one of the islands many palm-saturated hills and see a statue tumoring from the beach: General George “Doug-out-Dug” MacArthur. Below the bronze feet, are the words, “I shall return.”
Book by NIÑA WEIJERS, trans. by HESTER VELMANS
Reviewed by
Outstanding books often have a way of catching the reader by surprise, one insight, one unexpected narrative shift at a time. Niña Weijers, a debut novelist from the Netherlands, begins her book as a character study of her protagonist, Minnie Panis. Minnie is a conceptual artist of growing international reputation, whose career has been built on acts of public self-abnegation. With each turn of the page, Weijers extends her subject and thematic reach, keeping her protagonist in focus while exploring contemporary art, mysticism, Mayan beliefs, and early childhood development (among other themes) to enrich our understanding of Minnie’s character and the forces that govern her life.
Translated by CATHERINE COBHAM
The sea had depressed Huda ever since she was a schoolgirl, bent eagerly over a drawing of a Phoenician princess walking with her prince beside the sea, while their dog played with a shell. The creature that lived in the shell had dyed the dog’s mouth a purple color that clashed with the blue sea. She had written below the picture, ‘The color purple was discovered in the city of Tyre. Tyre is a Phoenician city situated on the Mediterranean Sea, like Beirut.’ Then she took her crayons and gave the prince and princess the most beautiful clothes, and colored the world around them like rainbows mingling with the blue of the sea, but instead of being happy that she had finished her homework, she felt a pain, different from when she had a toothache or grazed her knee: it began in her throat and descended into her belly, because the world and the colors she had drawn on the sheet of paper were what she longed for, unlike her house, empty of color and pictures and music. The pain attacked her throat and she felt as if she was suffocating because she would never walk by the sea like this prince and princess and their dog, never set eyes on its blueness or the lovely colors of the prince and princess’s clothes except in her dreams, and only then if she dreamt in color and not in black and white as usual.
Adapted from My Abandonment by PETER ROCK
Reviewed by HANNAH GERSEN
In fairy tales, the forest is a dark, dangerous place, populated by wolves and other menacing creatures, but for Thomasin and her father, Will, a veteran of the wars in Iraq and Afghanistan, the forest is a respite, a place of quiet and calm. More than that, it’s their home. For several years, they’ve been camping in Forest Park, an enormous urban park on the outskirts of Portland, Oregon. Although they have gone undetected all this time, they still do practice drills in case they should be discovered. In an early scene, Will critiques his daughter’s hiding place, telling her that her socks give her away. Actually, it’s Thom’s eyes that betray her: you can see her loneliness and her restlessness. As a younger kid, 24-7 camping may have appealed to her, but when we meet Thom, she is a young teen, full of curiosity about the outside world and eager to meet new people. The only thing that keeps her in the woods is her deep love and sympathy for her father.
Don’t miss an issue! Subscribe to The Common.
Celebrating 15 Years