It’s a Nasty Habit and I’m Trying to Quit

By HOLLY BURDORFF

 

I thought you were dead.

On your Facebook wall,

well-wishes and then nothing.

The mitosis of what if:

worries twirl and spiral

and settle into clock-cogs

which lock and jam.  

The metal creaks and smacks.

Spins, orbits, pulses.

My fingers catch, my nails bleed.

I couldn’t pick you out of a lineup now.

I hope you’ve found

your still pile of bones

to rub against.

You filled my lungs

with asterisks and commas

and lately I fear my cunt

is a dying star. I fear

it is packing to leave me.

Please know you’re allowed

to remember me by things

other than bacon

and my forgetting to turn off the lights.

I want you to remember

the time we folded a summer sun

into a winter sky and sewed

sequins onto strangers’ shoes.

Not by my constant pleas:

drive safe, come inside me, 

open this jar. I remember you

by your hair, spare straw

in a November field.

And by your soft uncorking of wine,

like grandpas popping cheeks at toddlers.

If you come back,

I’ll tongue-kiss you where your legs meet,

conjure tempests

when you’re sun-sick & weary.

I’ll twist under you

like rosepetals dropped into a creek.

 

[Purchase Issue 13 here]

Holly Burdorff is an MFA candidate at the University of Alabama. She serves as art and design editor for Black Warrior Review and as director of the VIDA Count, and her poems appear in inter|rupture, POOL, Pittsburgh Poetry Houses, and Duende.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

It’s a Nasty Habit and I’m Trying to Quit

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Anna Malihot and Olena Jenning's headshots

August 2025 Poetry Feature: Anna Malihon, translated by Olena Jennings

ANNA MALIHON
The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, / curfew, a day, a century / She is so young that the wind carries / her over the long boulevard between bridges

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports