This May, we’re celebrating spring with new work by three of our contributors.
Flavored Graffito
Agrigento, Sicily
Piz-stack-eee-oh, Graffito registers, the word flooding his noggin
like the weed-choked shrubs crowding what should-be-a-more-
pregnant vacuity surrounding what little remains of Demeter’s
By CASSIE PRUYN
Beneath a chalk-white winter sky,
her diamond studs gleam.
We sit parked in the Clam Shack lot, halfway
between her house and mine,
in her mother’s luxury SUV. Her alibi this time:
Christmas shopping for her mother on Newbury Street.
after Lewis Holt
Those are traffic lights. They help stop people from
driving into each other. That’s a crescent moon and star
on top of that building. It means the people inside are part
of The Nation. That’s a gas station. That’s a McDonald’s.
That’s a Burger King. That’s a fried fish and chicken joint.
A June day under the Jungfrau.
Near the railway that brought her here,
an old woman sits on a bench.
She isn’t facing the Jungfrau
but the Hotel Belvedere
By DAVID LEHMAN
1.
Gather ye rosebuds come what may,
Old time’s a frequent flyer,
And many lovers that link today
May soon be forced to retire.
Let each of us have one, each of us be one
Soul unlinking from its mate in the past
To eat the golden apples of the sun.
Youth fondly supposes it will last.
At The Common, we’re celebrating Poetry Month with new work by five of our contributors.
Fayum Portrait [Deal]
I’ve sent a map on wax paper–
What he loves arrayed as clumsy petals.
If it arrives,
someone will ink it in his back,
so it will go with him
like a paw stuffed in a casing,
boardwalk mojo to ward off the hail of RPG, AK,
FOB after FOB, Amputee Ward, TBI, Arlington.
It isn’t what he said in Casablanca
and it isn’t strictly true. Nonetheless
we’ll always have them, much as we have Paris.
At The Common we’re welcoming spring with new poetry by our contributors. (Be sure to listen to the audio link to Megan Fernandes’ “White People Always Want to Tell Me…,” read by the author.)
By ZACK STRAIT
There is a dark blue bible in the nightstand, a pitcher and torch
stamped on the cover in gold. I rub this symbol
with my thumb and I am comforted, knowing another
man was in this room before me, just to
place his light here.
Once in a car, a good boy
shook me hard. If you like it
that way in bed, then why are you…
the tiny bruises on my arms
where his prints pressed into my pink
sleeves rose to the surface like rattles.
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