By SEAN CHO A.
in the absence of wind: stillness of course.
the slowness of the leaves is a reminder
of the importance of scale. of time. scale
of time. the stillness in the branches becomes
Some descended from the arms
of our chapel cross, while lower
brothers abandoned statues
to bathe and drink at the heart
of our campus. Here, this flock
is no congress, no murder—
too innocent for such names.
By JEMAL HUMED
Translated by ADDIE LEAK
The piece appears below both in English and the original Arabic.
For the fighter Taha Mohammed Nur [1]
1
The hallway is cold and disquieting, lined with austere doors marked with consecutive numbers, giving no indication of their occupants.
The corridor is never-ending, leading to a room at its end whose grand entryway, formidable and rigid, seems to surveil the movement of the other doors.
He stood in front of it and straightened his service uniform. He took deep breaths, as if to expel the fear that had accumulated between his ribs on this particular morning inside the prison.
By L. S. KLATT
my mother died, & I
was moth, my body
alert with warning
coloration. Instar,
I cut myself
out & started
again. I couldn’t
possibly have been
Atlas, colossal,
camouflaging
By SIMON ABRAHAM ODHOK AKUDNYAL
Translated by ADDIE LEAK
The teacher, Ms. Nyiboth, was tenderhearted and gorgeous, with a small, proud beauty mark on the bottom of her left cheek. Her features added to her charm, and as for her voice, it had some hidden magic; whenever we heard it, we were tickled by a kind of madness that made us go still and quiet, as if a gentle breeze had blown through the class. I remember the time fate smiled on me and I got a perfect score on that month’s test; you wouldn’t believe how happy I was when Nyiboth came close and patted me encouragingly on the head. Her hand was soft, her warm touch enveloped me, and there are no words for how I felt; it gave me goosebumps. And now here I was, being beaten like a mangy donkey in front of her. How degrading!
By MERYL ALTMAN
—after Pindar, Olympian Ode #1
Water is best; and gold, which shines like fire
burning at night, says this is a very rich man
like nothing else does; and when you need
an image for the thrill of victory, what could be
stronger than the sun? there can, one supposes,
be poems about the moon, or a good loaf of bread,
but no one searches the empty daytime sky
for any fainter star when the sun is shining;
We watch the trees the way we watch the birds,
sitting more quietly than we have to,
though trees do not respond to sudden motion,
a crossing fox, a knock on the window,
or anything less momentous than the day.
Right before her twenty-fifth birthday, Chacha shaved her head, shearing the long black hair I’d known my entire life down to tiny-ass stumps. Having not spoken to my half sister in months, I learned about her haircut through Cero Reyes in the hallway of Our Lady of Guadalupe, where I was a sophomore. He was the little brother of her number-one homegirl, Cici, and had been there that past weekend at his parents’ hacienda up in the North Valley, banging on the bathroom door while our hermanas conspired Chacha’s new look.
I had to take a fucken piss, he said. Real bad too, but they spent over an hour in there, all giggling n’ shit.
You got a fuckload of bathrooms, I replied, gathering books from my locker to show the huevón I had other priorities. You coulda pissed in any of them.
“Cero” was a nickname that translated to nothing. It had carved this wiry, tacuache-looking vato since the day he could talk. Dude blabbered so much as a baby, stringing together words in an order that, according to his parents, made zero sense. He belonged to a family that made a name for itself in Juárez through some maquiladora empire. They’d moved to Albuquerque once his mami announced her desire to start a turquoise jewelry business. A couple years later, Cici popped into their world, who then met Chacha in a dance class for toddlers, and next thing you know they form this lifelong bond, a friendship so strong it forced me to spend too much of my childhood on a giant estate where I couldn’t help but wish my parents never divorced—wish we had enough skina to get out the varrio—wish my mother wasn’t such a pinche gringa and my pocho father spoke better Spanish.
That ain’t the point, Cero continued. It’s my bathroom, cuh. They used my shaving kit. Your sis’s hair was on the sink, shower, mirror—even the fucken toilet seat!
By AHMED SHEKAY
Translated by ADDIE LEAK
I hear a sound at my apartment door, and I just know it’s her. I follow her down the stairs. As I put my left foot onto the first step, I see the tips of her curls as she rounds the bend and, a moment later, glimpse her sneakered left foot as she takes her final step between the stairs and the exit. Then she’s swallowed up by the trees in the Ostpark. I tell myself, Good for Ababa, getting some morning exercise, and run after her, looking for her among the trees and in the forms of the other people out jogging. Every time I see a thick derrière, I’m sure it’s her and no one else, but when I get close, they start looking nervous, fear visible in their eyes, and jump out of my path. It takes me a full hour of looking to figure out why they’re acting this way, at which point, I’ve almost frozen from the cold. My breath has left frost on the tip of my nose, my tongue is parched, and I begin to cough violently. But I have absolute faith that she knocked on my apartment door and then ran away: Who else would do that? She’s the only visitor I’ve been wanting.
My freedom is not
to answer the phone
or open the door. I don’t care
if I’m not liked anymore.
I’m free to be that, disliked, to sweat
to be that—take flight, from like or dislike.
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