Today I Do Not Love My Country

By INGRID DE KOK

 

South Africa, May 2008

Today I do not love my country.
It is venal, it is cruel.
Lies are open sewers in the street. 
Threats scarify the walls.

Tomorrow I may defend my land 
when others X-ray the evidence:
feral shadows, short sharp knives.
I may argue our grievous inheritance.

On Wednesday I may let the winded stars
fall into my lap, breathe air’s golden ghee, 
smell the sea’s salt cellar, run my fingers
along the downy arm of the morning.

I may on Thursday read of a hurt child
given refuge and tended by neighbours,
sing with others the famous forgiving man
who has forgotten who were enemies, who friends.

But today, today, I cannot love my country.
It staggers in the dark, lurches in a ditch.
A curdled mob drives people into pens, 
brands them like cattle,
only holds a stranger’s hand
to press it into fire,
strings firecrackers through a child,
burns stores and shacks, burns.

 

 

Ingrid de Kok has published five volumes of poetry, most recently Seasonal Fires and Other Signs.

Click here to purchase Issue 04

Today I Do Not Love My Country

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.