Reviews

Review: The Fishermen

Book by CHIGOZIE OBIOMA
Reviewed by ANGELA AJAYI

The FishermenThe year I left Nigeria, 1993, was a momentous one. For the first time in about a decade, there was a presidential election—a democratic process that had eluded Nigeria after at least two military leaders had ruled the country, seizing power through coups. I was 18, old enough to vote but not inclined to do so. My parents were not politically active, though my father loved to discuss current affairs with his friends at our house in northern Nigeria. That year, their discussions were filled with excitement about Nigeria’s future, about the presidential candidate, M.K.O. Abiola, whose beaming face was plastered on flimsy poster boards along busy roads. I, too, found myself swept along by the high hopes for the country despite the increasing power outages, corruption, fuel scarcity, and religious and ethnic tensions.

When the election finally occurred, on June 12, 1993, the charade that followed left us all jaded and crestfallen: the election, which Abiola won, was annulled due to unfounded accusations of rigging. An interim president was quickly instated, after which Sani Abacha took over the country and ran it with the iron hand of a despot.

Review: The Fishermen
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Review: Reptile House

Book by ROBIN MCLEAN
Reviewed by CHANTAL CORCORAN

Reptile House

Robin McLean’s story collection, Reptile House, opens at an end—when a freeze of apocalyptic proportions devastates the town of Easter, (“Cold Snap”)—and ends at a beginning—when an unhappy man’s wife gives birth to another baby (the title story). This sort of upset runs rampant throughout McLean’s debut work. McLean’s surreal tales about ordinary characters deliver emotional truth in poetic language. Concrete and surreal, they spill beyond the conventional short story forms.

A book for lovers of language, Reptile House won the 2015 BOA Short Story Fiction Prize, sponsored by BOA Editions, Ltd., a publishing house committed strictly to poetry, until 2007 when it launched its American Reader Series with the goal of publishing fiction “more concerned with artfulness of writing than the twists and turns of plot.” Indeed, the nine short stories that form Reptile House seem to spring from language in an intuitive way.

Review: Reptile House
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Review: Washing the Dead

Book by MICHELLE BRAFMAN
Reviewed by KAREN UHLMANN

Washing the Dead

The title of Michelle Brafman’s debut novel, Washing the Dead, is taken from the sacred washing of a traditional Jewish burial ceremony. Volunteering for a washing, or tahara, is considered one of the most selfless deeds in Orthodox Judaism because the beneficiary cannot thank the participants. The book’s three sections are named for and center around different occasions of ritual washing in the life of the narrator, Barbara Blumfield, as she tries to fathom the family secrets that bind her to her Orthodox community and repel her. The first and last are taharas and the middle is a mikveh, a purifying immersion in water.

As a novel, the book explores redemption and forgiveness in three generations of splintered mother-daughter relationships, but what’s most compelling is what it reveals about Chasidic and Orthodox world of rituals and their rules for dealing with and avoiding the secular world.

The book alternates between the Barbara of the 1970s, an Orthodox teenager (née Pupnick) and the secular 50-something Barbara of 2009, who is married to a stockbroker and the mother of a teenage girl herself. The younger Barbara’s words come from letters she wrote but never sent, which her daughter discovers years later.

Review: Washing the Dead
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Friday Reads: June 2015

By JACQUELYN POPE, NINA MCCONIGLEY, JANE CAMPBELLLORI OSTLUND, DIANA BABINEAU, OLIVIA WOLFGANG-SMITH

Photography, science, geo-politics, instruction manuals, and a good Springsteen song—this month we’re reading works of literature with foundations in other art forms. We’re also recommending a memoir, flash fiction, linked short stories, a novel, and a poetry collection—the greatest genre spread of any Friday Reads installment since the feature’s inception. So this June, as we move into summer at last, join us at The Common in trying something new, something varied, something complex. Spice up your reading list and genre-bend your life!

Recommended:

Hold Still by Sally Mann, A Manual for Cleaning Women by Lucia Berlin, The Spark and the Drive by Wayne Harrison, Barefoot Dogs by Antonio Ruiz-Camacho, Itself by Rae Armantrout.

Friday Reads: June 2015
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Review: Dart

Book by ALICE OSWALD
Reviewed by LAURA MARRIS

Dart

It’s possible to call a river an organ of speech. It has a mouth, and a source, and down the length of its body the sounds it makes go through physical transformations, changing the tones of its voice.

British poet Alice Oswald begins her book-length poem Dart by asserting this comparison between the poet’s voice and the river’s. She asserts that the people living along the Dart who lend their speech to the book’s personas function as “life-models from which to sketch out a series of characters—linking their voices into a sound-map of the river, a songline from the source to the sea… These do not refer to real people or even fixed fictions. All voices should be read as the river’s mutterings.”

