Ode to a California Neck Tattoo

By JOSE HERNANDEZ DIAZ

A man in a Chicano Batman shirt got a tattoo of the state of California on his neck. He rode his longboard to the tattoo parlor early in the morning. This was going to be his third tattoo. He also had a tattoo of palm trees on his chest and a skeleton on a surfboard on his calf. He smoked a cigarette as he arrived at the shop.

Everything went smoothly. It didn’t hurt much. He was a little worried he might be perceived as a gangster, but he knew real gangsters could tell the difference between soldiers and civilians. He rode his longboard home. The sun peeked through the fog.

The man in a Chicano Batman shirt was born in southern California. He went to college in northern California. He’d never lived anywhere else. He didn’t want to. Couldn’t imagine living in a place that didn’t have Mexican-Americans. He wasn’t arrogant about it. He just loved the sunshine and the ocean and the tacos and the murals to La Virgen de Guadalupe.

 

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is from Southern California. He is the author of The Fire Eater. His work appears in The American Poetry Review, Boulevard, The Cincinnati Review, The Georgia Review, The Iowa Review, The Nation, Poetry, and The Best American Nonrequired Reading 2011. Currently, he is an associate editor at Frontier Poetry andPalette Poetry.

[Purchase Issue 21 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Ode to a California Neck Tattoo

Related Posts

top 10 pieces 2025

The Most-Read Pieces of 2025

Browse a list of the ten most-read new pieces of 2025 to get a taste of what left an impact on readers. 2025 was a momentous year for The Common: our fifteenth anniversary, our 30th issue, even a major motion picture based on a story in the magazine.

The Ground That Walks

ALAA ALQAISI
We stepped out with our eyes uncovered. / Gaza kept looking through them— / green tanks asleep on roofs, a stubborn gull, / water heavy with scales at dawn. // Nothing in us chose the hinges to slacken. / The latch turned without our hands. / Papers practiced the border’s breath.