Issues

Bruh

By JONATHAN MOODY

after Jamaica Kincaid
 
be honest with your psychiatrist about how the meds have kept you from cumming: 
even while fantasizing about Priyanka Chopra—her cascading curls, 
tumbling down her shoulders; don’t feel ashamed after your lover has suggested 
other ways to be intimate: like learning how to speak Urdu so that on sleepless nights 
you can recite Ghalib’s ghazals to her while holding hands near the mango tree; 
on the rare chance you’re not awake, smash the snooze button; 
continue dreaming about a world where you don’t perceive that therapy 
is just for white folks; forget what your family says; you can’t shake off suicidal

Bruh
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Overture

By VIRGINIA KONCHAN

 

If the heart is a temple,
each statue will be broken.
But I have practiced idolatry:
loved the creature more than
the creator, whom I can’t see.
There’s a hole where the sun
should be. It has entered me,
along with the cloud and river.

Overture
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The Substitute

By AMAR MITRA
Translated by ANISH GUPTA

ONE

Ask Kartik. He will show you.

Ask Kartik how Hrithik Roshan, the film star, sings, how he walks, and Kartik, the neighbourhood tailor, will show you how he sings and how he walks.

Ask him to show you how superstar Shah Rukh Khan proposes to matinee queen Kajol, when and how he delivers those romantic dialogues, and Kartik’s imitation of Khan will make your jaw drop.

The Substitute
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La Corrida

By AIDEED MEDINA 

Es de madrugada.
 
It is dawn          always dawn
      the sun breaking through
             the breaking of the soil.
 
The faint smell of rain from irrigated dirt
crusts of mud from the crop rows
comes home with my father
on his pants and beneath his fingernails.

La Corrida
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The Struldbruggs

By R. ZAMORA LINMARK

No I do not want everlasting life
to be condemned to forever here
on this wasted earth no merci messieurs
unlike the Struldbruggs hailed all the way
from the island-nation of Luggnagg
discovered at the end of Book Three
of Jonathan Swift’s Gulliver’s Travels

The Struldbruggs
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Escape

By ELLYN GAYDOS

I live on a wooded road posted with NO TRESPASSING PROPERTY OF GEORGE FUDGE signs. In addition to being a large landowner, George Fudge rents out dumpsters, and is rumored to be an ex-con and confirmed to be a minister. When the season is right, he plows snow. He’s plowed my driveway more than once for free. I am surrounded by good intentions. On the wall of the post office there is a note that says, I am an honest girl, written by a customer who took a card costing $2.99 and left $3. The town maintains a free rack of clothing outside the dollar store, kids’ jumpers and XL T-shirts fluttering brightly.

I work on a small vegetable farm carved out of hayfields owned by the local high school and woods owned by the local commune. The other young farmers and I grow food for a hundred families that come each week to get shares of vegetables, which begin in spring as ephemeral greens and end in winter as sacks of beets and potatoes.

Home from work with a heavy trash bag of compost for my pigs, I find the escaped animals locked in the chicken coop. They got out in the unwatchful summer afternoon, their snouts bending up the bottom of the fence to roam undeterred past illegible PRIVATE PROPERTY signs. They were escaping their squalid pen out of pure misery, I think. I had been watching them get shocked trying to push through, seeming genuinely angry, for the past few days, putting off moving the fence out of laziness or a desire to escape the drudgery of what I’d taken on.

Escape
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Why I Cannot Celebrate the Ruling Still to Come (II)

By NED BALBO

Because I still remember my mother’s scar,
six inches long, an inch wide, sunken gash
below her waist, forever unexplained.
Because the scar looked rushed, a knife’s quick work
closed with no time to lose. Because, watching
her dress, I felt both love and mystery, 
questions evaded, others left unasked.

Why I Cannot Celebrate the Ruling Still to Come (II)
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