Reviews

Friday Reads: June 2015

By JACQUELYN POPE, NINA MCCONIGLEY, JANE CAMPBELLLORI OSTLUND, DIANA BABINEAU, OLIVIA WOLFGANG-SMITH

Photography, science, geo-politics, instruction manuals, and a good Springsteen song—this month we’re reading works of literature with foundations in other art forms. We’re also recommending a memoir, flash fiction, linked short stories, a novel, and a poetry collection—the greatest genre spread of any Friday Reads installment since the feature’s inception. So this June, as we move into summer at last, join us at The Common in trying something new, something varied, something complex. Spice up your reading list and genre-bend your life!

Recommended:

Hold Still by Sally Mann, A Manual for Cleaning Women by Lucia Berlin, The Spark and the Drive by Wayne Harrison, Barefoot Dogs by Antonio Ruiz-Camacho, Itself by Rae Armantrout.

Friday Reads: June 2015
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Review: Dart

Book by ALICE OSWALD
Reviewed by LAURA MARRIS

Dart

It’s possible to call a river an organ of speech. It has a mouth, and a source, and down the length of its body the sounds it makes go through physical transformations, changing the tones of its voice.

British poet Alice Oswald begins her book-length poem Dart by asserting this comparison between the poet’s voice and the river’s. She asserts that the people living along the Dart who lend their speech to the book’s personas function as “life-models from which to sketch out a series of characters—linking their voices into a sound-map of the river, a songline from the source to the sea… These do not refer to real people or even fixed fictions. All voices should be read as the river’s mutterings.”

This note gives just a glimpse of the complex labor of translation behind this work—one that surpasses the conventional personification of natural forms. Oswald, who spent two years recording the conversations of people who live and work on the Dart, set out to transform the voice of the river into English through the way its familiars talk.

Review: Dart
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Review: Providence Noir

Book by ANN HOOD, ELIZABETH STROUT, PETER FARRELLY, BRUCE DESILVA, MARIE MYUNG-OK LEE, ROBERT LEUCI, DAWN RAFFEL, LUANNE RICE, THOMAS COBB, JOHN SEARLES, TAYLOR M. POLITES, PABLO RODRIGUEZ, AMITY GAIGE, LASHONDA KATRICE BARNETT, HESTER KAPLAN
Reviewed by SUSAN TACENT

Noir is not my regular genre. But I have read my fair share of Raymond Chandler, and I’ve seen The Big Sleep more than once. I’m from Brooklyn originally—Noir Central—and I’ve lived in Rhode Island for over 20 years. So I jumped at the opportunity to review Providence Noir, Brooklyn-based Akashic Books’s latest entry in its 11-year-old Noir series, atmospheric story collections set in cities all over the world.

Part of the fun of reading the series is imagining familiar landmarks in a sinister light. The appropriately mysterious cover photo of Providence Noir looks out on a deserted Dorrance Street, in the city’s old center, from an alley behind the Union Trust Company at night. The sidewalk looks wet where the streetlight falls. Might be rain, might be blood. We also see Coffee Exchange, Central High, Trinity Rep. Benefit Street, Adler’s Hardware, India Point Park. These are the places where we Providence folk overcaffeinate, or teach, or take our kids to watch A Christmas Carol. Places where we try to find parking for jury duty, pick up paint to brighten the kitchen, buy freshly made pasta, enjoy one more late summer picnic. Turned by the writers ofProvidence Noir into sites of intrigue, mayhem, and death, they make the little reptilian hairs on the back our necks rise, as if suddenly we find ourselves inside the fiction on the page.

Review: Providence Noir
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Friday Reads: May 2015

Friday Reads: May 2015
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Review: My Sunshine Away

Book by M.O. WALSH
Reviewed by JAMES DICKSON

My Sunshine Away

Most of us who are over 20 can point to a few big events that set us on the road to adulthood. For the never-named narrator of M.O. Walsh’s debut novel, My Sunshine Away, it was the rape of his teen crush during her sophomore (his freshman) year of high school, Lindy Simpson. The narrator and Lindy have been neighbors since grade school, during which time he has harbored an innocent, but obsessive love for her. The search for the unseen rapist—who knocked her off her bike and forced her face into the ground—brings all the neighborhood oddballs into suspicion. It also brings the narrator closer to realizing his puppy-like fantasy. Unfortunately, he implicates himself in the process, in multiple ways. During this time, his divorced parents are still acting out their drama, and then his sister is killed in a car accident, leaving no adult—except a loveable but unstable uncle—with time or emotional bandwidth to spare for him as he lurches toward maturity.

