“Open Air”

Artist: RAFAEL LOZANO-HEMMER
Curated by JULIA COOKE 

Lightshow

Rafael Lozano-Hemmer, “Open Air, Relational Architecture”, 2012. Commissioned by the Association for Public Art, Philad

 

Twenty-four searchlights, all high-powered, were set on rooftops around Philadelphia’s Benjamin Franklin Parkway last September and October. They were programmed, however, to avoid shining their spotlights on any physical objects: no buildings, no naked windows, no trees. Instead, they glimmered straight up into the sky: twenty-four columns of light responding — here solid, there faint, twitching and beating and sweeping across the sky together, then separating — to the voices of Philadelphia residents.

“Open Air”
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Survivors

By ROLF YNGVE

We took the fast train to Beijing across hours of deadened countryside where all the trees grow in rows, various heights, but all new and emaciated under the dusting of early leaves. I asked an acquaintance what happened to all the old trees. Was this a result of the Cultural Revolution? He said, maybe they ate them. They ate grass sometimes. Maybe they cut them down for firewood. Now and then you see some that don’t look planted; volunteers, they had been fattened up by age and randomly placed. There are always survivors.

Survivors
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Review: Bender: New and Selected Poems

Book by DEAN YOUNG
Reviewed by DREW CALVERT

Bender: New and Selected PoemsDean Young is one of America’s most celebrated poets, the author of ten poetry collections, recipient of numerous national awards, and a fixture of campus bookstores. His poems are tremendously fun to read, and often very funny; for me, his work is distinct in the way it channels the spirit of a stand-up comic. He nests his liberal politics inside a vortex of anxiety; disguises insights as farce; and codes earnest messages in irreverence and transgression. In his latest collection, Bender: New and Selected Poems, this spirit is even more pronounced: His new poems explore the same general territory with a darker, subtler confidence.  Young gives the impression that the blank page inspires him the way an unpredictable audience inspires a comic:

Review: Bender: New and Selected Poems
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Under the Skin

Saturday, December 20

When I first meet my mother-in-law Nora, she is naked and skeletal, with a head-to-toe case of scabies. We don’t know yet about the scabies, but standing in the room at the nursing home, we can tell something’s wrong. Arline, my partner, hasn’t seen her mother in ten years.

An attendant brushes in past us. She had instructed us to wait in the entrance, but Arline’s friend Alma, sensing deception, led us down the front hallway and along a corridor until she found Nora’s room. The attendant waves us out; she will get Nora ready. The room holds a dresser with missing drawers and three single beds; they have dirty bedspreads and no sheets. A small print of a lily hangs near the ceiling on a wall as scarred as Nora’s legs.

Under the Skin
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The Common in the City 2013

Event Date: 
Wednesday, May 22, 2013 – 6:30pm8:30pm
Location: 
Arthur L. Carter Journalism Institute, New York University

Join The Common’s boards, benefit committee, editors, writers, artists, and many friends for an evening of literature, art, music, food, and drink.

The Common in the City 2013
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Review: Playing for Thrills

Book by WANG SHUO
Reviewed by KAITLIN SOLIMINE

Playing for Thrills“Even after the train had pulled up alongside the long platform and come to a complete stop, I couldn’t be sure if this was the city I’d wanted to travel to, even though it looked like it.”—Wang Shuo, Playing for Thrills

I discovered Wang Shuo in a fitting location: an unpaved alleyway outside Beijing University’s east gate, barely wide enough for two bicycles to pass, the shadows steeply angled in late afternoon. The year was 2000. I was a regular at the hutongcafé, Sculpting in Time (long since bulldozed), spending afternoons sipping Chinese-style iced cappuccinos (overly iced and foamed) and reviewing Chinese texts on U.S.-China relations. A few storefronts down, a Tibetan man studying at Minzu (Minority) University ran an independent film store. One day, I wandered his shop’s cardboard boxes of pirated VCDs (the predecessor to DVDs), looking for something interesting.

Review: Playing for Thrills
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A Loophole in Time (Part 2)

Click here to read Part 1 of this essay.

In Taiwan I taught English at an evening college. I’d dress up in my suit and pumps and teach business English to office workers and software engineers. But in the daytime, I’d put on my hiking clothes, tie my infant daughter in her baby-carrier on my belly, and hike up the cemetery mountains near our apartment. The cemeteries formed a large island of green amidst the urban sprawl of Taipei. After just a few minutes of hiking, the city noises would fade away. The blare of car horns, the rumble of trucks speeding over highway bridges, and the squeaking of metro carts were muffled by the bamboo forest. Blue iridescent butterflies as big as my hand rested on red hibiscus flowers, and I could imagine I had entered a secret world hidden within the city. I rarely met other people. When the dead are unhappy, they are said to turn into hungry ghosts. So the Chinese stay away from cemeteries. But I’m not afraid of the dead. In the stillness among the graves, where tree roots envelop old bones and flesh turns into earth, death doesn’t seem so terrible.

A Loophole in Time (Part 2)
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Annals of Mobility

By SONYA CHUNG

The dog is 13 this year; that’s 91 in human years.  He’s pretty spry, all things considered, but the changes are noticeable and frequent as of late: he is slower on our walks, resists the longer distances, has trouble with stairs and with standing up or lying down. We’ve just invested in a ramp for the car. I’m reluctant to subject him to long car rides anymore, given how stiff he is afterwards from limited space and dehydration. This is the dog who’s traveled cross country twice, and up and down both coasts several times.

Annals of Mobility
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