Issues

The Serpent Lesson: Adam and Eve at Home in Ohio

By BROOK WILENSKY-LANFORD

In the beginning, the Lord God created man in Adams County, Ohio, just north of Peebles and south of Chillicothe.

On the very western edge of the Appalachians, in the craggy countryside of southern Ohio, the three branches of a small river called Brush Creek converge in a valley lined with pitch pine and chestnut oak trees. A steep rocky bluff rises one hundred feet above the riverbed. And on top of this bluff lies an ancient mound of soil, waist high, built in the shape of a serpent. The snake’s head—120 feet long and 60 feet wide—faces the north end of the bluff, overlooking the river. From there, the snake’s body stretches southward 1,300 feet in loose waves, and ends in a tightly curled triple spiral.

The Serpent Lesson: Adam and Eve at Home in Ohio
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Brown Road (1853-1932)

By TED CONOVER

Map

If it weren’t for the detailed map in my hands—a page of the New Hampshire Atlas and Gazetteer, from DeLorme, with the small state divided up into more than thirty spreads—I’d have had no idea that a road existed here, half a mile from our house. And in fact, the atlas has oversold it: Brown Road does exist, but not in a condition where you could drive a car or even an SUV down it. Nor a mountain bike, unless you were hardcore and could lift it over fallen trees, slide it under branches, and skirt some soggy bogs.

Brown Road (1853-1932)
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Exquisite Corpse

By LAUREN GROFF

My wife has always been a kind woman, but during the six months when I was in prison, her kindness grew to be a firm, beating thing. She called me every day and sent small and constant gifts. She brought our children to visit, and the kids soon lost their fury and held their smiles behind their palms, watching me with a kind of incredulous wonder. My wife was so graceful in the newspaper photographs and interviews, shining on me so much of her own quiet light, that by the time I was released I was more a figure of pity, even a scapegoat, than the monster I’d been painted as throughout the trial.

Exquisite Corpse
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The Boys’ Club

By MAURA CANDELA

It was August when a young balding man and his fat mother appeared behind the counter of the corner deli. No grand opening. The previous owner, Herman, had cleared out one night. Gambling debts, neighbors said. Herman’s Deli had always been a beat-up place on the corner, and the new owners didn’t seem very ambitious either. The pushpins that held Herman’s rick-rack borders were still on the shelves—half of which were bare and unlined, exposing warped wood. The glass case that held the cold cuts was smudged even on that first day.

The Boys’ Club
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Interpreters of Men Get It On

By FIONA MAAZEL

from Woke Up Lonely

I had a career, I tanked it good. They’d sent me to middle of nowhere, Australia, which was, quite possibly, the most desolate place on earth. Eight hours a day listening to the North Koreans. Most tracking stations are remote for the obvious reasons of privacy and uncluttered air space, but what really matters is being within the footprint of a satellite’s broadcast range. Hence: Nowhere, Australia, under Intelsat 2 stationed over the Pacific Ocean and handling the equivalent of about a million pages of text per second. It was grueling work and peculiar for its mix of boredom and anxiety, both of which verged on the unbearable. Rumors about the global listening system called Echelon abound, so let’s just dispense with the mystery and say yes: It exists. The UK countries listen in on what Americans are doing and then pass on the information, which loopholes that nasty proscription against spying on our own.

Interpreters of Men Get It On
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Full Circle Thrice

By SABINA MURRAY

Once!
This earth: a ball, a play-thing. The surface, in this Age—Exploration teetering into Reason—a driving spit of black ink dividing solid and liquid. This America, claimed by Spain, raided by England, inhabited by natives. This beast of Panama, neck stretched, holding to the southern continent by its teeth. These trees, a fleshy mass heaving with monkeys, weighed down with garish, jewel-soaked birds. A red flag tied with ribbons raised high and in its wake, a host of thieves, men all marching and marching still, marching to sack Porto Bello: burglary on a large scale. And in this host, our hero, William Dampier, who steps to one side of the column of men and sits on a rock. He squints up at the sun and Lionel Wafer—his friend and fellow scholar buccaneer—thinks he might be winking. At whom?  At God maybe? And why not?

Full Circle Thrice
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Moonscapes

By MICHAEL KELLY

Moonscape

From the very dawn of the new technology, photographers sought to capture images of the heavens. In 1839 Louis-Jacques-Mandé Daguerre—inventor of the daguerreotype—attempted to shoot the moon, with little success. As photographic technology developed throughout the nineteenth century, it became an important tool in many branches of scientific inquiry. James Nasmyth’s book, The Moon: Considered as a Planet, a World, and a Satellite, is one of the most curious examples of Victorian scientific publishing.

Moonscapes
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The Common Statement

When someone tells me a story, even a newspaper headline, I ask, “Where was that? Where did that happen?” From the context—the who, the where, and the when—I construct meaning. I believe I’m not alone. We have a fundamental desire to understand our environments, to understand how they affect who we are and what we care about. 

The Common Statement
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