The System

By ELISA GABBERT

Chrysippus laughed so hard
at a donkey who ate all his figs
that he died. Melville said Death
winked at him with the left eye.

I made up these three rules
to live by—can’t tell you the rules—
but know, they suggested
a structure, an elegant system.

Now I’m trapped in the system,
a man in a silent movie
who cut off his own arms
for love. I have to lie to God.

A column in the ruins.
I can’t tell you everything I know
all at once, the way the day
must suffer its own duration.

[Purchase Issue 29 here.]

Elisa Gabbert is the author of seven collections of poetry, essays, and criticism, most recently Any Person Is the Only Self and Normal Distance. She writes the On Poetry column for The New York Times.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The System

Related Posts

November 2025 Poetry Feature: My Wallonia: Welcoming Dylan Carpenter

DYLAN CARPENTER
I have heard the symptoms play upon world’s corroded lyre, / Pictured my Wallonia and seen the waterfall afire. // I have seen us pitifully surrender, one by one, the Wish, / Frowning at a technocrat who stammers—Hör auf, ich warne dich! // Footless footmen, goatless goatherds, songless sirens, to the last, Privately remark—

Nails, Tooth, and Tub

TOLA SYLVAN
And, what’s more, they are painted with tiny small yellow and white dots, which, if you looked closely, invading her intimacy, you might discern to be daffodils, daylilies, daisies, or rose. They are feminine, no matter what. They say: here is the outside of myself, my hardshell exterior, with its wily and yet decipherable messages.

Corazon

ISABEL CRISTINA LEGARDA
The cemetery had inhabitants, and not just those whose descendants had laid them to rest. Two old men were living on the Ordoñez plot. Next to the abandoned Llora mausoleum, a family of four had pitched their makeshift tent. As more squatters crept in, to whom the administrators of the Cementerio de Manila turned a blind eye.