About the Muses

By CATHERINE STAPLES

Some say three, others nine. Varro claimed
one was born of water, another played daylight

like wind, invisible as the airs on Caliban’s isle.
A third made a home of the human voice singing.

Dear Hesiod, perhaps it wasn’t the Muses
you glimpsed on sodden farm fields:

barefoot, sopping wet—
but just a few village girls and cousins.

Lashes of rain, blowing mist, their arms
linked wrist by wrist

until they broke and sang. And a great haul
of wind shook the crowns of trees,

leaves twisting white, a bough cracked high.
You heard it—a shadow swayed and fell.

A red fox fairly flew through, his umber tail
flaming like the Perseids—was it then

you knew you were never alone,
that the voice welling up wasn’t strictly yours?

The girls gone. There under the dripping trees
a herd of deer, eight or nine at least.

 

Catherine Staples is the author of The Rattling Window and Never a Note Forfeit. Her poems have appeared in The Gettysburg Review, Kenyon Review Online, Poetry, The Southern Review, and others; new work is forthcoming at The Yale Review and Commonweal. She teaches in the Honors and English programs at Villanova University. 

 

[Purchase Issue 17 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

About the Muses

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.