Cedar Park Café 

By TERRA OLIVEIRA

 

at cedar park café, praised for their chicken & waffles, 
i sit at the corner table, & a young blonde child 
with their family in front of me takes a sip of water, 
looks right at their parents, raises their right hand, 
back straight: i commit to not look at my phone, 
even when it’s right in front of me. 

i make the same commitment to myself every day. 
before recovery, no amount of self-control could bring myself 
to stop it. i was sort of big but the phone was bigger. 
this compulsion is real & serious—i thought it, i knew it, 
i’d pray for my behavior to change the next day. 
first thing the next morning, my hand would up 
& move itself, no thought of the rest of the body.  

like any addict there is hope for us too. 
in recovery—yes—i turn to meetings, 
turn to phone calls, to God & to fellows, 
& to readings. i pick up, i slip, i try again, 
further away from where i was (the hours & days), 
& closer to where i want to be 
(so many more hours, so many more days). 

my chicken & waffles are served, 
melted butter & maple syrup & crispy chicken 
& warm sweet & spicy sauce. 
i put my phone (just a notebook) back down.  

the parent: put your phone away. 
the child: we’re going to have to put it in the fire of death. 
the parent: the phone? 
the child: yes, in the fire of death. 
the parent: we don’t need to put it in a fire of death. 
and the phone: 

 

 

[Purchase Issue 29 here.]

Terra Oliveira is a writer and visual artist from the San Francisco Bay Area, and the founding editor of Recenter Press. Her poems have been published in The American Poetry Review, Puerto del Sol, and elsewhere. During the week, you can find her managing two bookstores in the North Bay.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Cedar Park Café 

Related Posts

Nails, Tooth, and Tub

TOLA SYLVAN
And, what’s more, they are painted with tiny small yellow and white dots, which, if you looked closely, invading her intimacy, you might discern to be daffodils, daylilies, daisies, or rose. They are feminine, no matter what. They say: here is the outside of myself, my hardshell exterior, with its wily and yet decipherable messages.

Corazon

ISABEL CRISTINA LEGARDA
The cemetery had inhabitants, and not just those whose descendants had laid them to rest. Two old men were living on the Ordoñez plot. Next to the abandoned Llora mausoleum, a family of four had pitched their makeshift tent. As more squatters crept in, to whom the administrators of the Cementerio de Manila turned a blind eye.

Headshot of Stephen Narain

How to Read Sanskrit in Morningside Heights

STEPHEN NARAIN
Well, my brother, we ain’t better than nobody. My mamma told me that. Daddy. But we must acknowledge—by Grace or accident—we found something. Discovered something. Touch something. You certainly did.