All posts tagged: Essays

Reading in Public: An Elegy

By JULIA LICHTBLAU

I was riding the F train home the other day reading Colson Whitehead’s The Underground Railroad. The local went express at Jay Street in Brooklyn, and I exchanged an exasperated smile with a woman on the platform. “Is that good?” she asked, pointing to the book. “I’ve been meaning to read it.” I called Whitehead’s disturbing way of mixing history and invention in his novel about slavery, “steampunk abolitionist” and she liked that. Manners obliging, I asked what she was reading. “Something with Ove in the title.” It was funny in surprising ways, but she couldn’t remember the name. We agreed nothing induces amnesia like being asked what you’re reading. The name and author came to her on the local. A Man Called Ove by Frederik Bachman. I promised to look it up. I got off at the next stop feeling rich for our impromptu book club, and grateful for a moment of literary communion that’s all but disappeared.

Reading in Public: An Elegy
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Keats-Shelley House, Rome, Italy

By AMY WELDON

 

Hoisting our backpacks, my students and I start up a narrow staircase that points us left and right. In November 1820, John Keats and his friend Joseph Severn climbed these stairs to two small rooms above the Spanish Steps, ready to stay until the end, which they knew wouldn’t be far away. Nevertheless, they rented a piano. Getting that piano back downstairs must have been a nightmare. Not to mention the armloads of drapes and rugs, and the sheets and the pillows, and the mattress, stained with sad rings of blood. But it was the law: all movable furnishings of a consumptive’s sickroom, even the wallpaper, must be burned. And then, on a late February day in 1821, would have come the carrying-down of Keats’ small body itself: a twenty-five-year-old man, five feet tall and wasted to the weight of an adolescent, the luminous eyes closed for good.

Keats-Shelley House, Rome, Italy
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Margin of Error

By COURTNEY ZOFFNESS

The night my colleagues and I sat around the bistro table and stockpiled our grief—I couldn’t get out of bed, said one; I cried to strangers, replied another—the night we compared the protests we’d attended and petitions we’d signed and officials we’d called; the night we declared we were going broke from our impulsive, panicked donations; the night we marveled at how many specials our waiter had memorized—scores of sauces and sides; the night we failed to retain a single one; the night I showed pictures of my son scrawling “Love Wins” on pink paper; the night we traded stats like playing cards—how many women, how many stayed home—even though stats were the thing that sparked our grief in the first place; the night we realized, with fright, that we didn’t know what or whom to trust: this, my friend, is the night you learned I’d betrayed you.

Margin of Error
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Off Edgware Road

 By EMILY EVERETT

 london snow

I first went to London as an undergrad, on a yearlong study abroad program in University College London’s intimidating English department. When I returned very reluctantly to the US, I often dreamed about London, but in those dreams I would find familiar places moved, distorted, and the people I missed not where I looked for them. After graduation, I moved again to the UK for a master’s program, but mainly to get back to London. I had discovered, after a few panicky weeks of foreign disorientation, that the city suited me—and also that my quiet home in Massachusetts no longer did. At 22, one seemed to preclude the other; London felt strange and exotic in a way that had become a daily necessity.

Off Edgware Road
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One Monsoon

nepal hill village

One Wednesday morning late in the rainy season of 1964, I sat at the open window of my room overlooking the tiny hill town of Kunchha, where I lived. I was watching huge clouds expand overhead, upward and outward across the blue Himalayan sky. I knew that by noon the temperature and the humidity would rise proportionately. Those cumulonimbus clouds are the largest, most magnificent and dramatic of the nimbuses, and experience told me that they were the harbingers of a rainstorm that would blow in around tea time.

One Monsoon
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Raiding

In seventh grade, your friend Megan invites you to go raiding, which means sneaking around in dark clothes and throwing feed corn on other people’s houses. This is rural Pennsylvania, a small town of rolling fields and old steel mills. It’s fall, cold. The point is trespassing, minor vandalism, the fact that you are twelve and living in a place where nothing ever happens.

You start at Megan’s house in a damp wooded valley not far from the river and walk toward the highway. It’s dark out, though probably not any later than seven or eight o’clock. Back here, in her neighborhood, there are steep hills, one after another, and the houses are set too far back from the road for an easy escape, and so for a while, the three of you—Megan, you, her neighbor-friend Derek—just walk.

Raiding
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Ivoirians Dream of America, Undeterred by Trump

In Abidjan, the principal city of Côte d’Ivoire, Africa’s fastest-growing economy, the air is black and nauseating on the Boulevard des Martyrs in the upscale Deux-Plateaux neighborhood at morning rush hour. My mouth tastes of diesel already. The light changes. Orange taxis, yellow taxis, trucks, busses, vans belch exhaust in unison. Traffic surges; two lanes fracture into four as drivers maneuver anarchically to break through, and the jam gets worse. When the cab I’m in reaches the chokepoint, I see a man lying on his back on the pavement, head to one side, the wheels of a stopped car inches away. His overturned motorcycle blocks a lane. When I pass a half an hour later, he’s still there, and traffic is backed up to the Boulevard François Mitterrand.

Ivoirians Dream of America, Undeterred by Trump
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Every Month is Black History Month

By SUSAN STRAIGHT
When my youngest daughter began her freshman year of high school, I said casually to her, “Do you ever see Christian?”

She gave me an incredulous and dismissive look. She replied, “Why would I see him? He doesn’t go here. He’s probably not in school at all. He probably fried his brain dying his hair all those colors.”

And then she was done. She talked about something else. But I kept pictur­ing him. Forever to me he will be the boy who called my child a nigger and spat on her when she was ten.

Every Month is Black History Month
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Beautiful and Splendid

When I speak to Dave on the phone the first time, he tells me his father died from cancer, that what he’s selling is part of his Dad’s huge collection of vintage stereo equipment. I’m sitting in the parking lot of an animal hospital in Northern Virginia, where I’ve just dropped off my dog Swayze for palliative radiation for her own cancer.

I tell him I’m sorry to hear it.

“He didn’t do anything but sit in a chair for two years while they kept him alive. He’s better off dead,” Dave says. “He was 82. He lived his life.”

I’d driven to Virginia from Maryland’s Eastern Shore where my wife, Susan, and I live and was trying to arrange a time to visit Dave back in Maryland so I could look at a few things he was selling on Craigslist: two reel-to-reel tape players and a vintage 200 watt Kenwood receiver, all listed far below their value. I’d buy the stuff from him, and then sell it at market value on eBay. The money would help pay for Swayze’s chemotherapy. I didn’t want Dave to know that though.

Beautiful and Splendid
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Love in the Absence of Persephone

By JAMES ALAN GILL

Do you remember when we’d go walking in the rain, and your coat was too big for you so that I couldn’t see your face under the hood? And we’d lean against one of the giant cedars growing among the graves in the Pioneer Cemetery, tree and stone planted over a hundred years before by ancestors unknown to us?  And when we went to kiss, we bumped teeth because all sense of space had been lost? It was then I started falling in love with you.

Love in the Absence of Persephone
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