Friday Reads: October 2015

By KELLY FORDON, JULIA LICHTBLAU, ALEKSANDRA BURSHTEYN, ZEINA HASHEM BECK, OLIVIA WOLFGANG-SMITH

This month our recommenders are turning to new takes on timeless themes—from the catharsis of fairy tales to ancient theater, from religious traditions to the search for home. If you’re beginning to feel like you’ve seen it all, crack open one of these volumes and let these authors show you a new, even shocking path through the familiar.

Recommended:

Einsteins Beach House by Jacob M. Appel, All Who Go Do Not Return by Shulem Deen, Antigonick by Anne Carson, Diaspo/Renga by Marilyn Hacker and Deema K. Shehabi

Friday Reads: October 2015
Read more...

Writing and Violence: An Interview with Judith Frank

MARNI BERGER interviews JUDITH FRANK

Judith Frank

Judith Frank is the author of the novel, Crybaby Butch, and a professor of English at Amherst College. She received a B.A. from Hebrew University in Jerusalem and a Ph.D. in English literature and an M.F.A. in creative writing from Cornell. She has been the recipient of a grant from the National Endowment of the Arts, and support from both Yaddo and MacDowell. Marni and Judith spoke online about Judy’s new novel, All I Love and Know, and what it means to write about violence in the context of the Israeli-Palestinian conflict.

Writing and Violence: An Interview with Judith Frank
Read more...

Leading a Blind Man to the Liquor Store

By J. J. ANSELMI

I heard him yelling as I ate breakfast.

“Help! Won’t anyone come out and help me?” I looked out the window and saw a tall man with feathered blonde hair and large sunglasses standing on the sidewalk across the street. He reached out, trying to find something, anything, to guide him.

Leading a Blind Man to the Liquor Store
Read more...

The Risk of Being Human: an Interview With Rachel Eliza Griffiths

SARETTA MORGAN interviews RACHEL ELIZA GRIFFITHS

Rachel Eliza Griffiths is a poet and visual artist. Her most recent collection of poetry, Lighting the Shadow (Four Way Books), was published in April. Griffiths teaches creative writing at Sarah Lawrence College and the Institute of American Indian Arts, and lives in Brooklyn, NY. Saretta Morgan corresponded with Griffiths via email over the course of four weeks this summer, during which time they each traversed several locales—Upstate New York, Mexico, Colorado, Vermont and Washington, D.C.—as they discussed form, representation, and the risks of opening oneself up artistically.

Saretta Morgan (SM): Your fourth book of poems came out this year, and you’re very close to completing your first book of photographs and your first novel. You also work in photography and video. Could you share a little bit about your relationship to these modalities? What complications and limitations do you find in each?

The Risk of Being Human: an Interview With Rachel Eliza Griffiths
Read more...

On Hearing the News of the Shooting at Umpqua Community College

I think of the winter years ago when I taught an evening class there made up of a group of nontraditional students studying social work and counseling, many of them driven to do so by the addiction or poverty or general hard times that affected, in one way or another, everyone. I’d leave the southern Willamette Valley in the dark and rain and cross the Calapooya Mountains towards the small city of Roseburg. That stretch of interstate still held remnants from the slower travel of the past where people stopped more often, sat down for meals, and had their cars serviced in the meantime. One exit still operated an all night diner and lounge, gas station and motor lodge, decked out in the original neon glaring through the night like brightly colored clouds; another exit twenty miles away with the same amenities along with roadside carnival rides, stood completely abandoned, as if at some point in 1963, everyone just walked away, not even bothering to flip the faded sign on the door from Open to Closed.

On Hearing the News of the Shooting at Umpqua Community College
Read more...

Nicaragua Canal Project

Artist: BEN SHATTUCK

When I first heard of the Nicaraguan Canal Project, I thought of the 19th-century artists Martin Johnson Heade and Norton Bush. It was winter, and I was driving through Wisconsin, early evening, listening to the news. The canal, the reporter said, would be three times as long and twice as wide as the Panama Canal. It would fit extra-large container ships. It might stimulate Nicaragua’s economy. Environmental groups were protesting potentially large-scale disaster.

Nicaragua Canal Project
Read more...

The Straw Dog Craft Workshop: Getting Published Locally

Event Date: 
Saturday, November 7, 2015 – 10:30am12:00pm
Location: 
Lilly Library, Florence, MA

 

 

Come see The Common’s Managing Editor Diana Babineau in conversation with editors of three other premier Massachusetts literary magazines. The panelists will present their journals’ identities: who they are, what they are looking for, and the process of getting published by them.

The Straw Dog Writers’ Guild––the panel’s hosting organization––is a collaborative open to writers, readers, booksellers, and editors alike, providing a vibrant network of resources to the Western Massachusetts writing community.

The Straw Dog Craft Workshop: Getting Published Locally
Read more...

Review: There’s Something I Want You to Do

Book by CHARLES BAXTER
Reviewed by SUSAN TACENT

There's Something I Want You To DoA new Charles Baxter book is always cause for celebration. As a writer, I always learn a thing or two about craft while being provoked, moved, entertained, and unsettled. Baxter’s latest collection of stories, There’s Something I Want You To Do, serves his usual range of social commentary, humor, wisdom, and good yarn in multiple structures.

Baxter begins this one with an epigraph from Primo Levi’s The Reawakening about the Ten Commandments, also known as The Decalogue:

“…Nobody is born with a decalogue already formed… everyone builds his own… everybody’s moral universe, suitably interpreted, comes to be identified with the sum of his former experiences, and so represents an abridged form of his biography.”

Baxter has called this ten-story collection his decalogue, and it feels like his own deeply personal digest of experience.

Review: There’s Something I Want You to Do
Read more...