This is the second in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: Kingdom Animalia by Aracelis Girmay, Neon Vernacular by Yusef Komunyakaa, I Can’t Talk About the Trees Without the Blood by Tiana Clark.
Broad Channel, Queens, New York
I grew up on an island called Broad Channel in southern Queens that was at or below sea level, depending on the tide. My dad’s house was one that was high and dry. We lived on Cross Bay Boulevard, the main street which ran down the spine of our croissant-shaped island. The boulevard only flooded during hurricanes or nor’easters that came on the full or the new moon. In some of the lower streets in the town, kids would show up late to school because they had to wait for the tide to go out before they could step out of their homes. Often, the high tide water flooded their blocks.
New work by DAVID MILLS
Table of Contents
These poems are part of a series about slavery in New York City. The City is home to America’s oldest and largest slave cemetery—The Negro Burial Ground—which is located in Manhattan’s City Hall area. This slave cemetery (officially open between 1712-1795) contains 15,000 bodies.
Translated from the Arabic by ROBIN MOGER
The zaar concluded on the tenth day. With a small retinue, Sara went down to the Nile.
On this, the last day, she had to wash every inch of her body in the river’s sacred waters, and then the celebrations could begin. She stepped quickly, her body weightless now all the years of waiting and false promises were set aside. Face shining, renewed, it was as though three decades of dread had swirled up and away with the incense smoke and the dust raised by the devil’s music. Purged of its frustrations, her mind could usher in thoughts of hope, and it seemed to her now, as she stepped out of the house and back into the world outside, that divine care had granted her its protection; was shielding her from time, against oblivion.
1
sighing, she wraps the fifth layer of white cloth over the body, folding the corner of each sheet away from the stiffened face. “alhamdulillah, like a rose” the corpsewasher says to the windowless room of sullen women as she runs her broad hand over the cold cheek. the last few beads of water drip from the washing table onto the tiled floor and slide toward a large silver drain.
By TARA SKURTU
It was the first time I’d lived
with a man, and I wanted him
to translate the name of our street.
He was holding my cold fist
in his own, and we were on
Ofrandei, in the middle of unpaved
Bragadiru, Romania, on our way
home. It’s something you give
to get something—like a sacrifice.
Like what you do for a god.
I smell her—
she is in the bed sheets
conjuring aged summers
when popsicles stained
our mouths red,
and the sun colored
our noses black.
Memory: a man cradles his son onshore,
pressing warm sea breeze on his tiny rebellion.
If men gave birth, what would become of gods?
My boyfriend does not come with me to the penis museum. While I pay the eight hundred Icelandic krona to visit 276 specimens of pickled, salted, or mounted manhood, Dustin is at home packing boxes. His home. He is sweating there in the triple-digit heat of a Texas summer, sweating as he arranges his life into banker’s boxes and carries them out in bulky white waves to stack against the blank walls of the new place, the place we picked out together, the first apartment we will ever share. And while all this packing and inventory and heavy lifting has everything to do with me, with us, with bringing an end to the long-distance phase of our relationship and making a life together, it does not yet occur to him that what he’s doing has anything whatsoever to do with an Icelandic penis museum. He has no idea that by the time he picks me up from the airport a few weeks later, I’ll want him to make a donation. Indeed, at first, I do not know it myself.
Don’t miss an issue! Subscribe to The Common.