All posts tagged: 2024

In Montgomery County

By THEA MATTHEWS

                              Maryland, 2020

My partner wears the panopticon,
and I carry the rope. Hungry
for the rush, the chase, we locate
the missing black calf
about two-tenths of a mile
from East Silver Spring.
He’s wearing a long-sleeve
jersey T-shirt, navy blue jeans.
He’s three and a half feet tall,
and I can tell his age means
nothing to him. In his mind,
he treads with no care.
The report says he threw
a basketball, knocked over
a computer, and ran off
the school premises.
He looks at us, begins to wail.
My partner grabs him by the arm.
There is no crying! I taunt.
To lasso a calf, cowboys
must first use their weight
to hold the animal down
and then tie the legs together.
Does your mama spank you?
The boy shakes his head.
I tie the boy down with––
She’s gonna spank you today.
I’m gonna ask her to do it.
He wails even louder,
and screams, “No!”
He’s hyperventilating.
I command him to stop.
When the mother arrives,
I affirm point-blank,
We want you to beat him.
Beat him down to size,
the size he fits into a curb drain.
Beat him with your hands.
You can smack that butt, repeatedly.
My partner pulls out his handcuffs
to handcuff the boy,
the boy whose wrists are like
two thin stocks of red tulips.
My partner affirms,
These are for people
          who don’t want to listen
                  and don’t know how to act.
The boy feels the cold steel of erasure,
of his name replaced by numbers.
The boy needs to learn,
                              or else…
We warned him.

 

Thea Matthews is a poet, author, and editor of African and Indigenous Mexican descent. Originally from San Francisco, California, she lives in Brooklyn, New York. Read more at TheaMatthews.com.

[Purchase Issue 28 here.] 

In Montgomery County
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Roadside Blackberries

By ZACK STRAIT

There were other vehicles moving through the darkness behind us. But we didn’t notice. We forced our bodies into the brambles. We stood on our tiptoes, reached high above our heads like we were greedy for the stars that night. But we craved something attainable, we thought. We thought our need was for the wild summer blackberries. But we were foraging for another memory to sustain us through the evil days to come. And as we ate, the past ripened in clusters for us there among the thorns. I don’t know what my father thought about then, as we filled our bellies with those dark jewels, but I could almost taste my grandmother’s fruit cobbler. The blackberries, I remember, were perfect that night. They were plump and sweet. The juice didn’t stain our fingers or mouths. We ate and ate. How wonderful, how the earth offers such goodness to us without cost. And how awful.  

Roadside Blackberries
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Kakosmos

By JILL PEARLMAN

Human systems exist in the mystery
always at the point of spilling 
over green, over and over their present containers
of cities and grids and human perception

for what of entanglements, what of catastrophes
what of black holes, of soot from burnt timber
what of seashells, snails, urchins in the pavement
of ancient Greek settlements 

Kakosmos
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Furry

By BRAD LEITHAUSER

Watch the poet read from this piece at our Issue 28 launch party:

 

“Happy and furry?” she inquires, 
                               of the TV— 
but I’ve tuned out. Uh-oh, this may be 
tough to unriddle. When you’re eighty-three, 

as she is, with creeping dementia—all 
sorts of imponderables float by, 
and everything the more inscrutable  

if other faculties are failing too… 
like hearing, perhaps. A few seconds later, 
though, we enjoy a breakthrough, 

as our breezy, blow-dried commentator 
re-airs his catchphrase, which I move to clarify 
by relaying it slowly: 
                                    “Happy. And. Free.” 

 

 … At day’s end, even so, I might prefer 
happy and furry, as though she 
might yet retrieve days when all of us were 

that peculiar entity, a big family— 
father, mother, four boys of various 
ages and stages—become, like any true family, 

inhabitants of a lair, 
wound and bound in a low common smell 
(our own must of sweat and hair),  

that familial furriness which cordons off a small 
walled area while informing a potentially 
invasive world, This is us. 

 

Happy and furry. The woman’s five years dead, 
yet just last week the phrase returned  
as I, watching a YouTube clip, was shepherded  

to an obscure nature site by a tag that posed 
a teasing test: TRY NOT TO CRY AS MAMA CHIMP 
MOURNS BABY. The test? Frankly, I’m not sure I passed. 

Embarrassed, as if being watched, I felt  
my eyes prickle as the blinking simian—so loving, 
so darkly puzzled—stroked and stroked the silky pelt 

of a torso strangely limp 
whose russet fire still burned, 
though warming neither the dead nor the living. 

 

… Furry, then, if not free. We mishear,  
misread, we go on misspeaking, 
and if our errors pain us, soon they disappear  

into an unseen, unseeable, ever-amassing crowd. 
Click here. Click. Now. Always, the furious din out there, 
and what do our answers count, everything so loud 

and larger always than yesterday? We learn to chart 
our growth by the billion-, trillion-fold: 
Vaster, faster numbers. See me. Click. Give me your heart,  

click. Like me…. So many voices, all seeking, 
as I suppose both mothers were, the warm, the old, 
the furred primordial lair. 

 

Brad Leithauser is the author of eighteen books. His nineteenth, The Old Current, a collection of poetry, will be published by Knopf in February 2025. A former theater critic for Time, he is the recipient of a MacArthur Fellowship and a Guggenheim Fellowship. 

[Purchase Issue 28 here.] 

Furry
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Tramsa, Tromsa, Tramso

By MÒNICA BATET
Translated by MARIALENA CARR and JULIA SANCHES

Sometimes this is my story, others it’s not. They used to bring it up at home whenever the room fell silent. They’d talk about her, about a city with a strange name, Sokołowsko. They’d talk about that evening.

There are still pages and pages with tracings of her hands sitting in a drawer. Some are just of hands, while others have words written on the palms or along the fingers. Run away, Get out, Air air, Disappear…. Now and then I place my hand in one of the outlines to see if we have this one thing in common. If, maybe, I too will see all those people someday.

Tramsa, Tromsa, Tramso
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Europa

By CAMPBELL MCGRATH

Born in gilded fealty to the state, which was the people’s will, 
which was the refined sugar of suffering and indifference,  
which was the inherited burden of society, gift of the forefathers. 
Bathed in cream, I transmuted hayricks into silk and mirrors. 
I ate and destroyed, seeking relief from my depression.

Europa
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