Fayum Portrait

by JAMES HOCH

             [Field Manual]

Sunday, there she goes again, toddling
             out the door, off the back deck, tumbling

in her church dress, a field of hand-
             painted green stems and yellow flowers,

so that stunned, staggering forward—
            Brother, no IED, no gag a god pulls,

today, no one dies. It’s just sky,
            dress, sky. There’s no manual for this—
 

[Purchase Issue 14 here.]
 

James Hoch‘s poems have appeared in The New Republic, The Washington Post, Slate, Chronicle Review, American Poetry Review, New England Review, the Kenyon Review, Tin House, and Ploughshares. His books are A Parade of Hands and Miscreants. Currently, he is a professor of creative writing at Ramapo College of New Jersey and guest faculty at Sarah Lawrence.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Fayum Portrait

Related Posts

July Poetry Feature: New Poems by Our Contributors

AMIYA MORETTA
Magnolia tree in the window, hammock, / a loop in hours, a cradle of light we swing inside, / naming what we’re afraid of. / In this version, he is from halfway around the world. / Some net caught the curve of us in the dark, / gathered what it could, his hand, my pulse.

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller