All posts tagged: Interviews

That Awkward Unbalance that Becomes the Beautiful: an Interview with Archibald MacLeish

TOM FELS interviews ARCHIBALD MACLEISH

Photo courtesy of Amherst College Archives

In May 1965, Amherst College student Tom Fels ’67 interviewed three-time Pulitzer Prize-winning poet Archibald MacLeish. The below interview, conducted at MacLeish’s home in Conway, Mass., is adapted from their conversation, a portion of which originally appeared in the town newspaper the Amherst Record.

Archibald MacLeish, one of the best-known American poets, playwrights, and public intellectuals, was born in Illinois, and educated at Hotchkiss and Yale, later taking a law degree at Harvard. After participating in World War I, he forsook the life of an attorney to focus on poetry, making his living for several years as an editor of Fortune magazine. Under President Franklin Roosevelt, he was for five years the Librarian of Congress, and later, during World War II, an assistant Secretary of State. After the war he taught at Harvard for thirteen years before taking the position of Simpson Lecturer at Amherst College (1963-67). MacLeish was the author more than fifty works of poetry, nonfiction, and drama.

Tom Fels is a curator and writer based in southern Vermont. His work in the arts includes exhibitions at the Getty Museum in Malibu, CA, and the Van Gogh Museum in Amsterdam, as well as numerous articles and books. He is the author of two books on the 1960s, Farm Friends and Buying the Farm. Fels met Archibald MacLeish after the poet’s delivery of his convocation speech at Amherst College’s Frost Library in 1963. This interview was the first of many that have played a part in Fels’s writing and research. Among the latest is a conversation with MacLeish’s fellow former Harvard faculty member Daniel Aaron in The Sixties: A Journal of History, Politics and Culture (June 2013).

Listen to a recording of the interview here, or scroll down to read.

 

 

That Awkward Unbalance that Becomes the Beautiful: an Interview with Archibald MacLeish
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The Rituals With Which We Stud Our Lives: An Interview with Clare Beams

HILARY LEICHTER interviews CLARE BEAMS

Clare Beams headshot

Clare Beams’s story collection We Show What We Have Learned was published by Lookout Books in October 2016, and is currently a finalist for the 2017 PEN/Robert W. Bingham Prize. Her fiction has appeared or is forthcoming in One Story, The Best American Nonrequired Reading, Ecotone, The Kenyon Review online, Willow Springs, and elsewhere, and has received special mention in Best American Short Stories 2013 and The Pushcart Prize XXXV. She was a 2014 National Endowment for the Arts fellow, and the 2014 Bernard O’Keefe Scholar at the Bread Loaf Writers’ Conference. She has an MFA from Columbia University and lives with her daughters and husband in Pittsburgh.

Hilary Leichter spoke with Beams over email about her story “The Drop,” appearing in Issue 12 of The Common.

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Hilary Leichter (HL): Where and when do you write?

Clare Beams (CB): These days, wherever and whenever I can. I have a daughter who will be four in March, and a brand-new daughter who was just born in December; my first book came out in October, and I’m teaching in a new place this term. So right now I have to pull my minutes for writing out from all the minutes of nursing and grading and trying to convince my older daughter she should eat something besides macaroni and cheese, and put on her pants. I think most of us are always fighting for those writing-minutes, in one way or another.

The Rituals With Which We Stud Our Lives: An Interview with Clare Beams
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Leaving New York City: an Interview with Cathy Linh Che

MELODY NIXON interviews CATHY LINH CHE

Cathy Linh Che is the author of Split, winner of the 2012 Kundiman Poetry Prize, the 2015 Norma Farber First Book Award from the Poetry Society of America, and the 2016 Best Poetry Book Award from the Association of Asian American Studies. Che is a Vietnamese American poet and teacher, originally from Los Angeles and Long Beach, California. She received her MFA in poetry from New York University and has been awarded fellowships and residencies from Poets & Writers, The Fine Arts Work Center at Provincetown, Kundiman, Poets House, and The Asian American Literary Review, among many others. Her poems have been published in Hyperallergic, Hyphen, poets.org, and AAWW’s The Margins. Her work delicately probes the liminal spaces between cultures, identities, nationalities, and bodies.

Leaving New York City: an Interview with Cathy Linh Che
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Ask a Local: Antti Tuomainen, Helsinki, Finland

With ANTTI TUOMAINEN

One of Antti Tuomainen’s favorite places in Helsinki is the beautiful Kaivopuisto park and the Baltic shore on the southernmost tip of downtown Helsinki, pictured here on a December morning.

 

Your name: Antti Tuomainen

Current city or town: Helsinki, Finland

How long have you lived here: 44 years

Ask a Local: Antti Tuomainen, Helsinki, Finland
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An Ivoirian Writer Takes on Genital Excision: An Interview with Fatou Keïta

JULIA LICHTBLAU interviews FATOU KEÏTA

On a recent trip to Côte d’Ivoire, I walked into the Librairie de France, the crowded, chaotic bookstore on the Plateau, the downtown business district of Abidjan, and asked for books by Fatou KeÏta. They directed me upstairs, where I found most of a bookcase filled by the popular Ivoirian writer’s works. Fatou Keita has written 25 books for children and two novels, including Rebelle (Rebel), about a young West African woman who escapes genital excision, which remains common, despite efforts to eradicate the practice. According to a 2013 World Bank report, “To Be a Woman in Côte d’Ivoire,” 14% percentage of Ivoirian girls under 14 have experienced infibulation, the most traumatizing form of genital excision.

An Ivoirian Writer Takes on Genital Excision: An Interview with Fatou Keïta
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The Drama of the Will: an Interview with Elizabeth A. I. Powell

S. TREMAINE NELSON interviews ELIZABETH A. I. POWELL

Born in New York City, Elizabeth A. I. Powell is a Vermont-based poet and editor in chief of the Green Mountains Review. She is the author of two poetry collections: The Republic of Self and, most recently, Willy Loman’s Reckless Daughter: Living Truthfully Under Imaginary Circumstances. Her work has appeared in the Pushcart Prize Anthology 2013, Alaska Quarterly Review, Harvard Review, Missouri Review, Mississippi Review, Ploughshares, and many other eminent publications.

The Drama of the Will: an Interview with Elizabeth A. I. Powell
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Space and Cumulative Erasure: An Interview With Youmna Chlala

SARETTA MORGAN interviews YOUMNA CHLALA

Youmna Chlala was born in Beirut and is currently based in New York City. Her work investigates the relationship between fate and architecture through video, drawing, books, installation, and performance. She was recently an Open Sessions artist at The Drawing Center and a resident artist at the Lower Manhattan Cultural Center’s Process Space. Her work has been widely exhibited at spaces that include Art Dubai Projects; Institute of Contemporary Arts, London; Rotterdam International Film Festival; Camera Austria; Art in General, New York; and San Jose Museum of Art. Her writing has appeared in numerous journals. Chlala is the Founding Editor of Eleven Eleven {1111} Journal of Literature and Art and recipient of a Joseph Henry Jackson Award. Her poetry book, The Paper Camera, will be published by Litmus Press in 2017.

Saretta Morgan met with Chlala at McNally Jackson Books in SoHo, New York City, in the late spring of 2016 to talk about relationships, speculation and space.

Space and Cumulative Erasure: An Interview With Youmna Chlala
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