Review: My Sunshine Away
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Review: Thorn

Book by EVAN MORGAN WILLIAMS
Reviewed by KAREN UHLMANN

Thorn

The protagonists of the 15 stories in Thorn, by Evan Morgan Williams, are a diverse cast: Native American, white, black, Asian; young and old; men, women; rich, poor. Yet Williams, who won the 2014 G.S. Charat Chandra Prize for Short Fiction, with this debut collection, is able to inhabit his protagonists, as well as to empathize with them. This is no mean feat. Many of Williams’s protaganists are women in crisis, and he has an uncanny ability to take on their voices.

All his characters are struggling, isolated, and vulnerable. They harbor secret yearnings and are ashamed of themselves for them. None get what they desire or need in these stories, many of which are heart-wrenching.

Review: Thorn
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Friday Reads: April 2015

By JULIA LICHTBLAU, CYNTHIA HOGUE, KELLY FORDONILAN STAVANS, HELEN HOOPER, OLIVIA WOLFGANG-SMITH

This month’s books are full of surprises, for their characters and their readers. Whether it’s a world of whimsy, fantasy, or magic(al realism), or else a microcosm of grief either private (a family home) or public (a busy airport), we’re along for the ride as imagined worlds both playful and harrowing rise and fall on these pages.

Recommended:

Play for Me by Céline Keating, The Old Woman, the Tulip, and the Dog by Alicia Ostriker, Munich Airport by Greg Baxter, Where the Bird Sings Best by Alejandro Jodorowsky, The Cold Song by Linn Ullmann

Friday Reads: April 2015
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Friday Reads: March 2015

By CATE MCLAUGHLIN, DIANA BABINEAU, GREGORY CURTISTERESE SVOBODA, KELLY FORDON, OLIVIA WOLFGANG-SMITH

With the arrival of spring we’re leaping bravely into unfamiliar worlds—safe in the hands of experts, of course. An eerie peripheral dreamscape; quotidian life viewed from upside down or inside out, never as expected; the dark bureaucracy of the criminal underground; messages ferried to and from ghosts—these are unmapped terrains, and what better companions than these authors, their first cartographers? Expand your world(s) this month with these suggestions from our contributors and staff.

Recommended:

Bone Map: Poems by Sara Eliza Johnson, Aimless Love: New and Selected Poems by Billy Collins, Blood and Money by Thomas Thompson, Self-Portrait in Green by Marie NDiaye, Elegies for the Brokenhearted: A Novel by Christie Hodgen.

Friday Reads: March 2015
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Friday Reads: February 2015

This month we’re playing in the borderlands, exploring the spaces between categories. Intercontinental love stories; strangers in strange lands; the struggle to remain constant in a world of transience. These books bend genre and their subjects navigate the passages between success and failure, present and past, public and private life—between where they are and where they have in mind.

Recommended:

Middle Men by Jim Gavin, The Shape of a Pocket by John Berger, Mo’ Meta Blues: The World According to Questlove by Ahmir “Questlove” Thompson and Ben Greenman, Americanah by Chimamanda Ngozi Adichie, Belonging: A Culture of Place by bell hooks.

Friday Reads: February 2015
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Review: Landscape with Plywood Silhouettes

Book by KERRIN MCCADDEN
Reviewed by DARA BARNAT

Landscape with Plywood Silhouettes

Kerrin McCadden’s poignant debut collection of poetry, Landscape with Plywood Silhouettes, is filled with composed wisdom for how to cope with separation in general, and divorce in particular. The collection won the New Issues Poetry Prize in 2014, and McCadden’s poetry has appeared widely in Best American Poetry 2012,American Poetry Review, Poet Lore, and elsewhere.

Review: Landscape with Plywood Silhouettes
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