By GAIL MAZUR
The flats mid-morning.
Fussy little house-hunting hermit crabs.
Razor clams, skate eggs, black mussels.
Sea glass frosted by the tides.
I still had a lover. Maybe let’s start there.
I hitched a ride to Boston, where I missed
the ferry by what seemed like minutes. But time
can work that way in the mind. I was in love
By SASHA STILES
The Common is thrilled to welcome Sasha Stiles to our pages for the first time.
Table of Contents:
INTRODUCTORY NOTE
What does it mean to be human in a nearly posthuman era? How are the cornerstones of our universal condition—birth, breath, love, sex, faith, death—evolving in the context of biological and computational advances? How does it feel to be mostly flesh and blood in a world increasingly dominated by plastic and silicon, virtual presence and spectral signals? What dark corners of the future and of cyberspace can ancient wisdom illuminate? What does motherhood mean in a world of artificial wombs, lab-grown brains, self-replication, and the uncertain continuation of our species as we know it? Who are these robots, chatbots, androids, cyborgs and intelligences already walking and talking amongst us? Do our avatars make us, in some measure, immortal? TechnELEGY—the ongoing transmedia project and poetry collection from which these pieces are excerpted—is my attempt to grapple with these impossible questions.
—Sasha Stiles
We’d love for you to join us in Amherst to celebrate the launch of Issue 18. The Common‘s student interns will be reading briefly from their favorite pieces in the new issue, and seniors will read from their own writing as well. There will be wine, cheese, and great conversation.
Friday, November 1, 5 p.m.
Center for Humanistic Inquiry, Frost Library
Amherst College
Come toast the latest place-based stories, essays, poems and artwork! We’ll be gathering in Frost Library’s beautiful Center for Humanistic Inquiry, on the Amherst College campus. This event is free and open to the public; bring your family and friends! You can also invite other lit lovers via our Facebook event page.
Poems by MARIO SANTIAGO PAPASQUIARO
Translated from the Spanish by COLE HEINOWITZ
Poems appear in both Spanish and English.
Translator’s Note
A, E, I, O, U. The rhythmic concatenation of these five vowels is the tachycardic pulse of Mario’s poetry, and it cannot be imitated in English. Feeling for correlative patterns in the jangle of our consonant-frontal idiom is something like transcribing the pitch values of a Max Roach drum solo for honkeytonk piano. I do what I can with alliteration but even the relatively long decay of the M or the out-hissing S does not match the multi-textured overtones of a hard O spilling through the rails of its word-cage when struck, trailing a foam of soft E’s across the rubble.
Book by MARIA TERRONE
Review by SUSAN TACENT
Maria Terrone’s grandparents were among the estimated nine million people who emigrated from Italy between 1881 and 1927. While her parents were born in the United States, her connection to Italy is deep, informing her identity and experiences as much as being a lifelong New Yorker has.
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Westmoreland, Jamaica
Scorpions, jellyfish, poisonous flowers. My orientation as a young newcomer to a Caribbean island began with a litany of how to avoid being stung or cut or poisoned or burned. At age four, I learned to shake out my shoes to check for scorpions. I learned to back away from the pink blooms of jellyfish in the water. I learned to recognize the dark, flitting form of the stingray. I learned don’t step on a sea urchin, don’t eat an ackee raw, don’t taste the milky sap of the oleander plant.
Hugo Ríos Cordero’s story “Coloso” has been chosen to appear in Sonder Press’s 2019 award anthology The Best Small Fictions. The anthology, now in its fifth year, presents one hundred and forty-six pristinely crafted pieces from an array of authors representing twenty-six nations and six continents. It features micro fiction, flash fiction, haibun stories and prose poetry. Kathy Fish, author of Wild Life: Collected Works says, “Brilliant, incendiary, incandescent, these tiny stories capture worlds both intimate and universal. Give this book to anyone who says flash fiction doesn’t go deep. This newest volume of Best Small Fictions demonstrates once and for all that flash fiction writers are the Ginger Rogers of the literary world, accomplishing all that novelists and short story writers do, only backwards and in high heels.”
Congrats to Hugo! Read “Coloso” here, or check out his other piece for The Common, “Tonight, the Wind,” from our Issue 16 portfolio of work about Hurricane Maria in Puerto Rico.
Browse more of The Common’s prize-winning pieces here.
Welcoming poet J.J. STARR to our pages.
Contents
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