Issues

The Common Statement

The mind swings inward on itself in fear
Swayed towards nausea from each normal sign.
—derek walcott, “A Lesson for This Sunday”

On a lake, in the woods, in 1940, my grandparents built a cabin. One room, big stone fireplace, outdoor privy. They lived and worked outside New York City and spent summers in Maine, my grandmother often here alone with three young kids but no electricity, plumbing, or heat except the wood-burning fire. Surrounded by one hundred acres of no one. Up the road, there were neighbors: the Garnetts and the Hibberts—and the Savages, who lived up to their name, my grandmother used to tell me. They ate with their hands off the table’s pine boards. Mrs. Hibbert shielded her children from the Savage boys when they came around, sometimes en route to my grandparents’ place for supplies—whatever was lying around unprotected. 

The Common Statement
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Boys with a Synth

By BENJAMIN ANASTAS

I went to buy the Roland Juno-6 with my best friend Michael the summer I was sixteen, before either one of us had a driver’s license. Other boys saved their house-painting money and bought an electric guitar with a starter amp. Or a five-piece drum kit, if they had the kind of parents who tolerated an unholy racket in the basement. Michael and I had earned eight dollars an hour for two weeks to stain a cottage on the Cape, a mythic payday that had sent us whooping and hollering into the waves, and I wanted to buy a synthesizer with my share of the windfall. 

Boys with a Synth
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The Common Statement

1.

I’ve been watching the Qasr al Hosn. Watching it since I arrived in August. The boarded-up block below my office window withholds this oldest structure in Abu Dhabi—the whitewashed fort—and the arch-studded building of the Cultural Foundation. The block has so much potential, but for months, nothing’s happened. Or, I’ll see a kick up of dust and realize it was the wind.

The Common Statement
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From the 17th Floor: Second Look

1.

I’ve been watching the Qasr al Hosn. Watching it since I arrived in August. The boarded-up block below my office window withholds this oldest structure in Abu Dhabi—the whitewashed fort—and the arch-studded building of the Cultural Foundation. The block has so much potential, but for months, nothing’s happened. Or, I’ll see a kick up of dust and realize it was the wind.

From the 17th Floor: Second Look
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Maygold

By VIRGINIA REEVES

The first pest to make itself known in the orchard was the stinkbug, malevolent and focused. It worked at the sap in the fruit, sucking the water from the flesh, leaving behind gnarls and distortions—catfacing, Mona heard it called, though the injured peaches she plucked from her 
trees’ branches looked nothing like a cat’s face, but more a woman’s, withered by sun.

Maygold
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Meditation on a Ficus Tree

By DENISE DUHAMEL

 

mermaid legs/ whiskers/ open mouth/ callipygian bark/
semen sap/ elbow fold/ knees/ arms stretched above a head/
torso swung upside down/ hair sweeping the ground/
breasts/ cave turned inside out/ toes holding on/
eye socket/ palm/ thumb/ twisting veins/ freckle/ bellybutton/
vulva/ ghost fetus/ nose/ nipple/ thigh/ petrified cloud

Meditation on a Ficus Tree
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August

By ALEXEI TSVETKOV

 

apples went brown and sizzled on the ground
the instant they touched it and the vain promise
of autumn stayed just that the august was
interminable and the vet was blunt
a month at best he said and that was not
a promise so we farmed the ailing dog
out to the in-laws and just left him there

August
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Untitled

By GIAMPIERO NERI

 

My father’s bookcase was divided by nationalities of the authors. “The French ones,” my mother would say with some solemnity, indicating the most considerable sector, and perhaps the one most congenial to her. Then came the Russians, preferred by my father.

The bookcase, pride of the family, occupied a room in our apartment, on the second floor of the building on via Volta in Erba.

Untitled
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