All posts tagged: Dispatches

Dispatch from Marutha Nilam

Poems by SUKIRTHARANI, ILAMPIRAI, and SAKTHI ARULANANDHAM

Translated from the Tamil by THILA VARGHESE

 

Table of Contents:

  • Sukirtharani, “For the sake of living”
  • Ilampirai, “Loot”
  • Sakthi Arulanandham, “Land Grabbing Bird” 

 

Black and white image of a bird with a long neck

Drawing by Sakthi Arulanandham for her poem “Land Grabbing Bird.”

 

Marutha Nilam (The agricultural and plains region)

For the sake of living
By Sukirtharani

In the courtyard filled with
bubbling water flowing from
the palm-leaf thatched roof
during monsoons,
grew a golden shower tree.
On that tree, yellow flowers
bloomed in clusters.
There was a nest on the tree
where sparrows with short beaks
would be chirping incessantly.
Sitting under the shade of the tree,
I would be studying passers-by.

Dispatch from Marutha Nilam
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Dispatch from Camelback Mountain

By CHRISTOPHER AYALA

A mountainous terrain in Arizona with a cloudy blue sky in the backgroundPhoenix, AZ

Camelback’s faces wither in the sun. I used to hate Arizona and coming here and then I moved here and hated it and left and now all I think about is a good summer day and the lazy way a person can be themselves sifting through the desert, eating pizza, all that kind of stuff anyone does anywhere else, except then this mountain Camelback is available to burn off all those cheese calories. And that’s not the same everywhere. There is a part of me who everyday thinks of being back in Arizona walking around blistering days, laughing how when I had them to myself, I had thought this was the end of the line, that there had never been a worse place on earth. That’s mid-thirties type clarity.

Dispatch from Camelback Mountain
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In fall, the persimmon trees light their lanterns

By CHRISTY TENDING 

Beppu-shi, Oita Prefecture, Japan

From beyond the waves, looking back at the shore, civilization betrays itself. The aging amusement park—its sign hasnt been illuminated in years and the ferris wheel creaks under the weight of a glance—still perches on the hill. There are hotels, a communications tower, a shopping mall: each bows its head to the context of an environment that cannot wait to overtake it. The wooden faces of homes have settled themselves in intimate relationship: in or among the bamboo, against the mountain, above the valley, over the sea.

In fall, the persimmon trees light their lanterns
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The Laws of Time and Physics

By JESSICA PETROW-COHEN

A sunny, cobblestone street framed by buildings with flat, golden-yellow facades. Ivy creeps between the buildings, hanging above the path.

Rome, Italy

I am tangled up in time. My body is the fine silver of my necklace, tying knots through curls of hair. I am the feeling of trying to untangle its spindled chain with too thick fingers, tips all pink, reaching for a dexterity they just don’t have. I’m caught up like that. Strangled.

The Laws of Time and Physics
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Dispatches from Ellesmere

By BRANDON KILBOURNE

A rocky landscape with yellow tents in the distance.

Photos courtesy of the author.

Ellesmere Island, Nunavut, Canada

Ellesmere Elegy

This land dreams up marvels:

a meteorite shower of clumpy
snow streaking under midnight’s sun.

This land embodies ruses:

broad valley floors and nondescript
slopes distorting scale and distance.

Dispatches from Ellesmere
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Brace Cove

By JOEANN HART

The ocean's waves hitting rocks on a shoreline.

Photos courtesy of author.

Gloucester, Massachusetts

It was mid-winter, so I timed my afternoon walk to end before the early night. Heading to the beach, I crossed a sea-battered causeway that dropped off to the salty Atlantic on one side, and the fresh water of Niles Pond on the other, ending at Brace Cove. Formed by two boat-breaking arms of intertidal granite, waves were still crashing into the cove from a recent storm. Migratory seabirds struggled to fly in the crosswinds. Added to the elemental roar of water was the steady screech of stones grinding in the surf, too rough a day even for the resident seals. As I stepped down from the causeway and onto the beach, I saw a man with binoculars around his neck. He was talking on the phone and there was a large, motionless shape at his feet. 

Brace Cove
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Genealogies

By LILY LUCAS HODGES

A golden object, shaped like a window with open shutters, sits atop a reddish wood table. The object is busy with delicate engravings: a cross; simple human forms, some adorning heart icons on their chests; water droplets; and palpitating lines. To the right is a container of prayer candles.

Photo courtesy of author.

San Francisco, CA

Gold is all you notice at first. A triptych dressed in shiny monochrome. The center of it is just above eyesight, so you’re left looking up at of Keith Haring’s altar, Life of Christ, an imposing piece, big enough to hold most of your gaze and envelop your mind. Haring made the original cast in 1990 and it’s considered his final work. Grace Cathedral in San Francisco acquired this edition in 1995 for its Interfaith AIDS Memorial Chapel.

Genealogies
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Ho’omana’o

By EDWARD LEES

A volcano

Photos by author.

Lahaina, Maui

When I was young, my parents
took me to Pompeii.
I remember the grouped bodies in the museum
of people who had tried to shelter.

Ho’omana’o
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From Sieve: A Preliminary Draft and a Ruin

By HILDEGARD HANSEN 

picture of a rusting door


Catalonia

The sea has moved inland.  Below the rectory on the hill, the fields and villages under the fog.  In the first blue of the morning.  The bell tower of the church in Lladó surfaces through it.  It is a few minutes away by car.  In Lladó the fog hangs in the streets, close to the ground.  Each building in isolation within it.  The old church, the locked doors: wood doors open onto metal doors that are molting their skin.  The keyhole the size of an eye.

From Sieve: A Preliminary Draft and a Ruin
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