All posts tagged: 2025

Announcing The Common’s Sixth Literary Editorial Fellow

(Amherst, Mass. July 10, 2025)—Award-winning, international literary journal The Common has announced Kei Lim ’25 as its sixth Literary Editorial Fellow. The fellowship launched in 2020 with support from the Whiting Foundation and is sustained by the generosity of Amherst College alumni donors.

The Literary Editorial Fellowship (LEF) was introduced with three goals in mind: to strengthen the bridge between The Common’s existing Literary Publishing Internship (LPI) for undergraduates and the professional publishing world; to provide real-world literary experience for an Amherst graduate, transferable to a wide range of fields; and to increase the capacity of The Common’s publishing and programming operations.

Announcing The Common’s Sixth Literary Editorial Fellow
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The Common Magazine Announces 2025-26 David Applefield ’78 Fellow

(Amherst, Mass.) — Award-winning, international literary journal The Common announced today that Aidan Cooper ‘26 will be the third recipient of the David Applefield ’78 Fellowship. The fellowship, the magazine’s first endowed student internship, was established in 2022 by a group of friends and family of David Applefield, a literary polymath who attended Amherst College and founded Frank, an eclectic English-language literary magazine based in Paris. 

The David Applefield ’78 Fellowship funds one student intern annually who possesses exceptional editorial and leadership skills to work alongside the magazine’s other student interns and magazine staff on editorial and promotional assignments. Among other responsibilities, the Applefield Fellow coordinates the Weekly Writes Accountability program, leads the Level I section of the Young Writers Program for high school students, and provides research and production support for podcasts. In addition, the Applefield Fellow trains and mentors other interns, and organizes events for the Amherst College community.

Headshot of Aidan Cooper

Aidan Cooper ‘26 enters the role following a year as an editorial assistant. They’re the acting President of Amherst College’s Poetry Club, Editor-in-Chief of The Lilac magazine, and a bearer of various literary positions around the college and beyond. They’re in the midst of many writing projects, from a research paper on early modern horsemanship and mercantilism begun at the Folger Shakespeare Library, to an English thesis on nothingness in avant-garde poetry.

Cooper thanks the more than fifty friends, classmates, and family members of David Applefield who contributed to the fellowship fund for their generosity and trust, as well as the magazine’s staff for their mentorship. “The Common, through its mission and care, champions such a worldly and passionate writing community,” Cooper said, “and I’m so thankful to immerse myself in it.”

 

The Common Magazine Announces 2025-26 David Applefield ’78 Fellow
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Patricia

By ISSA QUINCY

This piece is excerpted from Absence, out now from Granta (UK), and forthcoming from Two Dollar Radio (US) on July 15, 2025. "Absence" cover image

In the Rijksmuseum in Amsterdam, there is a painting by Hendrick Avercamp, the mute of Kampen, hung on a deadening grey felt and squeezed in amid other Dutch masters. One’s initial glance at the painting will see it reveal little more than a benign winter scene. However, when you look at Avercamp’s painting closely you begin to notice the close detailing of the variance of life. There in the painting exists death, pleasure, ecstasy, frivolity, poverty and secrecy, closely exacted alongside other states of being and non-being all perceived by Avercamp from a heightened position, a vantage point for an incorporeal observer; a drifting onlooker that watches and takes in the immediate while the rest of the yellow-grey land and sky disperse outwards into misty incomprehensibility. What is presented is the sight of the intangible spectator that sees what is in front of him, recognizes everything and curtails his judgement of anything.

Patricia
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The Swan

By MARZIA GRILLO

Translated by LOURDES CONTRERAS AND JULIA PELOSI-THORPE

Piece appears below in English and the original Italian.

 

Co-translating Marzia Grillo’s captivating short fiction “The Swan” (“Il cigno”) into English from Italian was an experimental process in which drafts ricocheted between the two of us over many months. This is in some ways typical for our collaboration… but, as we transform each piece, our approach morphs in fun directions, contingent on the fabric of our lives in a given moment. With “The Swan,” Julia fell in love with Grillo’s debut short story collection, The Sun’s Point of View (Il punto di vista del sole) in a Venetian bookstore and mocked up first and second versions on several high-velocity Italian trains in early 2022. Then, the project lapsed. Later that year, she and Lourdes met, were enchanted by one another, decided to co-translate, and Lourdes revived Julia’s draft. “The Swan” takes the reader into the middle of a lake in Lazio one afternoon, where, on a pedalo, a man proposes marriage for the nineteenth time to his unwilling girlfriend. The story is the first of the thirteen works of creative autofiction that make up the loving, disturbing world of The Sun’s Point of View. In a nexus of scenes across Grillo’s Rome, her immersive prose vivifies tormented characters who are moved deeply to desire (and destroy) themselves and others. As real and imagined figures fight for secure understandings of a reality that is suffused by a constant fog of instability, we the translators relish the challenge to locate in English what we can of the dark sparkle of Grillo’s dialogue, twisted narrative arcs, the emotional impetus of their intrigues, and their web of thematic resonances.

