Donbas Days
this is not the fault of the people but it is
the people’s problem
a lack of nerve
a chance to make a little meat
and unemployment like a flood
By MOISEI FISHBEIN
Translated by JOHN HENNESSY and OSTAP KIN
Kol Nidre
And damp dust between stars will vanish,
and nothing will ever move or shine,
and as you look up at the sky at midday
the slanted rays will cross your sight.
From THE MEAD ART MUSEUM
More than thirty years after the collapse of the Soviet Union, the independent states that emerged from its territory continue to grapple with its legacies. In Ukraine, this struggle has unfolded amidst a political and cultural war waged by Russia. As Vladimir Putin’s regime weaponizes the shared Soviet past in its attempts to erase Ukraine’s nationhood, the Soviet legacy remains the subject of heated debate among Ukrainians. While some identify “Sovietness” with “Russianness” and seek to remove it from the national narrative, others attempt to reclaim their Soviet legacy, emphasizing the agency of Ukrainians who created it.
By VIKTOR NEBORAK
Translated by JOHN HENNESSY and OSTAP KIN
The rusty hollows inside the old mosquito
reduce his soprano to dust. Down the pipe
of his fragile beak, the pumps are already weak.
And his blood flows through fossilized riverbeds.
His gas tanks empty, song silenced, not a drop
of compassion in him… Running on coal fumes,
the rusted engines deliver him to drill
one last buzz through the ears of the crowd.
A kamikaze who would have dropped heavenly tons
on these civilians as on military echelons
and then been posthumously awarded
the highest orders! his name on honor lists!
banners! trumpets! salutes! obelisks!
… if my slap hadn’t smashed him dead.
Viktor Neborak is a poet, writer, literary scholar, and critic. He is also a founding member (along with Yuri Andrukhovych and Oleksandr Irvanets) of the Bu-Ba-Bu literary performance group. His collection The Flying Head and Other Poems appeared in English translation in 2005.
John Hennessy’s most recent books are Exit Garden State, a collection of poems, and Set Change, selected poems by Yuri Andrukhovych co-translated with Ostap Kin.
Ostap Kin is the editor of Babyn Yar: Ukrainian Poets Respond and New York Elegies: Ukrainian Poems on the City. With John Hennessy, he translated Set Change by Yuri Andrukhovych, and A New Orthography by Serhiy Zhadan.
By ANNA MALIHON
Translated by OLENA JENNINGS
YLANG-YLANG
in the thick halo of insects, the lamp resembles
a mature dandelion
the girl as pale as bandages incessantly conjures spells
I can’t make out the words
I am still there where there is roaring and how…
…ling
unbridled nature has undone me thoroughly
I lay like a stunned fish in the lord’s hand
and a thought about water fills a warm sea
bordering the land’s illuminated wounds
that the worms, animals and feathered messengers
visited while searching for sustenance
and instead of my arm a bamboo shoot hangs out
gathering strength
and in my hand someone has placed
the globe of this complicated world
exhaling: live
I don’t have enough strength to close my eyes in shame
or scream get away from me, I’m alone
alone I’m alone, give me back my hand
how now to overcome the grand piano’s mouth of silence
and toss a baby up to the sun
the bamboo will only be good for a flute
but I lack enough breath even for that
a tall girl with a gaze like the Mother of God
murmurs seeds of words upon the tiles
the mocking moon peeks through a hole burnt
in the tulle: time to go
and now in the cottony silence, a yellow
melody of resurrection pushes its way through
like a ylang-ylang flower
and a damaged airplane like a lost petal
returns to the sky
and the little boy with my hands embroiders the collected sounds
I exhale so loudly that the dandelion’s
circle of insects dissipates
dawn…
[IT FELT LIKE BLOOD]
It felt like blood
on the floor of the subway car,
like sticky patterns of footprints—my new identity…
It felt like someone had turned me into
a bucket of strawberries,
and forgotten about it…
And the platform like a safe haven
and the—red beginnings of love—
between heart and throat.
