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February 2023 Poetry Feature

February 23, 2023 Poetry, Translation

We’re pleased to offer these new translations from ON CENTAURS & OTHER POEMS by ZUZANNA GINCZANKA, translated by ALEX BRASLAVSKY, out from World Poetry Books this month. This is the first selected volume in English of Zuzanna Ginczanka, a visionary Polish-Ukrainian-Jewish poet of the inter-war years whose life was cut short by the Holocaust.

Zuzanna Ginczanka (1917-1945) was a Polish-Ukrainian-Jewish poet of the interwar period. Born in Kiev, which her parents fled to avoid the Russian Civil War in 1922, Ginczanka began writing seriously as a child in Równe, Poland (now Rivne, Ukraine). She was nationally recognized for her poetry by sixteen years of age. Encouraged by a correspondence with poet Julian Tuwim, she moved to Warsaw in 1935. There she became associated with the Skamander group and the satirical magazine Szpilki, and befriended many writers including Witold Gombrowicz. Her 1936 collection, On Centaurs, was widely lauded upon its release. At the start of World War II, she moved east, living in Równe and Soviet-occupied Lviv. In 1942, after the German takeover of Ukraine, she escaped arrest and fled to Kraków on false papers to join her husband. She was arrested in 1944 and shot by the Gestapo a few days before Kraków was liberated by the Soviets. After the war, her last known poem “Non omnis moriar…” was used in court to testify against her denouncers.

Alex Braslavsky (born 1994) is a scholar, translator, and poet. A graduate student in the Harvard Slavic Department, she writes scholarship on Russian, Polish, and Czech poetry through a comparative poetics lens. She was an American Literary Translators’ Association Mentee in 2021. Her work on Polish literature has been supported by the Jurzykowski Polish Grant and the ©POLAND Translation Program. Her poetry has appeared in Conjunctions and Colorado Review, among other journals.

January 2023 Poetry Feature: New Poems by TC Contributors

January 26, 2023 Poetry

New poems by our contributors JULIA KOLCHINSKY DASBACH, BRYCE BERKOWITZ, DEBORAH GORLIN, MATTHEW CAREY SALYER

Table of Contents:

Julia Kolchinsky Dasbach
—Amygdala Means Almond

Bryce Berkowitz
—The Writers’ Bench in Gapped Couplets

Deborah Gorlin
—The Trouble with Rivers
—Landslide

            Matthew Carey Salyer
                        —The Devil, His Own Self
                        —The Penguin Classics

January 2023 Poetry Feature

January 13, 2023 Poetry

New poems by our contributors TINA CANE, MYRONN HARDY, and MARC VINCENZ

Table of Contents:

            Tina Cane
                        —You Are Now Interacting as Yourself
                        —The Subject Line

Myronn Hardy
—Among Asters

Marc Vincenz
—An Empire in the Ground

You Are Now Interacting As Yourself
By TINA CANE

Sheila had IHOP     delivered to her apartment     in El Alto, NY
on January 6th     so she could kick back     self-proclaimed terrorist
that she is     and eat pancakes     while watching white supremacists
storm the Capital on T.V.     a coup

December 2022 Poetry Feature: Kevin McIlvoy

December 29, 2022 Poetry

Poems by KEVIN McILVOY

Editor’s note: In October a friend told me about Kevin McIlvoy’s recent passing, days after I had read and been deeply moved by the following poems. We are honored to offer them to you here.

—John Hennessy

Kevin McIlvoy, known to his friends as Mc., published six novels, a story collection, and a collection of prose poems and flash fictions. A long-standing faculty member in the Warren Wilson College MFA Program for Writers, he was my colleague but, more importantly, my friend. Mc. loved books and, like many writers, he loved them so much eventually the only way to love them more was to add to them by writing. These poems were sent out prior to his death on September 30, 2022. He is missed by many, but thanks to his work, his voice is still with us.

—C. Dale Young

November 2022 Poetry Feature: Anacaona Rocio Milagro

November 25, 2022 Poetry

This month we welcome ANACAONA ROCIO MILAGRO, whose “Nine Twelve Poem” appears in our new print issue.

Anacaona Rocio Milagro is a poet born, raised and living in New York City, uptown Manhattan’s Washington Heights. Writing poetry since the age of four, she earned an MFA in Poetry at NYU’s Low Residency program in Paris, an MPH at Columbia University, and a BA with a double-major in Social Anthropology and Journalism/Creative Writing, and a minor in Art from Baruch College/CUNY BA Program. Her “Nine Eleven Poem” is now part of the Smithsonian Museum’s 9/11 archives. Her poetry has been published in The BreakBeat Poets Latinext Anthology, Narrative Magazine, LitHub, Oh Dear Magazine, and Raising Mothers to name a few. Her poem “Stillmatic” was released as a spokenword/Hip-Hop/Jazz single on all streaming platforms. Her father is from the Dominican Republic and her mother is from St. Thomas, The U.S. Virgin Islands. She is the single mother of two—Nirvana Sky and Zion.

October 2022 Poetry Feature

October 27, 2022 Poetry

New poems by our contributors: JOHN FREEMAN, KEETJE KUIPERS, and JOSEPH O. LEGASPI.

Table of Contents:

John Freeman | “Borrowed Finery”

Keetje Kuipers | “Washing My Daughter’s Clothes”
| “I didn’t know what I didn’t know”

Joseph O. Legaspi | “Longyi, a Lyric”

August 2022 Poetry Feature: Nathan McClain—from PREVIOUSLY OWNED

August 25, 2022 Poetry

This month we welcome back TC contributor NATHAN McCLAIN, whose new collection, Previously Owned, will be published by Four Way Books next month.

Nathan McClain is the author of two collections of poetry—Scale (2017) and Previously Owned (2022)—both from Four Way Books, a recipient of fellowships from The Frost Place, Sewanee Writers Conference, Bread Loaf Writers Conference, and a graduate of the M.F.A. Program for Writers at Warren Wilson. A Cave Canem fellow, his poems and prose have recently appeared or are forthcoming in Guesthouse, Poetry Northwest, Zocalo Public Square, The Critical Flame, and the Plume Poetry Anthology 10. He teaches at Hampshire College and serves as poetry editor of the Massachusetts Review.

Where the View Was Clearer

Had I not chosen to live there—
among the oaks and birches,

trees I’d only ever seen in poems
until then…spruce, pine,

among the jack-in-the-pulpit
(though I much preferred “lady slipper”),