— Lourdes Contreras and Julia Pelosi-Thorpe

The Swan
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Florida Poems

By EDWARD SAMBRANO III

Trees surround a pond

Photos courtesy of author.

Florida

After the Storm
(after Donald Justice)

I will die in Portland on an overcast day,
The Willamette River mirroring clouds’
Bleak forecast and strangers not forgetting—
Not this time—designer raincoats in their closets.
They will leave for work barely in time
To catch their railcars. It will happen

On a day like today. Florida’s winter
Brings the satisfaction of sunlit goosebumps
As I read on the veranda wondering whether
To retrieve a sweater. I’m learning
Of life’s many versions of triviality,
Which merely manage to repeat themselves.

Florida Poems
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Podcast: Pria Anand on “The Elephant’s Child”

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Transcript: Pria Anand Podcast.

 PRIA ANAND speaks to managing editor EMILY EVERETT about her story “The Elephant’s Child,” which appears in The Common’s spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.
 

Headshot of Pria Anand next to Issue 29 cover
Podcast: Pria Anand on “The Elephant’s Child”
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June 2025 Poetry Feature: New Poems from Pedro Poitevin, Aiden Heung, and Ellie Black

This month we’re pleased to bring you poems by PEDRO POITEVIN translated from Spanish by PHILIP NIKOLAYEV and new work by 2025 Disquiet Prize finalists AIDEN HEUNG and ELLIE BLACK.

Table of Contents:

  • Pedro Poitevin (trans. Philip Nikolayev), “Sonnet from the water before dawn” and “Self-Portrait as a Dog”
  • Ellie Black, “The Confessional” and “Revelator”
  • Aiden Heung, “The Theory of Evolution”
June 2025 Poetry Feature: New Poems from Pedro Poitevin, Aiden Heung, and Ellie Black
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Review: The South by Tash Aw

By TASH AW
Reviewed by BRITTA STROMEYER

Book Cover: "The South a novel by Tash Aw" over a river landscape.
 

Readers familiar with Tash Aw know that the power of Aw’s writing lies in the intricate layering of complex themes, brought to life through nuanced characters. His latest novel, The South, the first of a four-part saga, is no exception. It is an ambitious portrayal of a family navigating profound transformation and the complexities of identity and belonging within Malaysia’s rich and challenging political context of the late 1990s.

Following his grandfather’s passing, sixteen-year-old Jay journeys southward with his family to inspect their inherited failing farm. Blighted trees and drought-stricken fields greet them upon arrival. Told in rotating third- and first-person perspectives over a few weeks, the novel introduces Jay, his mother Sui, and farm manager Fong as they grapple with identity and belonging within fractured family dynamics. The novel, both broad in its scope and delicate in its intimacy, explores the repercussions when personal lives intersect with wider societal currents. It unfolds with a quiet yet remarkable sense of pacing, each moment carefully weighted, drawing the reader deeper into the rich inner lives of its characters.

Review: The South by Tash Aw
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What We’re Reading: June 2025

Curated by SAM SPRATFORD and KEI LIM

This month’s recommendations depart to new and old worlds, and explore what we can bring back from them. With CHRISTOPHER AYALA‘s recommendation we find ourselves among magic and aliens alike, with CHRISTY TENDING‘s we return to Mussolini-era Italy, and with MARIAH RIGG‘s we are brought to a climate-ravaged future. Read on to traverse these collections of stories and essays.

 

Cover of Hit Parade of Tears by Izumi Suzuki

 

Izumi Suzuki’s Hit Parade of Tears; recommended by TC Online Contributor Christopher Ayala

I’ve taken up the habit of hitting independent bookshops wherever I travel and buying the first interesting book I see, eschewing the never-judge-a-book-by-its-cover adage and one-hundred percent judging a book by its cover. Good design suggests to me a deeper, more thoughtful curation on behalf of the press, that a book itself is an art object whose cover is a deep and personal aesthetic representing the work of the writer and the work of the press. This is exactly how I found myself in Tucson Arizona’s Antigone Books, where I was led into Verso Books’ edition of Hit Parade of Tears by Izumi Suzuki, translated by Sam Bett, David Boyd, Daniel Joseph, and Helen O’Horan.

What We’re Reading: June 2025
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Farewell to Pictou County, N.S.

By COURTNEY BUDER

Pictou County, Nova Scotia, Canada

Lint blue thunder flavors the memory. The waves are enormous, curling up high and mighty like Caribou antlers. In hindsight: Why are we at the beach during a thunderstorm? But back then, in all of my five year old wisdom: The water is so warm and excited to see me.  

The power went out for three days during one hurricane or another. My niece was only a baby, my mom and sister murmuring about warming the milk. Everybody crowded together onto a bed, every blanket in the house employed. I thought it was wonderful. I remember standing in the middle of the street, the wind tearing straight through me. I watched my red hat get sucked up and away into the grey, watched trees flail, calm as a clam, as a strange and lonely little girl transfixed, like watching a snow globe from the inside. The Ship Hector crept up onto Caladh Avenue and my mother finally burned the candle. Life went on.

Farewell to Pictou County, N.S.
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