From the 17th Floor: A Shelter and a Point of View
1.
“That’s the best date I ever had,” I said. I was speaking to the young women with the latte skin and uncovered, long dark hair, but also to the serious-looking Emirati man who had wandered over because I was the only thing happening. Mid-week, midafternoon, the date festival was nearly deserted, save a few clusters of Indian men, single Western men in suits with briefcases, and a grumpy woman with big glasses. I suppose I was expecting this man, this representative of Al Foah, one of the largest date producers in the UAE, to be impressed somehow, or at least gratified, by my enthusiasm. I wasn’t exaggerating. The fruit had a thin, melting skin and a pillowy interior, the flavor rich, heady with sweetness and spice. (Hints of cardamom and apricot?) The serious man asked where I was from, and I proceeded to disappoint him with my ignorance about the production and sale of dates in the United States. Yes, I did think that dates had become more visible in grocery stores over the past five years, though I couldn’t say what varieties. Medjool? I did know that California was a hub, but, by then, I’d lost him.
From the Stone House: Among the Olives
I have a friend who says he simply cannot trust somebody who doesn’t like garlic. Though I wouldn’t go that far, I’m taken aback when someone spurns an olive.
To me, olives are the most sublime of all things pluckable from a tree—and what a tree it is, l’ulivo, with those feathery silver-green leaves that shimmer in sunlight, glint in brisk winds, glimmer after rain… The slender branches are extremely strong yet flexible; they don’t mind a good stiff shake. The bark of an olive tree is gorgeous, too, with a patina of silver that softens its rough grey-brown wrinkles. Then there are the tree’s roots—admirable contortionists, able to twist around big rocks and support trees canted at odd angles on steeply terraced hills.
A Family Field Guide
Over the echoing Skype line my parents mention seeing a northern harrier on the outskirts of Ottawa. Perched on a post as they drove along, it had leaned into the air to sail off across the fields, a pearl-gray ghost slipping away. Still speaking, I pull The Sibley Guide to the Birds of Eastern North America from the bookcase beside me. I leaf backwards through the waders and rails, overshooting the raptors to land amidst ducks and geese before paging my way forward to find the harrier. I then press the illustration up to the webcam, trying my best to keep it steady. “That’s the one,” says my father, smiling back at me on the screen.
The Question of Home: An Interview with Nicola Waldron
MELODY NIXON interviews NICOLA WALDRON
In this month’s author Q&A, Melody Nixon speaks with Nicola Waldron about finding and feeling at home, the American Dream versus the British Dream, and wanderlust. Waldron’s essay “The Land Up North” appeared in Issue No. 04 of The Common.
MN: In your essay “The Land Up North” you write about the sense of security and possibility afforded you by the land that you and your husband bought in the Catskills. The essay is poetically written, highly evocative of place, and has an appealing lightness of language. Who are your influences? Do you read mainly nonfiction?
NW: That essay was written when I was reading a lot of nonfiction. Dinah Lenney, the author of “Bigger than Life,” was my teacher at Bennington and is one of my great hero-mentors. She recommended to me Abigail Thomas’s work, especially her book “Safekeeping,” and my essay was written in response to that book. I’d also just been reading Jo Ann Beard.
Reading Place: Storytelling
This literary map of the United States, which pins American writers to their places of birth, got me wondering if certain stories exist apart from writers, and the trick (no small trick) is in discovering them in the landscape. Huck Finn seems more bound to the Mississippi River than to Mark Twain’s imagination. And if Tennessee Williams had never been born, I wouldn’t be surprised if some other writer bumped into Blanche Dubois.
Every once in a while you encounter one of these inevitable-seeming stories, a yarn so intimately linked to its place of origin that you automatically pull up a chair. For me that happened most recently when I read the first line of Frank Bill’s Op-Ed in The New York Times:
“Used to be, every year around deer season, there was a story that got told in my family…”
Things Left
A vinyl sombrero. A needlepoint rendition of Gainsborough’s Blue Boy. A macramé lawn chair. If you go to the thrift store with a specific item in mind, you probably won’t find it. You’ll find something else. I forage for the else.
My relationship with the thrift store started a few months after my life-partner died and I dropped off the first bag of clothes he wouldn’t be wearing any more. Before that, in the early weeks of mourning, I couldn’t let anything go. Taking bookmarks out of his books, or emptying his pockets of keys or chapstick, could capsize me. I had no sense of what to hold and what to disown, what was essential and what was peripheral. Everything seemed important, even clothes that Rajiv hated or never wore. Everything he’d touched bore meaning.
The Road to Thunder Bay, Pt. 2
This is the second part of a three-part dispatch. You can read Pt. 1 here. The final installment will be published in January.
We were still night owls then, seldom rising early, but after the night we spent in Duluth, we wanted to enjoy as much time there as we could before hitting the road again. We woke at first light, dressed without showering, and drove back to the waterfront. The sun was rising on the lake, and we walked to the end of Canal Point where the lighthouse stood silhouetted against the water turning gold with the new day. It was it was in the low 40s, and we took turns posing, shivering and smiling while the other took a picture.
Review: Collected Poems
Book by JACK GILBERT
Reviewed by
The San Francisco Renaissance, that loose federation of poets and novelists who gathered in the Bay Area after World War II, is most famous for having organized the first public reading of Allen Ginsberg’s “Howl” (and thus given birth to the Beat Generation), but its influence was more far-reaching than that. It was also more varied. As with any renaissance, this one was cliquish, even factional: while Ginsberg cultivated his image as a twentieth-century Whitman and Kerouac descended from madcap literary celebrity to middle-aged alcoholism, a lesser-known group of near-surrealists gathered at the State College of San Francisco for a workshop called “Poetry and Magic.” Taught by Jack Spicer, the workshop combined a modernist aesthetic with elements of ‘theosophy,’ a strain of mysticism that, earlier in the century, had captured the imagination of William Butler Yeats. “Poetry and Magic” occasioned a kind of sub-renaissance (sometimes called ‘the Berkeley renaissance’), and it had a notable influence on a number of successful American poets, including the young Jack Gilbert, who died in mid-November at the age of eighty-seven. His Collected Poems were published in March, 2012, not long before his death.
Elsewhere, In Foodland
Cooler mornings and nights, the sun sinking earlier each day, dried leaves underfoot. In the States, such season changes are clear heralds of roast turkey and forkfuls of pumpkin pie. Perhaps, too, some related reading on the romance of turkey hunting, or an inquiry into the increasing genetic modifications of America’s Broad Breasted Whites. If you’re a food critic, you hate Thanksgiving and are glad to see it passed. Now it’s Monday, and you’ve eaten your leftovers.
But here in the United Arab Emirates, shorter days and dropping mercury (down into the mid-eighties) kicks off a different kind of national food celebration—the Emirates International Date Palm Festival. Calorific and densely rich in vitamins and minerals, dates are a wonder fruit. A few of these and some camel milk will carry you across the desert; and if the milk spoils, dates are also super for an upset stomach.