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Holiday Reads 2024

December 17, 2024 Reviews

Exploring migration from the perspective of plants; mystical historical fiction that will transport you from New England to Haiti; and one woman’s chance to do life over again.

We revisited our community’s favorite reads from throughout the year and compiled a list of memoirs, essay collections, novels, and creative nonfiction works to inspire a diverse holiday reading list, or kick off your reading plans for the new year. All of these titles were originally highlighted in our “What We’re Reading” and Book Reviews columns, and we think they deserve a second spotlight. Read on for recommendations from the Phoenix desert, the Indian subcontinent, the seaside, and more.

Morgan Parker’s You Get What You Pay For

A poetic memoir-in-essays about Parker’s struggle to live freely amid the omnipresent legacy of enslavement in America. Beginning with her childhood as the only Black girl in a conservative, religious town, Parker moves between wide-ranging topics—including everything from cop killings, to plantation tours, to therapy and Jay-Z—but frames it all with the motif of the slave ship.

What We’re Reading: December 2024

December 13, 2024 Reviews

Curated by SAM SPRATFORD

If you’re in need of a deep breath amid the holiday frenzy, look no further. This month, Issue 28 poets and longtime TC contributors OLENA JENNINGS and ELIZABETH HAZEN bring you three recommendations that force you to slow down and observe. Hazen’s picks provide an intimate window into the paradoxical, tragic, and sometimes ridiculous characters that inhabit our world, while Jennings’ holds up a mirror to readers, asking them to meditate on the act of viewing itself.

Chantal V. Johnson’s Post-Traumatic and Kate Greathead’s The Book of George; recommended by Issue 28 Contributor Elizabeth Hazen

Typically, I have a few books going at once, and I am almost always at the very least reading one physical book and listening to another. Often, the pairings reveal interesting connections, and my most recent reads—Kate Greathead’s latest, The Book of George, and Chantal V. Johnson’s debut, Post-Traumatic—did not disappoint.

Both books are contemporary, the former out just this October, the latter in 2022, and feature protagonists who are deeply flawed but trying to figure out who they are. They hail from starkly different backgrounds, though, and this determines the starkly different difficulties they encounter as they navigate adulthood.

December 2024 Poetry Feature #1: New Work from our Contributors

December 12, 2024 Poetry

Works by JEN JABAILY-BLACKBURN and DIANA KEREN LEE

Table of Contents:

Jen Jabaily-Blackburn: “Archeological, Atlantic” and “Velvel”
Diana Keren Lee: “Living Together” and “Living Alone”

Archaeological, Atlantic
By Jen Jabaily-Blackburn

A morsel of conventional wisdom: Never use the word
boring in a poem because then they
can call your poem boring. The boring sponge can’t
do everything, but can make holes in oysters, & for the boring sponge, it’s
enough. I miss boring things like gathering mussel shells
for no one. I miss being so bored that time felt physical, an un-
governable cat sleeping over my heart. I have, I’m told, an archaeologist’s
heart. I have, I’m told, an archaeologist’s soul. An archaeologist’s eye, so

The Laws of Time and Physics

December 11, 2024 Dispatches

By JESSICA PETROW-COHEN

Rome, Italy

I am tangled up in time. My body is the fine silver of my necklace, tying knots through curls of hair. I am the feeling of trying to untangle its spindled chain with too thick fingers, tips all pink, reaching for a dexterity they just don’t have. I’m caught up like that. Strangled.

Podcast: Vix Gutierrez on “Don’t Step Off the Path”

December 29, 2023 Podcast, Podcasts & Audio

Listen on Apple Podcasts.

Listen on Google Podcasts.

Listen on Spotify.

Transcript: Vix Gutierrez

Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.

Belleville

December 18, 2023 Fiction

By NANCY LEFENFELD

But after the divorce, he moved back to Belleville. To his old neighborhood, the neighborhood of his youth.

His wife—now ex-wife—hated Belleville. It reminded her of the poor Polish girl she had been. All the years they were together, they lived in Boulogne-Billancourt.

He has a small apartment on the rue du Jourdain. It’s just a few steps from the tabac where he used to buy cigarettes for his father. And it’s practically around the corner from the primary school he attended, on the rue Olivier Métra.

Review: Never Be A Punching Bag For Nobody

December 5, 2023 Reviews

Film by NAOMI YANG

Review by HANNAH GERSEN

Sometimes visiting a new neighborhood can change your life. While scouting locations for a fashion shoot, filmmaker Naomi Yang happened upon a boxing gym in East Boston. The modest second-generation family business, with its sparring ring and wall of framed black-and-white photographs depicting local boxers, seemed like a great backdrop. Unfortunately, the gym’s owner and head coach, Sal Bartolo, Jr., disagreed, citing aprevious photo shoot that had gone badly, with high heels destroying his mats. There would be no fashion shoots in his gym. Instead, he gave Yang his pitch to all visitors, telling her to come back for a free boxing lesson. In voiceover, Yang confides to us that she did not take the offer seriously and didn’t plan to return. And yet, a few weeks later, she did. Part of her was holding out hope that Bartolo would change his mind. But another part felt drawn to boxing, and Bartolo’s gym would soon become the center of her life. Yang’s documentary tells the story of how this chance meeting at a boxing gym brought her into a deeper understanding of herself, and of the ways bullying forces can leave their mark on places as well as people.

December 2022 Poetry Feature: Kevin McIlvoy

December 29, 2022 Poetry

Poems by KEVIN McILVOY

Editor’s note: In October a friend told me about Kevin McIlvoy’s recent passing, days after I had read and been deeply moved by the following poems. We are honored to offer them to you here.

—John Hennessy

Kevin McIlvoy, known to his friends as Mc., published six novels, a story collection, and a collection of prose poems and flash fictions. A long-standing faculty member in the Warren Wilson College MFA Program for Writers, he was my colleague but, more importantly, my friend. Mc. loved books and, like many writers, he loved them so much eventually the only way to love them more was to add to them by writing. These poems were sent out prior to his death on September 30, 2022. He is missed by many, but thanks to his work, his voice is still with us.

—C. Dale Young

The Way Back Home

December 21, 2022 Dispatches

By S. G. MORADI

Iran

We grew up on salty rocks, collecting bullets,
holding onto hope as if it were a jump rope that
come our turn, would go on spinning forever
our feet never failing us.
We ran through sunburnt alleys, kicking up
clouds of dust that were quick to settle
as if somehow knowing
that we had nowhere else to go.

Learning from Las Vegas (Air) Strip

December 15, 2022 Essays, Studio

By ZOE VALERY

This woman in the airport is neither catching a plane nor meeting one. (…)
Why is this woman in this airport? Why is she going nowhere, where has she been?
—Joan Didion, “Why I Write” (1976)

In the margins of the Strip, planes shimmer in and out of Las Vegas. I photographed this periphery, populated by plane watchers. Why they watch and why I write seem to be connected by a tenuous link that became clearer as the afternoon transpired.

Sundown marks the time and the place for a discreet show among Las Vegas locals. At the golden hour, vehicles on Sunset Road veer toward McCarran International Airport and park in front of the runway. While the casino-jammed stretch of Las Vegas Boulevard known as the Strip blinks itself awake in the background, the airstrip stages a steady stream of landings and take-offs. Every day, new and seasoned plane watchers come here to view the aircrafts rolling between the sky and the Vegas skyline.