This interview is the eighth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.
Read Beaird’s Issue 17 story, “Trousseau”
This interview is the eighth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.
Read Beaird’s Issue 17 story, “Trousseau”
By ROWAN BEAIRD
In all the early photos of my life, you are wearing a long skirt. It is pleated, with an elastic waistband, patterned with purple and red Japanese flowers. I imagine you purchased it from one of the consignment stores in Lincoln Square, their window displays nothing more than dresses and shirts hung on latticed wood wound with fake ivy. I imagine you kept wearing it because the polyester didn’t need to be dry-cleaned and you preferred not to shave your legs.
Outside, on my grandparents’ back lawn, which rolled off into an alleyway, I would crawl between your ankles. I did not want to be near the dog, or my cousins with their large chins and black eyes. My father would tell me to run through the sprinkler, or to play with the peeling block puzzle that had been scattered across the grass, the same one he had played with as a child. But I wanted to be inside, on the quiet, humming floor of our kitchen, so I tried instead to hide beneath your skirt.