Follow me, Imagineers! We’ll make noise
from these dread instruments, shook music
loud as the hell we’ve climbed from, visible
only to the i in piano, the eye in the oboe.
The rhythm of predation is a sine wave.
Between predator and prey it winds
like a whip-crack in slow motion.
“Oh my God! I knew it! I always knew it. I was like Julie is so gay, & people were like oh, whatever, you just think everybody’s gay because it’s an all-girls school, but I knew I wasn’t gay, & I knew most of those girls weren’t gay, so I was like fuck you, Jasmine, go suck on one of your Jolly Rancher rings! Do you remember those?
I did not love men as I do now.
I loved them wincing & wanting to please.
I loved them trying too hard.
He taught me about empires, got spotted
in a ferry leaning almost too close to a man
in the same tee.
By BRUCE BOND
Let us say you are. You are the girl
who, looking out her window to the city,
takes on the grey pallor of the day,
the way some lizards take on the green
shade of the season they are in, so close
to the garden the garden cannot find them.
Now, when the thatch-roofed cottages
Send up their puffs and curls
From heating folk and pottages,
And steadily thickening swirls
By: JADYN DEWALD
“The garden is here in the middle of your bedroom,” she tells him, unbuttoning her mandarin orange blouse, then giving up and raising her arms in the manner of (he thinks) the Spaniard before Napoleon’s firing squad. He steps toward her and lifts the blouse over her head.
By JAYDN DEWALD
Afterward, he watched her lumber out of the coliseum
Swinging the severed head of his panther—
All that talk about Madrid and his old Segovia albums
And look what good it did them.
They had had it in mind to adopt a retired whippet,
which would have been easy for a retired ballet
dancer, if she had been one, and easy on the wallet
for him, an actuary. But she was a pellet-
and-woodstove saleswoman. They looked at a basset.
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