Ballad for the One Who Never Went to Iowa

By JULIÁN DAVID BAÑUELOS

After Rafael Alberti 

I noticed the canas sprouting from her scalp, I noticed the sky,
I noticed the engines hum, I noticed my heartbeat, and the breeze.
Nunca fui a Iowa.

My mother tells me I gave her canas, and now I have my own.
Mi bisabuela worked los campos, says she was once Iowan 
Nunca vi Iowa.

I noticed the hills, the people populating small towns, roadkill—
I noticed county lines, I noticed the tumbleweeds, the flat lands
Nunca entré en Iowa.

I left to find the fields, the tomatoes, the beets, and the music
Mi bisabuelo worked for the railroad, and now I follow tracks
Nunca fui a Iowa.

I noticed the early risers, I noticed the big trucks, the high-
ways, I noticed the canyon, I noticed the solid yellow lines
Nunca vi Iowa.

Both my bisabuelos are gone, I am lucky to have known pain,
Here, I am lucky to have found the cardinal perching on the dogwood 
Nunca entré en Iowa.

I noticed the music fade, I noticed the blur in the rear view,
Again, I noticed the sky, the sun, the drift of clouds in pursuit 
Nunca fui a Iowa.

I am where the music died, came from where it began, I noticed
blood in the horizon, I noticed the river, I wanted to swim. 
Nunca vi Iowa.

 

Julián David Bañuelos is a Mexican American poet and translator from Lubbock, Texas. He is a graduate of the Iowa Writers’ Workshop. You can find his work at JulianDavidBanuelos.com.

[Purchase Issue 26 here.] 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Ballad for the One Who Never Went to Iowa

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.