Joyriding in Riyadh

By TARIQ AL HAYDAR

 

“Saudi wastemen came over the bridge for boozy orgy celebrations.” —Noor Naga

The horror of the city. As Dhari tapped the steering wheel, he calmed himself by visualizing the beautiful woman who should be sitting next to him soon: shoulder-length blonde hair and sky-blue eyes. He eyed the two security guards idling at the gate of the hospital, joking with each other. The gangly one spit on the ground, then turned to the one with long hair, who handed him a cigarette. Dhari’s friend Dawood got caught with a woman he wasn’t related to once. Dawood was actually lucky to spend only a week in jail, but Dhari knew he couldn’t handle prison for even a day. If only he could have been born somewhere else, where people weren’t separated from one another like this. Whenever he watched American movies, he marveled at how men and women got together, threw dinner parties, clinked glasses. Relationships, dances, first kisses, all these things were taken for granted. How would they view Saudi weddings? Separate ones for men and women. At a wedding, all one did was shake men’s hands, drink tan Saudi coffee in small ceramic cups, and sit, waiting for meat and rice to be served.

Joyriding in Riyadh
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My Body as the George Washington Bridge All Lit Up at Midnight

By ALEXANDRA WATSON

 

434 wires unlock the land
double-decked suspension
hot for incandescence
a 14 lane corridor
top exposed
stiffening truss
to come over

limbs sling across the chasm
100 million self propelled cells
carbon hardening soft iron
opens all 29 tolls
bottom enclosed
can’t afford
unanchored

My Body as the George Washington Bridge All Lit Up at Midnight
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Family of Origin Rewrite: 1982

By K. IVER

 

My father teaches ethics at a university. 
My mother teaches ethics at a university. 
They save. Their money. Buy 
a large bungalow in Connecticut. 
They continue. Saving. Enough 
to support the San Francisco AIDS
Foundation and their baby.
They read the news and wish kindness
into our laws. One of them will say
Sweden hasn’t been to war since 1812. 
The other says you can start a business
in Sweden and get free healthcare.
They’re excited. About my arrival. 
They remain. Calm. When 
midnight cries wake them. 
My father waits. For my mother to heal. 
Before asking for sex. She’s good. 
At saying no. She throws meditation
and exercise and intense therapy 
at her trauma. Still goes to AA. 
When wrong. She promptly admits it. 
Every night she arrives home from
the university. Her soft. Low voice. 
Builds a replica in my throat. She wears 
minimal. Makeup. Cuts her nails down 
because who needs the fuss. When I walk. 
Into a room. And see my father. 
I continue walking in. When my father
and I leave. The house. Lots of women
introduce themselves. When we get back
he tears. Their numbers over the trash. 
On weekends my father and I dig 
in the dirt. I watch him plant 
lilac bulbs around the spruce. He lets 
my small hand pack the ground. 
Affirms it as help. When my father puts.
me to bed with true stories of him 
sewing clothes for new mothers 
in Ukraine. I fall asleep fast.

Family of Origin Rewrite: 1982
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Melh

By REWA ZEINATI

 

Water. 
At the shore we don’t build anything. Behind our sunglasses, our eyes dart in every direction. A man carries a sandcastle on his back. A fish. Or is that a tattoo of a fairytale palace? His arms are full sleeves of ink. Maybe he’s been working in the financial district for years. Maybe he’s only here for three days. 

In the water we talk salaries and offices and how much saltier this sea is compared to ours. Ours? We talk about hunger, the likelihood of lunch. On my left, Burj Al Arab juts forth its belly of glass and steel. 

Melh
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Appetite

By DAN ALBERGOTTI

Emerging from her cocoon without a mouth,
the luna moth climbs onto a stem to unfurl
and dry her wings. She’ll find a mate tonight.

There will be no kiss. There will be no taste.
There will be no speech or song. After midnight
the still, silent couple will join like drops of rain.

Appetite
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