It’s Raining in L.A. What Else I’m Pose to Do

By SHAUNA BARBOSA 

 

The wolf belongs to the boy I to the wolf
I ask permission to still be myself this time of night.
Sem barriga, sem fome, sem bebida. Blue notes
from a dead man’s tribute creep up my balcony.
Damn, you know how you know a song,
but don’t know a song? I enter him like sheet music
gently blow him like he’s Coltrane. If true liberty 
has no gate why am I always outside of it?
Fingers through cold openings, shuddering
but thankful for family who are already dead.
The departed dipped off their foreign land 
on a boat, just to see their lovechild’s
lovechild’s lovechild, honoring commitments
to everyone but self. The best thing for you to do
is leave him alone someone says to the wolf
says to me I’m still myself I got this. I got it.
I got it. I still got it for that 8-year-old
whose father slapped her for watching 
LL Cool J’s “Doin It” video. LL with a whole
apple in his mouth, watching through a small opening
a woman create a circus of her body.
Papi must have saw it in my eyes, that I knew, even
then, I’d grow to be both the apple and the jaw.
I am Papi’s half flaw on my best day,
Mami’s bursting beast on weak nights.
It’s raining in L.A. what else I’m pose to do
but count all these escudos and,
through a small opening, 
reminisce my way back to him 
wolf the image of his wife out to sea.

 

Shauna Barbosa is the author of the poetry collection Cape Verdean Blues. Her poems have appeared or are forthcoming in The New Yorker, Ploughshares, AGNI, Iowa Review, Virginia Quarterly Review, Poetry Society of America, PBS Newshour, Literary Hub, and others. She was nominated for PEN America’s 2019 Open Book Award and was a 2018 DISQUIET International Luso-American fellow. Shauna received her MFA from Bennington College in Vermont and is currently working on her second book project—a compilation of stories based on her six-month research residency in Cabo Verde.

[Purchase Issue 20 here.]

It’s Raining in L.A. What Else I’m Pose to Do

Related Posts

Black and white image of a bird with a long neck

Dispatch from Marutha Nilam

SAKTHI ARULANANDHAM
With the swiftness and dexterity / of a hawk that pounces upon a chicken / and takes it by force, / the bird craves / snapping up a vast terrain / with its powerful, sharp beak / and flying away with it. // When that turns out to be impossible, / in the heat of its great big sigh, / all the rivers dry up.

Tripas Book Cover

Excerpt from Tripas

BRANDON SOM
One grandmother with Vicks, one with Tiger Balm, rubbed / fires of camphor & mint, old poultices, / into my chest: their palms kneading & wet with salve, / its menthols, to strip the chaff & rattle in a night wheeze. Can you / hear their lullabies?

Blue cover of There is Still Singing in the Afterlife

Four Poems by JinJin Xu

JINJIN XU
my mother, my father. / Her skinny blue wrists, his ear caressing a cigarette. In the beginning, / it is already too late, but there is hunger & no time / to waste. All they need are six hands, three mouths, a clockwork / yearning for locks of their own, windows square & fresh.