What We’re Reading: September 2024

Curated by SAM SPRATFORD

To kick off the autumn column, our contributors bring you three novels that invite unexpected encounters with time. A recommendation from former TC submissions reader SAMUEL JENSEN trains our sights on the future of the American dream; with LILY LUCAS HODGES, we unearth an artifact of historical erasure; and with HILDEGARD HANSEN, we finally transcend history through prose that gropes at the primordial core of life.

cover of "Last Acts": a desert street corner with a cactus, convenience store, streetlight, and blazing blue sky.

Alexander Sammartino’s Last Acts; recommended by Reader-Emeritus Samuel Jensen.

I picked up Alexander Sammartino’s debut novel, Last Acts, because of the cover. Seeing it at the book store, it was as if someone had walked up the road from my childhood home, aimed their camera across the arroyo, and snapped a picture. I’m from El Paso, Texas and Sammartino’s novel is set in Phoenix, Arizona—two very different places—but still: a sunbleached strip mall with a gun shop in it, burning under a merciless blue sky? It was like running into someone you’re not sure you wanted to see again.

What We’re Reading: September 2024
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Am I a Fraud? Are We All? An Interview with Aparna Nancherla

Jennifer Acker and Aparna Nancherla talking at Amherst College's LitFest.

Photo courtesy of Jesse Gwilliam | Amherst College

APARNA NANCHERLA is in a class of her own. A writer, comedian, actor, and podcast host, Nancherla returned to her alma mater, Amherst College, for a conversation with The Common’s editor-in-chief, JENNIFER ACKER, during LitFest 2024. The two discussed her diverse creative portfolio, standup as a mode of self-expression, and her newest memoir-in-essays, Unreliable Narrator: Me, Myself, and Imposter Syndrome. This interview has been edited and condensed for clarity. For a recording of their full conversation and more about LitFest, visit the Amherst College website.

Am I a Fraud? Are We All? An Interview with Aparna Nancherla
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Nicks and Cuts

By HEMA PADHU

The first time I pick up a razor, I’m twelve, sitting on an upside-down bucket in a poorly lit bathroom. I touch that part of me tentatively and think about making myself bleed. All the other girls at school have had their first period. They huddle together, whispering. When I join them, an air of hushed discretion settles. My father’s razor has a knurled gunmetal handle. A glistening blade is screwed between two metal plates that open like a butterfly’s wing. I squeeze my eyes shut. It’ll hurt. There’ll be blood. Amma will give me a Carefree pad, and it’ll hang awkwardly between my legs. I will no longer be innocent.

Nicks and Cuts
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It’s a Gift to Be Alive: Jennifer Acker interviews Hannah Gersen

Hannah Gersen and Jennifer Acker

 

HANNAH GERSEN is a novelist whose fiction ranges from the strictly realist to the gently speculative. Her first novel, Home Field, is a deeply felt story about family and grief in rural Maryland, described as Friday Night Lights meets My So-Called Life. Her second, most recent novel, We Were Pretending, leaps into today’s most pressing crises–climate change, the creep of technology–through the lens of Leigh Bowers, an at-sea single mom trying to secure a better future for her daughter and a better death for her mother, who is dying of cancer. It’s beautifully written, imaginative, and elegiac with surprising twists and turns.

It’s a Gift to Be Alive: Jennifer Acker interviews Hannah Gersen
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Missile Sequence

By MOHAMMAD IBRAHIM NAWAYA

Translated by KATHARINE HALLS

 

Piece appears below in English and the original Arabic.

 

Missile One

A straw basket hangs from the side of a vehicle parked at the corner of your street. You assume it’s displaying fresh parsley, or strawberries, and you approach the man you assume is the vendor. His eyes repel you like blazing heat as he trains his Kalashnikov on you; you falter, want to explain why you have come toward him, you look at the basket and are stunned to see that it contains RPG missiles, arrayed with delightful geometry, and now you need to apologise to him for your inquisitive staring otherwise he’s going to empty that rifle into your head. But it’s pointless attempting to do anything because you’re rooted to the spot, which is what always happens when you’re scared, so you take hold of your eyes with your hands and scrape out the pupils with your thumbs, then hand them to him with an I’m sorry, because it’s the pupils specifically that have got you tangled up with him. He looks at you and swiftly loads his launcher ready to fire it at you. You dodge right and left, crashing into the walls around you, you duck into buildings one after another, and then you find yourself in your own quiet home, your wife beside you laying the lunch, and there in the centre of the magnificent dish of rice is a home-cooked RPG grenade.

Missile Sequence
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Manuscript Consultations from The Common!

Over the years, many writers have told us they’d like feedback on their works-in-progress. Now, for the first time, we are offering manuscript critiques by one of our editors to the general public! We offered this service as a pilot program for Weekly Writes participants last spring, and it was a huge success. We’re thrilled to open it to all this fall. 

Hand with Red Pen Proofreading a Manuscript Closeup

What you submit:

  •  A prose manuscript of no more than 6,000 words, by October 1
  •  A fee of $275
  •  A short cover letter stating the genre of the piece and what you are hoping to accomplish with this piece of writing (optional)
Manuscript Consultations from The Common!
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Podcast: Maria de Caldas Antão on ”My Freedom”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Maria de Caldas Antão

Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “My Freedom,” which appears in The Common’s most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page.

image of the author and issue cover

Podcast: Maria de Caldas Antão on ”My Freedom”
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August 2024 Poetry Feature: New Poems By Our Contributors

New Poems by Our Contributors NICOLE COOLEY, DUY ĐOÀN, and JOHN KINSELLA.

 

Table of Contents:

  • Nicole Cooley, “Covanta, A Detail”
  • Duy Đoàn, “Norepinephrine — “Suicides in Fiction Say Goodbye”
  • John Kinsella, “Before Eurydice Was Bitten”

 

Covanta, A Detail
By Nicole Cooley

The incinerator smoke an incision in the sky.
My daughter no longer small yet still I want to swallow her back into my body.
Sky a scalding.
My daughter asks me to stop saying, I wish this wasn’t the world you have to live in.
In my dream my girl is the size of a thumb I catch between my teeth.
Sky all smoke.
In the morning, men wearing masks drag our cans out to their truck.
In the morning, out the kitchen window, I wish the wide street rivered.

August 2024 Poetry Feature: New Poems By Our Contributors
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