SARETTA MORGAN interviews MURIEL LEUNG
In this month’s interview, Saretta Morgan talks with poet, editor, and academic Muriel Leung about her poetry collection Bone Confetti; queer love; how loss can activate political consciousness; Hortense Spillers; and writing in a state of transition. Bone Confetti was released by Noemi Press in 2016.
Over the past year Vievee Francis has received well-deserved recognition for her latest collection, Forest Primeval, which won both the 2016 Hurston/Wright Legacy Award and the 2017 Kingsley Tufts Award. Her previous book, Horse in the Dark, won the Cave Canem Northwestern University Poetry Prize for a second collection, and her first, Blue-Tail Fly, preceded a Rona Jaffe Foundation Writers’ Award. Since the publication of Forest Primeval, Francis has been working on a fourth collection, and at The Common we’ve had the honor and the pleasure of presenting some of her new poems: “On Leaving the Mountains and Coming to the City I Thought I Left For Good” and “The Beauty of Boys Is” appear in Issue 13, Spring 2017, and “This Morning I Miss Such Devotion” is forthcoming in Issue 14, Fall 2017. Here is “’Moan Soft Like You Wanted Somebody Terrible,’” our Poetry Feature for the month of June.
By JULIA PIKE
Garrett County, Maryland
“Kinder, es endet noch schlecht!” my grandmother cautions my cousins, who are wrestling near the fireplace. “Kids, this is going to end badly!” She laughs as she says it, though. Everyone is scattered around the living room, the nucleus of the big house. Cushioned benches run the length of two walls, and there’s a big fireplace elevated in a square stone fixture in the center of the room. A giant cylindrical black flue descends from the ceiling to catch the smoke and carry it outside.
We love any excuse to hear from our contributors! This month, our Issue 13 authors and poets tap into their literary communities as they recommend works by colleagues, friends, and Pulitzer Prize winners. United in their affection, the authors are nonetheless divided by their selections, as their choices shed light upon nowhereness, colonization, and Florida oranges.
Recommendations: Notes on the Inner City by George Szirtes, The Sympathizer by Viet Thanh Nguyen, The Quiet American by Graham Greene, and Chinatown Sonnets by Dorothy Chan.
Notes on the Inner City by George Szirtes, recommended by U. S. Dhuga (poetry contributor)
I bring my husband home to show him my secrets.
We both come from famous places. He’s from Nashville, I’m from Sedona. We one-up each other: He saw Porter Waggoner pushing a mower and Chet Atkins at the golf course. I served Bruce Springsteen a chocolate ice cream; Ted Danson’s folks banked with my mom.
By ROB HARDY
1.
I wrote my first college paper on a new Smith Corona electric typewriter and my last on an Osborne compact word processor. I started graduate school with a turntable and ended with a compact disc player. When the boys were born, I took their pictures on film that had to be sent away to be developed. The pictures came back to fill albums and shoeboxes. When the boys graduated from high school, I uploaded the photos to my computer and posted them on Facebook.
ALEXANDER BISLEY interviews VIET THANH NGUYEN
Author Viet Thanh Nguyen is on a hot streak. Since winning a 2016 Pulitzer Prize for The Sympathizer, his nonfiction collection Nothing Ever Dies: Vietnam and the Memory of War and this year’s short-story collection The Refugees have amassed acclaim. In an ultimately uplifting conversation with Alexander Bisley, Nguyen discussed America’s obligation to help Syrian refugees, writers’ political responsibilities, and why the past’s traumas endure.
By FRED LYNCH
Scene Stealing, ink on paper, 15 x 11.5”
“The painter wanders and loiters contentedly from place to place, always on the lookout for some brilliant butterfly of a picture which can be caught and set up and carried safely home.”
– Winston Churchill, 1948, Painting as a Pastime
We are pleased to announce that The Common has been chosen to receive a 2017 Amazon Literary Partnership grant. This support will specifically help The Common to continue its work publishing and celebrating new writers and diverse voices from around the world.
This May, we’re celebrating spring with new work by three of our contributors.
Flavored Graffito
Agrigento, Sicily
Piz-stack-eee-oh, Graffito registers, the word flooding his noggin
like the weed-choked shrubs crowding what should-be-a-more-
pregnant vacuity surrounding what little remains of Demeter’s
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Celebrating 15 Years