Epithalamium

By EMILY LEITHAUSER

 
The morning after we decided not to get engaged
(I’d ridden the streetcar alone;
 
I felt purposeful and ashamed, my mouth stained with wine)
I sat down in the shower and wept
 
into the crook of one elbow, my arms folded over,
as the shampoo ran down my breasts
 
and spine. I was studying the contours of my knees, when it
took me suddenly,

 
the thought: I don’t remember if I assigned it words, or if
the feeling came to me
 
in pieces, like a poem. I knew outside I would apologize,
again; I knew it would hurt
 
us both, again; I knew were I to marry you someday,
theoretically,
 
when we wounded one another there would be no threat
of canceling the future.
 
In my towel, in New Orleans, incredulous, in the mirror, I think
I knew. I knew I would wait
 
to tell you. I knew that telling was impossible that day:
a saxophone outdoors,
 
the sun spangling its brass. I was seduced by pastels and chicory,
by voodoo shops and garlands
 
of beads, by swamp-heat, by the tables outside set for two,
and my secret answer yes.

 

[Purchase Issue 19 here.] 

 

Emily Leithauser’s first book, The Borrowed World, won the Able Muse Book Award and was published in 2016. Her poems and translations have appeared in Literary Imagination, New Ohio Review, Blackbird, and Southwest Review, among other publications. She is an assistant professor of English at Centenary College of Louisiana.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Epithalamium

Related Posts

top 10 pieces 2025

The Most-Read Pieces of 2025

Browse a list of the ten most-read new pieces of 2025 to get a taste of what left an impact on readers. 2025 was a momentous year for The Common: our fifteenth anniversary, our 30th issue, even a major motion picture based on a story in the magazine.

The Ground That Walks

ALAA ALQAISI
We stepped out with our eyes uncovered. / Gaza kept looking through them— / green tanks asleep on roofs, a stubborn gull, / water heavy with scales at dawn. // Nothing in us chose the hinges to slacken. / The latch turned without our hands. / Papers practiced the border’s breath.