Ask a Local: Ejiofor Ugwu, Nigeria

With EJIOFOR UGWU

Your name: Ejiọfọr Ugwu

City or Town: Nsukka, Nigeria

How long have you lived here: Eight years

Three words to describe the climate: early fall, harsh.

Best time to visit? Spring

  1. The most striking physical features of the city/ town are:

A first time visitor to Nsukka will notice an environment full of hills, with houses at the valleys and at the breasts of the hills. Then he moves closer to notice a usually crowded park where the people’s central market, Ogige, is located. Not long ago, the roads were really in bad shape but things have changed now. The new state governor gave the town a serious facelift in terms of road reconstruction and it has increased access to and from the town.

Ask a Local: Ejiofor Ugwu, Nigeria
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Charlottesville: A Nightmare Tableau

By ANDREW JOHNSON

Unitarian Congregation Protests White Nationalist Rally

You arrive at the scene to play your part. Actors fill the stage, bodies motionless.

Stage right: Metal barricades and a long row of riot shields outlined by helmets, batons, cans of pepper spray, guns. Bodies of men behind it all. One body stands atop a tank, bullhorn raised to his face.

Stage left: Costumes include robes, vestments, yarmulkes, collars, habits. Props include holy books, prayer beads. Arms are interlocked.

Charlottesville: A Nightmare Tableau
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Acid Raindrops

By JARED ALAN SMITH

Santiago, Chile

Soaked students trudge with their arms wrapped around one another, some toward their apartments to scrub the liquefied tear gas from their clothes, some to the nearby bars to wash away the stains they’ve gained on their souls. I am holding my weapon tight in both of my hands.

The wet warning shots have had the desired effect, dispersing a crowd that gathered in front of the Teatro Universidad de Chile to protest for the third time in as many days. A graying caribinero whistles low, and one of the stray puppers that roam the sidewalks of the Alameda runs up to nibble at some chorizo the green-clad cop produces from the pocket of his vest. I check my firing mechanism and center the old man in my crosshair. I can’t get a good shot; civilians in the way.

Acid Raindrops
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The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters

ERIN EHSANI interviews MARGOT KAHN and KELLY MCMASTERS

Margot Kahn

Kelly McMasters

Margot Kahn and Kelly McMasters have each been described as landscape writers. Kahn mapped the American West in the biography Horses that Buck and McMasters’ memoir, Welcome to Shirley, grappled with a hometown that was as dangerous as it was idyllic. In subsequent work, both writers found themselves writing and thinking about the places harder to locate on a map and much harder still to define: home. Kahn and McMasters are the editors of the recently published This Is the Place: women writing about home, featuring essays by thirty women writers who explore the complex and messy business of making, being, and leaving—or sometimes escaping—home.

The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters
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Review: Empire of Glass

Book by KAITLIN SOLIMINE

Reviewed by JENNIFER CODY EPSTEIN

 

Empire of Glass

 

Early on in Empire of Glass, the novel’s American narrator offers fair warning that what follows will not be straightforward: “So much of what I’m telling you is already reimagined, reconfigured so convex angles are made concave, mirrors reflecting other mirrors reflecting an uncertain, setting sun.” That includes her name, Lao K (or “Familiar K”), a nickname her Chinese homestay family gave to replace “a long, complicated name we could never pronounce.”

Review: Empire of Glass
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The Common’s 10 Most-Read Pieces of 2017

In The Common office, we’re getting so excited for the work we’ll be publishing, both in print and online, in 2018. But it seems only fitting to give one last nod to the fantastic pieces that we brought out in 2017. Below is a list of our most-read pieces of the year: the poems, essays, interviews, and art that made 2017 our biggest year yet for web traffic from around the world! We hope you’ll have a look, if you haven’t already, and see why this work struck a chord with readers this year.

The Common’s 10 Most-Read Pieces of 2017
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December 2017 Poetry Feature

Three poems by ALBERTO de LACERDA, Transnational Spirit
Translations and introduction by SCOTT LAUGHLIN

“This is what I live for: friendship and the things of the spirit.” Alberto de Lacerda often repeated this refrain to his friends. Friendship meant kinship, connection, and community. The things of the spirit were poetry, literature, art, dance—the myriad expressions of the spiritual and transcendent Alberto sought, and lived by, his whole life.

Such values perhaps couldn’t lead to anything but an intercontinental life.

December 2017 Poetry Feature
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Ask a Local: Madiha Sattar, Dubai

With MADIHA SATTAR

Juice menus at old-school Dubai cafes

Juice menus at old-school Dubai cafes

 

Your name: Madiha Sattar

Current city or town: Dubai, United Arab Emirates

How long have you lived here:
A year and nine months

Three words to describe the climate: Hot to scorching

Best time of year to visit? November through March. The temperature is in the 60s or 70s, sunbathing on the beach becomes possible and the city finally starts buzzing with outdoor dining and with arts and culture, including Art Dubai, Dubai Design Week and the Dubai International Film Festival.

Ask a Local: Madiha Sattar, Dubai
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Wolf

By NATHANIEL VAN YPEREN

Columbus, Minnesota

 

I found myself holding the rear hooves of an upside-down, dead deer while a large, gray wolf paced a few feet away. It was a clear and cold afternoon, ten degrees above zero under a bright Minnesotan sun. We watched the wolf and the wolf watched us. Peggy turned and walked back to a truck piled high with roadkill. A dead calf, donated by a local farmer, peered out from among the tangle of wild limbs. A live rat terrier perched on top of the pile like a conquering queen. She licked at frozen blood.

I was with this wolf, and this woman, and this dog, because I was fixated on the wolf as a cultural symbol of villainy, of evil. I was writing a paper for an academic conference. Peggy reached her arm in among the bodies. “You know,” she called over her shoulder, “after all these years, we still prefer Chicago Cutlery®.” Her arm reappeared with a green-handled chef’s knife.

Wolf
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Friday Reads: December 2017

Curated by SARAH WHELAN

This month, our Issue 14 contributors are reading works that examine the seams of time, from the construction of a fleeting impression, to the scaffolding of a historical drama. Whether it be a poem read from a pulpit or a paperback fished serendipitously from a pile of freebies, these recommendations celebrate literature’s ability to break through temporal boundaries.

Friday Reads: December 2017
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