Moon Hill

By SAM WHITE

The old man left the city because he was tired. He followed his doctor’s advice and went to the country to regain his energy. The exhaustion had come on slow, like a tide, or a spilled liquid stretching over the ground toward nothing. The doctor told him that Guangxi, six hours south by train, was known for the restorative properties of its water. He was surprised that a doctor of modern medicine would recommend such a traditional remedy, but he had heard of the region’s water, though he didn’t believe it. He had also heard that Guangxi was beautiful, and thought it would be welcome to relax, and see the place’s cascading hills at least once in his life. His sons didn’t answer when he called to tell them he was leaving. Their lives were well in motion, and he felt like an appendage—something vestigial, to be respected for a former purpose he now lacked.

Moon Hill
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The Common to Receive $10,000 from the National Endowment for the Arts

Amherst, MA—The Common literary journal is pleased to announce its seventh award from the National Endowment for the Arts. The $10,000 Arts Projects award approved for 2023 will support the publication and promotion of place-based stories, essays, and poems by diverse writers from around the world.

National Endowment for the Art logo

In previous years, The Common has published numerous global portfolios from areas including Palestine, the Lusosphere, and the Arabian Gulf. In spring 2023, supported by the NEA award, Issue 25 will feature a portfolio of stories and art from Kuwait, co-edited with TC Arabic Fiction Editor Hisham Bustani. This will be the magazine’s sixth annual portfolio bringing contemporary Arabic fiction to American audiences.

“This generous NEA grant funds our continuing commitment to bring readers in this country the best contemporary Arabic short fiction,” says founder and editor in chief Jennifer Acker. “Our unique portfolios showcase a curated selection of work that can’t be found anywhere else.”     

The grant will also support The Common‘s ongoing commitments to make a wide variety of international literature available to American readers and to provide writers in the U.S.with a global platform. The magazine’s comprehensive outreach and promotion plan includes the open-access website, publicity campaigns and partnerships, educational programs like The Common in the Classroom and The Common Young Writers Program, as well as a variety of audio and web features promoting reader and contributor engagement throughout the year

Since 1966, the NEA has supported arts projects in every state and territory in the nation. The Common‘s grant is among 1,251 Grants for Arts Projects awards totaling nearly $28.8 million that were announced by the NEA as part of its first round of fiscal year 2023 grants.

“The National Endowment for the Arts is proud to support arts projects in communities nationwide,” said NEA Chair Maria Rosario Jackson, PhD. “Projects such as this one with The Common strengthen arts and cultural ecosystems, provide equitable opportunities for arts participation and practice, and contribute to the health of our communities and our economy.”

For more information on projects included in the NEA grant announcement, visit https://www.arts.gov/news.

The Common to Receive $10,000 from the National Endowment for the Arts
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Friday Reads: January 2023

Curated by SOFIA BELIMOVA

Happy new year! If you’re hoping to read more in 2023, we’ve got just the thing for you: exciting book recommendations from our contributors. From reportage that reads like a page turner to romance against the backdrop of political turmoil, these exhilarating books are perfect for cozying up somewhere warm. 

Friday Reads: January 2023
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Translation: The Wangs’ Other Child

Story by MARIO MARTZ

Translated from the Spanish by NINA PERROTTA

Story appears in both English and Spanish

 

Translator’s Note

One of the first things that struck me about this short story by Mario Martz—and one that I kept in mind as I translated—was the question implicit in the title. Who is the Wangs’ other child?

It seems fairly obvious that the main child, the one who stands in opposition to the titular “other child,” is Mei, the Wangs’ twenty-something daughter, who disappeared while visiting Central America. Mei’s likely murder is what sets the story in motion, prompting the Wangs to move halfway across the world to a country that’s entirely foreign to them.

Translation: The Wangs’ Other Child
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Weekly Writes Volume 7: Accountable You

 
typing on a laptop

Weekly Writes is a ten-week program designed to help you create original place-based writing, beginning January 30.

We’re offering both poetry AND prose, in two separate programs. What do you want to prioritize in 2023? Pick the program, sharpen your pencils, and get ready for a weekly dose of writing inspiration (and accountability) in your inbox!

Weekly Writes Volume 7: Accountable You
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December 2022 Poetry Feature: Kevin McIlvoy

Poems by KEVIN McILVOY

Editor’s note: In October a friend told me about Kevin McIlvoy’s recent passing, days after I had read and been deeply moved by the following poems. We are honored to offer them to you here. 

—John Hennessy

 

Kevin McIlvoy, known to his friends as Mc., published six novels, a story collection, and a collection of prose poems and flash fictions. A long-standing faculty member in the Warren Wilson College MFA Program for Writers, he was my colleague but, more importantly, my friend. Mc. loved books and, like many writers, he loved them so much eventually the only way to love them more was to add to them by writing. These poems were sent out prior to his death on September 30, 2022. He is missed by many, but thanks to his work, his voice is still with us. 

—C. Dale Young

December 2022 Poetry Feature: Kevin McIlvoy
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Most-Read Pieces of 2022

As 2022 comes to an end, we want to celebrate the pieces our readers loved! Browse our list of 2022’s most-read pieces to see the writing that left an impact on our readers.

Most-Read Pieces of 2022
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Review: God’s Children Are Little Broken Things

By ARINZE IFEAKANDU
Reviewed by JULIA LICHTBLAU            

cover of god's children are little borken things. image is cropped at half the cover and has a person holding their face with their eyes closed

Though I’d heard Arinze Ifeakandu read from his debut collection, God’s Children Are Little Broken Things, at its launch at Greenlight Books in Brooklyn in June 2022, I was unprepared for the force and distinctiveness of his writing when I opened the book. Soft-voiced and diffident, Ifeakandu seemed overshadowed that night by his effusive interviewer, Brandon Taylor, who hailed his arrival as a new gay Nigerian writer and fellow graduate of the Iowa Writers’ Workshop on the literary scene. The stories in Ifeakandu’s collection merit reading for their subtle explorations of the nuances and hazards of living as a gay person in Nigeria, where open homosexuality is subject to federal criminal penalties and punishable by stoning in some states.

Review: God’s Children Are Little Broken Things
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The Way Back Home

By S. G. MORADI

 

Image of a building with colorful glass windows in the twilight.

Iran

We grew up on salty rocks, collecting bullets,
holding onto hope as if it were a jump rope that 
come our turn, would go on spinning forever
our feet never failing us.
We ran through sunburnt alleys, kicking up
clouds of dust that were quick to settle
as if somehow knowing
that we had nowhere else to go.

The Way Back Home
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