By LEATH TONINO
Colorado Springs, Colorado
His business card is cut from the corner of an old photo. One side is the chopped image of a carpeted floor, a screen door, a chubby toddler’s left arm and hand. I flip the card over.
Curated by: SARAH WHELAN
This month, enjoy a new feature that celebrates the wonderful former interns and employees that have worked at The Common over the years. Though we miss seeing them everyday, we’re continually impressed by what they go on to accomplish. This month, we’re catching up with former Editorial Assistant JinJin Xu, an Amherst College alumna, Watson Fellow, and most recently, recipient of the Lillian Vernon Fellowship at NYU.
MELODY NIXON interviews CRYSTAL HANA KIM
Crystal Hana Kim’s If You Leave Me is a poignant, lucidly written intergenerational story that will leave you aching. The novel takes a clear-eyed look at the ways adults can end up with the lives we didn’t think we would have—how we deal with the mismatch between dream and reality determines our fate.
Join The Common for a Puerto Rican meal, and stay to hear writers and translators Ana Teresa Toro, Sergio Gutiérrez Negrón, María José Giménez, and María Luisa Arroyo Cruzado discuss their work in The Common‘s special portfolio: De Puerto Rico: Un año después de la tormenta/ From Puerto Rico: One Year after the Storm. Filmmaker Michelle Falcón will showcase her documentary film PROMESA, which tells the stories of people affected by Puerto Rico’s economic crisis. The independent short documentary examines the economic crisis in Puerto Rico, before Hurricane Maria, by exploring how its colonial relationship with the US has had both political and personal impact on the islanders. From this documentary, Reclaim Puerto Rico was created to help the Puerto Rican community overcome the Hurricane Maria devastation by awarding mini-grants to support entrepreneurship on the island. Donate to Reclaim Puerto Rico here.
Free and open to the public. Dinner provided.
238 Cabot Street, Holyoke MA
By KAT GARDINER
Sunlight and Shadows
The sunlight filtered through the window of our cafe. Golden sweet, it wove around the trees, the garden, over the stage, through the window and onto the railroad tie floor. I didn’t mind sweeping, because I got to dip my feet in it.
There was music on, and in the late spring air, it sounded perfect. Gram Parson’s Brass Buttons. Like it was made for right there right then, even though we all knew it was made a long time ago, back when parents were young and happy and we were only a microscopic part of them.
Join the staff and interns of The Common for a celebration of uncommonly good literature! Come to hear readings from our most recent issue and enjoy wine and cheese in the Center for Humanistic Inquiry at Amherst College.
Free and open to the public – students, parents, and local lit lovers all welcome!
Amherst College
Poems from Available Light: New and Selected Poems
By CP SURENDRAN
In advance of the U.S. publication of AVAILABLE LIGHT: New and Selected Poems (forthcoming from MadHat Press), we welcome CP Surendran to The Common.
By KELSEY LEACH
I walk along the sidewalk, my little dog tugging at her leash. The snow has begun to melt; water gathers in puddles and darkens the leather of my boots. The sun breaks over the roofs of houses across the street and the wet tree branches gleam. A sun too hot for January, but beautiful. The neighborhood is quiet and empty. I sniff the air.
Book by PAULA SAUNDERS
Reviewed by TESS CALLAHAN
Willa Cather once said, “Most of the basic material a writer works with is acquired before the age of fifteen.” I thought of those words while reading Paula Saunders’s cinematic debut novel, The Distance Home, which she has said is based on her fractured 1960s South Dakota childhood. Saunders draws from a deep well.
The Distance Home joins such recent novels as Adam Haslett’s Imagine Me Gone, Joyce Carol Oates’ A Book of American Martyrs, Ann Patchett’s Commonwealth and Elizabeth Strout’s My Name is Lucy Barton that explore family dysfunction. Saunders asks us to consider the violent underside of American drivenness and its impact on a family’s most vulnerable members.
Curated by: SARAH WHELAN
Though we love a quiet summer, nothing makes us happier than the hustle and bustle of a new semester. This month, we’re reaching for recommendations from the pillars of our academic community—the professors themselves. Please enjoy these recommendations from the Amherst College English Department!
Recommendations: Let Me Be Frank With You by Richard Ford and Frankenstein in Baghdad by Ahmed Saadawi
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