Reviews

Review: The London Train

Book by TESSA HADLEY
Reviewed by SARAH MALONE

The London Train

A novel’s content is inextricable from the experience of its presentation: the order of events, what the reader knows about characters, whether the reader is looking ahead toward consequence or backward for explanation. In Tessa Hadley’s Orange Prize-longlisted The London Train, by the time that Cora, the estranged wife of a high-ranking British civil servant, experiences the “physical closeness” of her seatmate between Cardiff and Paddington Station, “mingled with her awareness of herself, as if there’d been brandy in the coffee they drank,” Cora’s is not the only awareness which Hadley has altered.

Initially, The London Train may strike readers of domestic realism as known territory. Paul, a literary critic who would have preferred to be known as a novelist, has received news of his mother’s death. He arrives at her nursing home too late to view her body, a fumble that will come to seem characteristic as the funeral and aftermath illuminate him and his family through their response to crisis. The funeral also occasions contact with Paul’s ex-wife, who is concerned about their elder daughter, who has left university and will divulge only that she is safe and has moved in with friends.

Review: The London Train
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Review: Bitter in the Mouth

Book by MONIQUE TRUONG
Reviewed by SU-YEE LIN

Bitter in the Mouth

While parents often tell their children how unique they are, Linda Hammerick, the narrator of Monique Truong’s Bitter in the Mouth, truly is unique in an unexpected way. She has a particular form of synesthesia which expresses itself in the ability to taste words. As she explains, “When my teacher asked, ‘Linda, where did the English first settle in North Carolina?’ the question would come to me as ‘Lindamint, where did the Englishmaraschinocherry firstPepto-Bismol settlemustard in Northcheddarcheese Carolinacannedpeas?’” And yet, this fact of her life plays only a minor role in this novel about family and the discovery of one’s history. Truong, instead, focuses on family and how it defines you, the relationships between people, be they good, bad or some shade in between. It’s a story about the changes that people go through over a lifetime.

Review: Bitter in the Mouth
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Review: Complete Poems

Book by NICOLE KRAUSS
Reviewed by DANNA JAMES ZELLER

Elizabeth Bishop, in her tender, funny, and deeply restrained memoir of her relationship with Marianne Moore, begins by explaining the title, “Efforts of Affection”: “In the first edition of Marianne Moore’s Collected Poems of 1951 there is a poem originally called ‘Efforts and Affection.’ In my copy of this book, Marianne crossed out the ‘and’ and wrote ‘of’ above it.” It is a strange revision, either obsessive, the act of a fastidious editor, or, possibly, a cryptic admission of something unspeakable or unspoken. The conjunction offers a more open, if inscrutable, connection while the preposition builds tension, hierarchies, acknowledges the possibility of intimacy, loss, indiscretion (and Daniel Varsky’s desk). In the end, either Moore or Bishop or both have let slip a glimpse of something whose larger existence lies hidden away.

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Review: Open City

Book by TEJU COLE
Reviewed by ADAM COGBILL

Open City

In Teju Cole’s Open City, Julius, a young Nigerian-German psychiatrist living in New York, wanders the city. For Julius, “the walks [meet] a need: they [are] a release from the tightly regulated mental environment of work….Every decision—where to turn left, how long to remain lost in thought…—[is] inconsequential, and [is] for that reason a reminder of freedom.” For readers, Julius’ meandering serves as a platform for meditations on history, art, human suffering, race, and culture, and the cumulative effect is anything but inconsequential. To call Open City a novel is like calling the White House a house: although it’s structured around a protagonist, it is driven by perceptiveness, the agility with which it moves from one idea to another, and its humanity.

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Review: The Tiger’s Wife

Book by TÉA OBREHT
Reviewed by ELIZABETH BYRNE

The Tiger’s Wife

For most of us, the war and subsequent breakup of Yugoslavia in the 1990s conjures memories of shaky news footage and the echoes of faraway landmine explosions. For the narrator of The Tiger’s Wife, a young doctor who grew up during the seemingly endless violence, those years were her childhood, defined not by what was lost, but by the simple ritual she shared with her grandfather: visiting the tiger at the zoo.

Author Téa Obreht infuses her first novel with everydayness, what people who haven’t lived through a war might call survival. The novel opens in the present with the news of Natalia’s grandfather’s sudden death. On her way to an aid mission at an orphanage across the border, Natalia receives a page from her grandmother with the news, and an accusation: “He was going to meet you.” But Natalia hadn’t heard from him and didn’t know anything about the supposed plan to meet, so the news comes as a double loss—grief, confusion, and a sense of betrayal. Where was her grandfather going and why did he lie?

Review: The Tiger’s Wife
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