Never again will I feed the mustangs my mind,
Outstretched in the grey moon of morning.
Ours is a ritual of nevers, the lung’s nocturne
Some meager talk of Larkin
over quiche and pâté, olives
the proclaimed ragamuffin
picked at as though our lives;
Scavenging down the blue potholed hill, rocking
out of cobalt acid, they steam chromatic, these Elijahs
in their cloud wheels, fatherless and man-killing,
their guts bloated with red heat, lice, cast-iron-soldiers
By JAMES BYRNE
for Yusef Komunyakaa
Downtown, already snagged between two countries, I make stock footage for an English return—block after block, hobbling in unwalkable shoes, uptown from the Ground Zero memorial where, today, Obama laid wreaths and tousled the head of Cannizzaro: a one-year-old boy on 9/11.
By BRIAN SHOLIS
In a photograph Robert Adams took northeast of Riverside, California, in 1982, serpentine paths lead toward the horizon line; it’s not easy to discern whether these are creeks, dirt trails, or roads. Human presence takes the form of wooden poles carrying electric wires, which stride diagonally from the bottom left of the composition toward the distance at right. Scrubby brush covers the low hill that spreads out beneath Adams’s camera, a few trees poke up disconsolately here and there, and a larger hill dominates the right-hand edge of the picture. In the distance is the radiance of an invisible sun, an onrushing whiteness that presses toward the camera and blots out the landscape’s details.
Today, we are publishing excerpts from contributors Nalini Jones and Jeff Parker in anticipation of the Issue 07 Launch Party this Sunday. Join us for a Spring fete of live literature and music featuring readings by Jones and Parker!
We decided to start with a con. She was small, with blonde hair and an unidentifiable accent that gave her voice the warped vowels and ee-haw rhythms of a handsaw. She approached him on the footbridge, made a startled noise, and looked down. His eyes followed hers, and there—exactly midway between them—was a golden ring. She picked it up first, having been, after all, the one who had put it there the instant before he caught sight of her.
1.
The sidewalk in front of my house unfurls enticingly to the north and south. Though its seams have buckled after months of gravel and salt, the walk still leads me to my neighbor’s porch, where I pull eggs and goat cheese from the fridge, take honey from the shelf, and leave cash in an unlocked box. The snow- and ice-narrowed path also still ferries a friend and me to the Bookmill, where we drink wine in the afternoon and squeeze up tight next to the stacks to peer down on the rushing creek below. If the walk’s covered overnight by a hard snow, Don blasts his snowblower through, the cranking assault of the motor a reasonable price to pay for the favor. For the magic of having one’s way into the world restored. That I have a sidewalk outside my door is a fairy-tale luxury, an enchantment.
Follow me, Imagineers! We’ll make noise
from these dread instruments, shook music
loud as the hell we’ve climbed from, visible
only to the i in piano, the eye in the oboe.
The rhythm of predation is a sine wave.
Between predator and prey it winds
like a whip-crack in slow motion.
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