Dreaming of a Writing Room

By MAKHOSAZANA XABA

 

When I flew from Johannesburg to Cape Town and drove to Misty Cliffs, which Google described as a little village that lies on the mountain and on the beach, divided only by Main Road, between Kommetjie and Scarborough, roughly an hour from Cape Town, I had no idea what lay ahead. I was insulated in pain from a break up. Ten days of the sea, walking, and writing healed me. This mountaintop lounge, where I wrote “Sad whale-speak at Misty Cliffs” to keep this dream of a place alive, has been my best writing room, so far.

Dreaming of a Writing Room
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The Common and Electra Street Bring Lauren Groff to Abu Dhabi

Event Date: 
Tuesday, February 26, 2013 – 6:30pm
Location: 
NYU Abu Dhabi Garden
Electra Street, the NYU Abu Dhabi arts and humanities journal, and The Commoncollaborate this month to bring acclaimed author Lauren Groff (Arcadia) to Abu Dhabi for a reading and fiction master class. If you’re far away from the Middle East, join us in spirit by reading Lauren’s story “Exquisite Corpse” from Issue 01, now available online. For a fascinating take on UAE literary life, delve into “Abu Dhabi Reads Life of Pi” by Deborah Williams.
The Common and Electra Street Bring Lauren Groff to Abu Dhabi
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Annals of Mobility: Walking Places

By SONYA CHUNG

 

1.

In an early episode of MAD MEN, Betty Draper and her friend Francine are gossiping in Betty’s kitchen about their new neighbor, the scandalous Helen Bishop, divorcee and single mother.

Francine: Have you seen her walking, up there on tree ridge?  Where the hell is she walking to?
Betty:  (shakes her head as she smears cream cheese onto a celery stick) I don’t know.

Later, when all the ladies have gathered in the same kitchen for Sally Draper’s birthday party, they go around and share their honeymoon stories.  Helen tells them she went to Paris.

Annals of Mobility: Walking Places
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Celebrating Dispatches

Event Date:
Friday, March 8, 2013 – 4:30pm
Location:
AWP Conference-Offsite, Boston, MA
Please join The Common for an informal reading featuring contributors to Dispatches, our weekly online column.  We’ll be joined by contributors Curtis Bauer, Marie-Helene Bertino, James A. Gill, Stephen Haven, Katherine Hill, Julia Lichtblau, and Brian Simoneau.
Friday, March 8th, 4:30 p.m
The Corner Tavern
421 Marlborough Street
Boston, MA 02115
Celebrating Dispatches
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DC Arteries

Artists KATE MACDONNELL and LELY CONSTANTINOPLE

Curated by Elizabeth Hamby and Jessie Henson

DC arteries443 Eye Street, NW, Washington, D.C., 2012.  (Lely Constantinople)

 “DC Arteries,” a collaboration between photographers Kate MacDonnell and Lely Constantinople, traces the subtle shifts of character and form that mark the landscape along the roads of Washington, DC. They capture the graffiti, the store signs, and the faded paint that make up the urban still-life passed along the way from one place to the next. These fragmented elements capture a fleeting sense of place in a dynamic city.

DC Arteries
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What Diamonds Can Do

By CLAIRE KEYES

 

Some can write poetry
on glass windows like Sophia Hawthorne
at the Old Manse with her wedding ring.
I’m told this was common in the 19th century.
But, for me, reading it was like finding a note in a bottle
picked up on the beach.  I felt a kind of awe.

What Diamonds Can Do
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Country

I was raised Up South in the 1960s, and I heard grown folk talk about “country” as one of the worst things you could be:

Why you gotta act so country?
Girl, that is some sho ‘nuff Geechee backwoods mess.
Look at her country ass, thinking she cute in that mammy-made dress!

Country
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Review: Dear Life

Book by ALICE MUNRO
Reviewed by SARAH MALONE

Dear LifeThe fourteen stories in Alice Munro’s latest collection, Dear Life, are terser than her stories of a decade ago. Her 2001 collection, Hateship, Friendship, Courtship, Loveship, Marriage, nearly identical in length, contained only nine. Many of the new stories trace characteristically oblique paths. Munro draws opening scenes with particular details that seem intended to alert the reader to crucial moments and relationships, and then, instead of continuing those relationships chronologically, she sidesteps to previous events, or heads off in directions not initially suggested. Some stories traverse so many years that their openings, while always fitting, no longer seem the only possible entry points. Often, sections slip into others by association rather than cause and effect or chronology; in “Gravel,” a dog, mentioned in passing, turns out to be central.

Review: Dear Life
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Drawing Snow

By CURTIS BAUER

There is a bend to everything.

Edges melt into curves like winter

and then spring, snow sways from

white to gray, powder to crust

and too many dialects make noise

Drawing Snow
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