Issues

The Drop

By CLARE BEAMS

The church ladies were having coffee in the living room of the Baker house when Martin Williams delivered his parachute to Lily Baker, his bride. Only some of the church ladies could really have been there, but in retellings they all claimed seats. They allowed one another this. A natural desire, to be part of the story.

The Drop
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Mowing

By ELIZABETH POLINER
That summer, even before she took up mowing, Suzanne was doubting herself, an uncertainty that set in when her husband began to notice the Mandlebrauns’ oldest daughter, Alison, soon to finish college. Alison, who lived in the only other house on their riverside lane, was home in Middle Haddam for the summer and came by to play tennis on their court with their daughter, Michelle, also soon to finish college. The girls, never close friends to begin with, had drifted further apart during their time away at school. It was surprising, then, to see them suddenly pair up, even if only for tennis.

Mowing
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Rico Gatson: Selections

By RICO GATSON

 

Rico Gatson Elizabeth

Introduction by David E. Little

What was required was a new story, a new history told through the lens of our struggle.

—Ta-Nehisi Coates

They say there’s nothing harder than hitting a fastball. In America, clichés on the difficulty of sports abound. But how to describe the challenges of art?

Rico Gatson: Selections
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The Next Thief of Magadan

 

The luxe door had cost them everything. Oak, with wooden lace. It gave the impression there was more behind it than:

   one bed,
   one couch,
   one cupboard,
   one telephone,
   one twenty-year-old TV set at full volume, and
   two eighty-three-year-old women.
   He was the seventh thief in the last two years. They came as reliably as seasons.
The Next Thief of Magadan
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Every Month is Black History Month

By SUSAN STRAIGHT
When my youngest daughter began her freshman year of high school, I said casually to her, “Do you ever see Christian?”

She gave me an incredulous and dismissive look. She replied, “Why would I see him? He doesn’t go here. He’s probably not in school at all. He probably fried his brain dying his hair all those colors.”

And then she was done. She talked about something else. But I kept pictur­ing him. Forever to me he will be the boy who called my child a nigger and spat on her when she was ten.

Every Month is Black History Month
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The Village Idiot

By MAJIDAH AL-OUTOUM

Translated by ALICE GUTHRIE

 

We awoke one morning to news of a death. The person we had lost was the one we used to call the Village Idiot—that buffoon who used to make us laugh and cry at the same time, that leaping, dancing ball of energy who would hurl himself around, wild with enthusiasm, stomping on our toes and crashing into us as he went gesticulating by.

The Village Idiot
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Issue 11 Art

A compilation of the Visual Art from Issue 11.

Metallic face sculptures

All What Will Remain. Photography. Bahaa Souki.

CollageToy Men—Plastic Women. Mixed media on wood, 84 x 69 cm, 2012. Bahaa Souki.

Collage

Decision Keeper. Mixed media on canvas, 100 x 100 cm, 2014. Bahaa Souki.

Painting-- man walking a dog

One Arm Man With His Dog. Oil on cotton paper, 95 x 68 cm, 2015. Bahaa Souki.

Two people holding one another

Home, Part 1. Photography, 105 x 70 cm, 2013. Ons Ghimagi.

Two people sitting back to back

Home, Part 2. Photography, 105 x 70 cm, 2013. Ons Ghimagi.

Woman sitting against a wall on the phone

In the Mood for Love. Photography, 105 x 70 cm, 2013. Ons Ghimagi.

Sculpture of a figure010. Oil on canvas, 100 x 120 cm, 2004. Bader Mahasneh.

Figure sitting017. Archival print of 3 editions, 90 x 90 cm, 2010. Bader Mahasneh.

Painting TamimiUntitled. Acrylic on canvas, 175 x 95 cm, 2015.

Painting of three figures under an umbrella

Untitled. Acrylic on canvas, 80 x 80 cm, 2015.

Figure in red

Untitled. Acrylic on canvas, 80 x 80 cm, 2015.

Collage of children and birds

Child’s Message (1). Mixed media on canvas, 100 x 100 cm, 2014.

Collage of child angels over building

Cold Breezes. Mixed media on canvas, 100 x 100 cm, 2012.

Collage of children and buildings

Dialogue. Mixed media on canvas, 200 x 100 cm, 2015.

Photograph of dancers

The Original Fall. Photography. Bahaa Souki.

Issue 11 Art
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