All posts tagged: Excerpt

Excerpt from Cattail

By HAITAO XU

Excerpted from Cattail, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

1.

Kargh, pzzzs, kargh. Good morning, Revolutionary comrades! The sun is rising;  
Kargh, pzzsz . . . the war drum is beating!

Again, the formidable metal rooster atop the office building of Sunrise People’s Commune Brigade Three shattered the quiet early morning with its violent static coughs and squawks. 

Hearing it, Cattail, a tall and thin girl in a faded purple winter coat, kicked the dirt floor of the kitchen, a lean-to attached to their main dwelling, which consisted of a hut with two bedrooms and a common area. 

She should have the breakfast ready. But their meal, sweet potato soup, the same food they have twice a day in winter, was not boiling yet. The sweet potatoes were like stones. She knew the loudspeaker would soon summon every commune member, all the adult residents of Brigade Three, to report to work.

Excerpt from Cattail
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Shadow Count

By LAURA MARRIS

Book cover for Laura Marris's The Age of Loneliness
Somewhere in those years of 6 a.m. flights, I developed a recurring dream of a place I knew in the northwesternmost corner of Connecticut, where stone walls snaked among the trees of a forest that had once been farmland. The kind of town where the post office is also home to two chipmunks, one messy and one clean. A place full of wild birds, the flocks of my earliest childhood, vortexes of robins where rural woods broke open into fields. Where I had dug in the streambed and drunk the shimmer of mica with the silt. Where old traces of human mining and clear-cutting had been softened by an enveloping abundance. I felt myself wanting to check on it, wondering how it was doing.

Shadow Count
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Translation: Sindhu Library

By GEET CHATURVEDI
Translated by ANITA GOPALAN

Piece appears below in both English and the original Hindi.

 

Translator’s Note

There is an inherent quiet music and a brokenness in the story “Sindhu Library” excerpted from Geet Chaturvedi’s fiction Simsim. In its simple external reality, the story thinks with images and situations. There is a delicate textuality in the characterizations that take shape in a kind of leisureliness, be it the old man sitting among tattered books in his library or the balloon woman appearing at the start and end of the story, which is very poetic. I have translated the author’s pauses whenever I could, building a balance between language and sensation, between rhythm and vacuum.

Translation: Sindhu Library
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Antropófaga

By ANANDA LIMA

Excerpt from Craft.

 

She devoured tiny Americans that slid out of a vending machine. Their thin metallic plastic packages almost opened themselves when punctured. Emerging with their tiny hands on either side of the rip, they declared their nutritional value (calcium, sugar, fat, 350 mg of synthetic protein). So many times she decided to diet and promised: no more Americans. But she always walked by, with an eye on the spot between the Ruffles and the Doritos, salivating. And before thinking, there she was again, inserting the coins, hot and sweaty from her palms, into the machine’s mouth.

Antropófaga
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Excerpt from BETWEEN THIS WORLD AND THE NEXT

By PRAVEEN HERAT

 

“Mr. Federenko come soon,” the driver said, lugging Fearless’s duffel up the stairs.

Above, on the landing, he saw a blur of pattering feet and what looked like a cowled figure disappearing through a door—but it must have been his mind playing tricks, he told himself. And the rain was disorienting; it hammered on the stairwell’s skylight like a hundred hundredweight of masonry nails tossed from above. Fearless’s work as a war photographer had taken him everywhere save Asia, so the sheer speed and volume of the monsoon surprised him. When the driver led him through the open door of a whitewashed apartment, he was stunned to see the water reaching pedestrians’ knees from its balcony, the thoroughfares now canals traversed by cars and tuk-tuks that left parabolae of foam rippling in their wake. Clothes stuck to people’s skin. Ropes of water twisted from awnings.

Excerpt from BETWEEN THIS WORLD AND THE NEXT
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Brenda Smith

By A. MOLOTKOV

Excerpt from A Bag Full of Stones.

 

The dry spot on the pavement vaguely resembled a human shape. “Where’s the body?” Detective Brenda Smith asked.

The residential street was lit with soft yellow lights floating over a long hedge. The moon sat on top of a building on their left. The air smelled of water: rain, rot, autumn. It was 6:17 a.m. Brenda was cold, her skin tight from the sense of dread and responsibility.

Brenda Smith
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The Bridge of Sorrows: An Excerpt From Thin Places

By KERRI NÍ DOCHARTAIGH

The following is an excerpt from the memoir Thin Places: A Natural History of Healing and Home by Kerri ní Dochartaigh, out now from Milkweed Editions. Click here to learn more.

Thin Places book cover

Even as a child, I could see no way of staying in my hometown. The edges of the broken and breaking city never quite held themselves in place, and my own family life mirrored those fractures. There was just so much loss all around me. Everywhere I turned seemed stabbed right through, constantly punctured by the outside world. The past, present and future all seemed to blend into one, and every single part of the story held sorrow that I couldn’t get rid of, no matter how deep I tried to bury it. So many different things—situations, times of year, people—made the bad things rise up from inside to bite me again. Triggers, I know that now. It left me feeling scared, hollowed out and with no control over any of it, not really knowing how to make it—any of it—stop.

The Bridge of Sorrows: An Excerpt From Thin Places
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Excerpt: The Abduction

By BASMA ABDEL AZIZ

Translated by JONATHAN WRIGHT

 

They came at four o’clock in the morning and I was too sleepy to get out of the way in time. They trampled on the big trash bin and planted their heavy boots on the mass of bodies. My hand was crushed under someone’s boot, along with Emad’s arm. I gasped silently. Then someone started lifting my leg, which was stuck under Youssef’s stomach, and then my body too. I clung on to Youssef’s clothes, but the hand lifting me was much too strong for me. I suddenly found my head swinging through the air. I stiffened my neck to try to control it, but it was no use. I couldn’t make out where the voice giving orders was coming from but it was definitely from above.

Excerpt: The Abduction
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Hunters’ Gate

By JONATHAN LEE

Image of the cover of The Great Mistake by Jonathan Lee.

Excerpted from THE GREAT MISTAKE ©2021 by Jonathan Lee, published by Alfred A. Knopf. (Pre-order here)

One night, out walking, unable to sleep, and more fatigued than usual by his endlessly unfolding apprenticeship, the eighteen-hour days, the bugs that puncture his skin every night, the lack of money for real milk or for visiting his favorite sister, Andrew saw a man in the street who was raising a gun and pointing it at what?

A young mastiff, thin and weary-looking, staggering for a place to sleep.

Hunters’ Gate
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LitFest 2021 Excerpt: Interior Chinatown

By CHARLES YU

Image of Charles Yu's book, Interior Chinatown.

Amherst College’s sixth annual literary festival will take place virtually this year, from Thursday, February 25 to Sunday, February 28. Among the guests are 2020 National Book Award fiction winner Charles Yu and longlist nominee Megha Majumdar. The Common is pleased to reprint a short excerpt from Yu’s novel Interior Chinatown here.

Join Megha Majumdar and Charles Yu in conversation with host Thirii Myo Kyaw Myint (visiting writer at Amherst College) on Friday, February 26 from 7 to 8pm. 

Register and see the full list of LitFest events here.


LitFest 2021 Excerpt: Interior Chinatown
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