I woke up as if no one was shooting,
only boys wander in
one stands nearby with a pistol,
and—bang-bang!—into the void…
But suddenly not just a crater—
But a black pit in the chest.
And tiny red droplets.
I am eating one strawberry—for the sick brother,
another, smaller one—for the son,
I am eating the slightly crushed one for him
who crushed my heart over the years.
And the last one—the biggest, the shiniest—
for my father who was never a father to me.
Put down your toy death.
Go, return the sun’s face
to the longest night for me.
Here are peonies and June,
and soldiers tightly standing.
And never,
never will anyone leave you again…
[THE POEMS BETWEEN US GREW SHORTER]
The poems between us grew shorter
until everything unwound into a single letter
with a period
which you turned on its head
because you liked exclamatory endings…
Finally, everything went quiet.
I became still as a white shell in the Paleozoic era.
I wish I hadn’t written words, biting my lip.
I wish I hadn’t written on the water with my fingertips.
I wish I hadn’t turned circles into a delicate zero…
You destroyed my Universe, flipped, abandoned
Forgot the address
Forgot the lanterns with flames in the window
Only letters
gnaw at memory
like mice gnaw at last year’s feed sack.
Short poems come with freedom for the blind.
Long poems come with a cage for those with sight.
Anna Malihon is an award-winning Ukrainian poet and the author of six books of poetry and a novel. Her work has been published in numerous Ukrainian literary journals and translated into Bulgarian, Polish, Czech, Georgian, Armenian, and French. In 2022, Russia’s full-scale invasion forced her to leave Ukraine. She lives in Paris, France.
Olena Jennings is the author of the poetry collection The Age of Secrets, the chapbook Memory Project, and the novel Temporary Shelter. She is a translator of collections by Ukrainian poets Kateryna Kalytko (co-translated with Oksana Lutsyshyna), Iryna Shuvalova, Vasyl Makhno, Yuliya Musakovska, and Anna Malihon. She lives in Queens, New York.
By ANNA MALIHON
Translated from the Ukrainian by OLENA JENNINGS
From Girl with a Bullet, forthcoming October 2025
Presented in Olena Jennings’ seamless translation, Anna Malihon’s new collection, Girl with a Bullet, is one of the most important books of the year for those with an interest in the fate of Ukraine, a gift to Anglophone readers.
—John Hennessy, poetry editor
Table of Contents:
[The girl with a bullet in her stomach]
[Don’t go into that home]
[Now the only thing that you can do for her, Christ,]
[Unfold and dive into me, to my very bone,]
Cat in the window
examines the snowflakes that float—
marks of art in the winter dark
It’s a Christmas Eve in my homeland
the things to come
waiting to be unwrapped
By YULIYA MUSAKOVSKA
Translated from the Ukrainian by OLENA JENNINGS and YULIYA MUSAKOVSKA
If their history together hadn’t begun this way,
they both would have been left alone, each with their war.
August—hellish, the bathhouse filled with bodies.
She squeezes the familiar palm and comes to life again.
Everything that has happened and didn’t happen to them,
is established, set in stone, unforgettable,
April Is Poetry Month: New Poems By Our Contributors
MARK ANTHONY CAYANAN, DAVID LEHMAN, and YULIYA MUSAKOVSKA (translated by the author and OLENA JENNINGS)
Table of Contents:
Mark Anthony Cayanan
—Ecstasy Facsimile (These days I ask god…)
David Lehman
—The Remedy
—A Postcard from the Future
—Last Day in the City
Yuliya Musakovska (translated by the author and Olena Jennings)
—Angel of Maydan
—The Sorceress’ Oath
New poems by our contributors TINA CANE, MYRONN HARDY, and MARC VINCENZ
Table of Contents:
Tina Cane
—You Are Now Interacting as Yourself
—The Subject Line
Myronn Hardy
—Among Asters
Marc Vincenz
—An Empire in the Ground
You Are Now Interacting As Yourself
By TINA CANE
Sheila had IHOP delivered to her apartment in El Alto, NY
on January 6th so she could kick back self-proclaimed terrorist
that she is and eat pancakes while watching white supremacists
storm the Capital on T.V. a coup
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