On Wariness

By MYRONN HARDY

I’m afraid of your elation.
The way you arrive masked.
The way the mask is removed

outside of the airport.
In that big city of lanterns     someone
knows your teeth.  Someone

knows the way you dance     your
rosemary     lime smell.
There is rhythm in the jumble.

There is rhythm on the pavement.
There is rhythm in small
apartment rooms.

I’m over slicing tomatoes.
I’m over drinking wine.
I’m performing as not to be

deformed     as not
to show what I shouldn’t.
I don’t want to feel everything.

I don’t want to know this distance.
The way it throttles.
The way it renders night

in me     a dreadful stillness.
I don’t want to be still.
I don’t want to be dream.

I don’t want to float among scorching orbs.
I don’t want to feed
the gulls what I know.

 

Myronn Hardy is the author of, most recently, Radioactive Starlings. Aurora Americana is forthcoming this fall. His poems have appeared in The New York Times Magazine, Ploughshares, Poetry, The Georgia Review, The Baffler, and elsewhere. He lives in Maine.

[Purchase Issue 25 here]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

On Wariness

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.