This note gives just a glimpse of the complex labor of translation behind this work—one that surpasses the conventional personification of natural forms. Oswald, who spent two years recording the conversations of people who live and work on the Dart, set out to transform the voice of the river into English through the way its familiars talk.

Review: Dart
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Review: Providence Noir

Book by ANN HOOD, ELIZABETH STROUT, PETER FARRELLY, BRUCE DESILVA, MARIE MYUNG-OK LEE, ROBERT LEUCI, DAWN RAFFEL, LUANNE RICE, THOMAS COBB, JOHN SEARLES, TAYLOR M. POLITES, PABLO RODRIGUEZ, AMITY GAIGE, LASHONDA KATRICE BARNETT, HESTER KAPLAN
Reviewed by SUSAN TACENT

Noir is not my regular genre. But I have read my fair share of Raymond Chandler, and I’ve seen The Big Sleep more than once. I’m from Brooklyn originally—Noir Central—and I’ve lived in Rhode Island for over 20 years. So I jumped at the opportunity to review Providence Noir, Brooklyn-based Akashic Books’s latest entry in its 11-year-old Noir series, atmospheric story collections set in cities all over the world.

Part of the fun of reading the series is imagining familiar landmarks in a sinister light. The appropriately mysterious cover photo of Providence Noir looks out on a deserted Dorrance Street, in the city’s old center, from an alley behind the Union Trust Company at night. The sidewalk looks wet where the streetlight falls. Might be rain, might be blood. We also see Coffee Exchange, Central High, Trinity Rep. Benefit Street, Adler’s Hardware, India Point Park. These are the places where we Providence folk overcaffeinate, or teach, or take our kids to watch A Christmas Carol. Places where we try to find parking for jury duty, pick up paint to brighten the kitchen, buy freshly made pasta, enjoy one more late summer picnic. Turned by the writers ofProvidence Noir into sites of intrigue, mayhem, and death, they make the little reptilian hairs on the back our necks rise, as if suddenly we find ourselves inside the fiction on the page.

Review: Providence Noir
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Friday Reads: May 2015

Friday Reads: May 2015
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Review: My Sunshine Away

Book by M.O. WALSH
Reviewed by JAMES DICKSON

My Sunshine Away

Most of us who are over 20 can point to a few big events that set us on the road to adulthood. For the never-named narrator of M.O. Walsh’s debut novel, My Sunshine Away, it was the rape of his teen crush during her sophomore (his freshman) year of high school, Lindy Simpson. The narrator and Lindy have been neighbors since grade school, during which time he has harbored an innocent, but obsessive love for her. The search for the unseen rapist—who knocked her off her bike and forced her face into the ground—brings all the neighborhood oddballs into suspicion. It also brings the narrator closer to realizing his puppy-like fantasy. Unfortunately, he implicates himself in the process, in multiple ways. During this time, his divorced parents are still acting out their drama, and then his sister is killed in a car accident, leaving no adult—except a loveable but unstable uncle—with time or emotional bandwidth to spare for him as he lurches toward maturity.

Review: My Sunshine Away
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Review: Thorn

Book by EVAN MORGAN WILLIAMS
Reviewed by KAREN UHLMANN

Thorn

The protagonists of the 15 stories in Thorn, by Evan Morgan Williams, are a diverse cast: Native American, white, black, Asian; young and old; men, women; rich, poor. Yet Williams, who won the 2014 G.S. Charat Chandra Prize for Short Fiction, with this debut collection, is able to inhabit his protagonists, as well as to empathize with them. This is no mean feat. Many of Williams’s protaganists are women in crisis, and he has an uncanny ability to take on their voices.

All his characters are struggling, isolated, and vulnerable. They harbor secret yearnings and are ashamed of themselves for them. None get what they desire or need in these stories, many of which are heart-wrenching.

Review: Thorn
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Friday Reads: April 2015

By JULIA LICHTBLAU, CYNTHIA HOGUE, KELLY FORDONILAN STAVANS, HELEN HOOPER, OLIVIA WOLFGANG-SMITH

This month’s books are full of surprises, for their characters and their readers. Whether it’s a world of whimsy, fantasy, or magic(al realism), or else a microcosm of grief either private (a family home) or public (a busy airport), we’re along for the ride as imagined worlds both playful and harrowing rise and fall on these pages.

Recommended:

Play for Me by Céline Keating, The Old Woman, the Tulip, and the Dog by Alicia Ostriker, Munich Airport by Greg Baxter, Where the Bird Sings Best by Alejandro Jodorowsky, The Cold Song by Linn Ullmann

Friday Reads: April 2015
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