Song of Almería

By JOHN POCH

Our bus downshifts cresting a hill,
and a partridge covey flushes into
the lit mist of the autumn noon, clouds
spilling over higher hills slow and white
like soft glaciers cut by massive stones
the size of fortresses, and just as cold.

But here, a goatherd in a great orange sweater
appears like a camouflaged god and staggers
through a rain-soft field while his lithe goats
leap to yet another terrace, headed to the hills,
and he sings. A horizontal pillar of smoke
tries to engulf him in its trash fire haze,
and he might sing a tragic song of the sea
as he climbs away from the brilliant sea.
He makes believe the mountains lift him.
He goes to prepare a kingdom for me.

 

 

John Poch‘s most recent book is Dolls (Orchises Press 2009).  He teaches literature and creative writing at Texas Tech University in Lubbock.  His poems have appeared recently in Yale Review, Poetry, Agni, and Cincinnati Review, among other journals. 

[Click here to purchase your copy of Issue 08]

Song of Almería

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.